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ISBN: 9781861893413
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1
Film Music (1982)
EN NWISBN: 9781861893413 bzw. 1861893418, in Englisch, Reaktion Books, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, 3-5 Days.
Film and music belong together; classics like Fritz Lang's Metropolis (1927) and Mike Nichols' The Graduate (1967) are renowned for their brilliant soundtracks. But what exactly is film music? Does music act as an accompaniment to the film', or is film an illustration of the music, or are the two inseparable? In Film Music , Peter Larsen traces the history of music in film and discusses central theoretical questions concerning its narrative and psychological functions. He looks in depth at classics such as Howard Hawks' The Big Sleep (1946) and Alfred Hitchcock's North by Northwest (1959), as well as later international blockbusters and cult films including American Grafitti (1973), Star Wars (1977) and Blade Runner (1982). These case studies explore the role of music in the history of film, and also show how other films can be discussed in relationship to their music. Film Music offers a much-needed overview of how music functions in film and serves as a fascinating, accessible introduction to the analysis of film music. The book will serve as an important text for students of film, music and cultural disciplines, as well as the general reader with an interest in film and popular music.
Film and music belong together; classics like Fritz Lang's Metropolis (1927) and Mike Nichols' The Graduate (1967) are renowned for their brilliant soundtracks. But what exactly is film music? Does music act as an accompaniment to the film', or is film an illustration of the music, or are the two inseparable? In Film Music , Peter Larsen traces the history of music in film and discusses central theoretical questions concerning its narrative and psychological functions. He looks in depth at classics such as Howard Hawks' The Big Sleep (1946) and Alfred Hitchcock's North by Northwest (1959), as well as later international blockbusters and cult films including American Grafitti (1973), Star Wars (1977) and Blade Runner (1982). These case studies explore the role of music in the history of film, and also show how other films can be discussed in relationship to their music. Film Music offers a much-needed overview of how music functions in film and serves as a fascinating, accessible introduction to the analysis of film music. The book will serve as an important text for students of film, music and cultural disciplines, as well as the general reader with an interest in film and popular music.
2
Film Music
EN USISBN: 1861893418 bzw. 9781861893413, in Englisch, Reaktion Books, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
arts music and photography,film and television,home and garden,history and criticism,humanities,humor and entertainment,movies,music,performing arts,reference, Just hearing a few notes from certain songs can bring a movie back to life-whether the Doors' "The End" from Apocalypse Now, Simon and Garfunkel's "Mrs. Robinson" in The Graduate, or John Williams' scores to such blockbusters as Jaws, Star Wars, and Raiders of the Lost Ark. But what is the relationship between film and music-where does the film begin and the music end?Taking off from a variation of that question-whether music accompanies a film or a film illustrates the music-Peter Larsen probes the complex relationship between the two. He charts the history of music in film, exploring along the way the role that music plays in the narrative and psychological functions of film. Examining such classics and blockbusters as The Big Sleep, American Graffiti, North by Northwest, and Blade Runner,Larsen uses these case studies to demonstrate how scores and soundtracks can expose unexpected new facets of a film.A wholly accessible examination, Film Music will be an essential read for music scholars and film buffs alike.�.
arts music and photography,film and television,home and garden,history and criticism,humanities,humor and entertainment,movies,music,performing arts,reference, Just hearing a few notes from certain songs can bring a movie back to life-whether the Doors' "The End" from Apocalypse Now, Simon and Garfunkel's "Mrs. Robinson" in The Graduate, or John Williams' scores to such blockbusters as Jaws, Star Wars, and Raiders of the Lost Ark. But what is the relationship between film and music-where does the film begin and the music end?Taking off from a variation of that question-whether music accompanies a film or a film illustrates the music-Peter Larsen probes the complex relationship between the two. He charts the history of music in film, exploring along the way the role that music plays in the narrative and psychological functions of film. Examining such classics and blockbusters as The Big Sleep, American Graffiti, North by Northwest, and Blade Runner,Larsen uses these case studies to demonstrate how scores and soundtracks can expose unexpected new facets of a film.A wholly accessible examination, Film Music will be an essential read for music scholars and film buffs alike.�.
3
Film Music
EN PB USISBN: 9781861893413 bzw. 1861893418, in Englisch, Reaktion Books Ltd. (UK), Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
9781861893413,1861893418,film,music,larsen, Excellent Marketplace listings for "Film Music" by Larsen starting as low as $13.48! Paperback, Shipping to USA only!
9781861893413,1861893418,film,music,larsen, Excellent Marketplace listings for "Film Music" by Larsen starting as low as $13.48! Paperback, Shipping to USA only!
4
Film Music (1967)
EN NWISBN: 9781861893413 bzw. 1861893418, in Englisch, Reaktion Books, Vereinigtes Königreich Großbritannien und Nordirland, neu.
Film and music belong together; classics like Fritz Langs Metropolis (1927) and Mike Nichols The Graduate (1967) are renowned for their brilliant soundtracks. But what...
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