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100%: Utamaro : and the spectacle of beauty (ISBN: 9781861893598) Reaktion Books, Vereinigtes Königreich Großbritannien und Nordirland, in Englisch.Nur diese Ausgabe anzeigen…
71%: Utamaro And The Spectacle Of Beauty (ISBN: 9781789142358) 1806, Reaktion Books, Limited, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Utamaro : and the spectacle of beauty - 3 Angebote vergleichen
Bester Preis: € 51,50 (vom 14.07.2016)1
Utamaro and the Spectacle of Beauty Julie Nelson Davis Author (1806)
~EN PB NWISBN: 9781789142358 bzw. 1789142350, vermutlich in Englisch, Reaktion Books, Limited, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, plus shipping.
Japanese artist Kitagawa Utamaro (1753-1806) was one of the most influential artists working in the genre of ukiyo-e, “pictures of the floating world,” in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. In 1804, at the height of his success, Utamaro published a set of prints related to a banned historical novel. The prints, titled Hideyoshi and his Five Concubines, depicted the military ruler Toyotomi Hideyoshi’s wife and concubines, and consequently, he was accused of insulting Hideyoshi’s dignity. Utamaro was sentenced to be handcuffed for fifty days and is thought to have been briefly imprisoned. According to some sources, the experience crushed him emotionally and ended his career as an artist. In this new expanded edition, Julie Nelson Davis draws on a wide range of period sources, makes a close study of selected print sets, and reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the commercial print market, she demonstrates how Utamaro’s images participated in a larger spectacle of beauty in the city of Edo (present-day Tokyo).
Japanese artist Kitagawa Utamaro (1753-1806) was one of the most influential artists working in the genre of ukiyo-e, “pictures of the floating world,” in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. In 1804, at the height of his success, Utamaro published a set of prints related to a banned historical novel. The prints, titled Hideyoshi and his Five Concubines, depicted the military ruler Toyotomi Hideyoshi’s wife and concubines, and consequently, he was accused of insulting Hideyoshi’s dignity. Utamaro was sentenced to be handcuffed for fifty days and is thought to have been briefly imprisoned. According to some sources, the experience crushed him emotionally and ended his career as an artist. In this new expanded edition, Julie Nelson Davis draws on a wide range of period sources, makes a close study of selected print sets, and reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the commercial print market, she demonstrates how Utamaro’s images participated in a larger spectacle of beauty in the city of Edo (present-day Tokyo).
2
Utamaro And The Spectacle Of Beauty (1806)
~EN NWISBN: 9781789142358 bzw. 1789142350, vermutlich in Englisch, neu.
Lieferung aus: Kanada, plus shipping.
Japanese artist Kitagawa Utamaro (1753–1806) was one of the most influential artists working in the genre of ukiyo-e, “pictures of the floating world,” in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. In 1804, at the height of his success, Utamaro published a set of prints related to a banned historical novel. The prints, titled Hideyoshi and his Five Concubines, depicted the military ruler Toyotomi Hideyoshi’s wife and concubines, and consequently, he was accused of insulting Hideyoshi’s dignity. Utamaro was sentenced to be handcuffed for fifty days and is thought to have been briefly imprisoned. According to some sources, the experience crushed him emotionally and ended his career as an artist. In this new expanded edition, Julie Nelson Davis draws on a wide range of period sources, makes a close study of selected print sets, and reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the commercial print market, she demonstrates how Utamaro’s images participated in a larger spectacle of beauty in the city of Edo (present-day Tokyo).
Japanese artist Kitagawa Utamaro (1753–1806) was one of the most influential artists working in the genre of ukiyo-e, “pictures of the floating world,” in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. In 1804, at the height of his success, Utamaro published a set of prints related to a banned historical novel. The prints, titled Hideyoshi and his Five Concubines, depicted the military ruler Toyotomi Hideyoshi’s wife and concubines, and consequently, he was accused of insulting Hideyoshi’s dignity. Utamaro was sentenced to be handcuffed for fifty days and is thought to have been briefly imprisoned. According to some sources, the experience crushed him emotionally and ended his career as an artist. In this new expanded edition, Julie Nelson Davis draws on a wide range of period sources, makes a close study of selected print sets, and reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the commercial print market, she demonstrates how Utamaro’s images participated in a larger spectacle of beauty in the city of Edo (present-day Tokyo).
3
Utamaro : and the spectacle of beauty
EN NWISBN: 9781861893598 bzw. 1861893590, in Englisch, Reaktion Books, Vereinigtes Königreich Großbritannien und Nordirland, neu.
Lieferung aus: Niederlande, zzgl. Versandkosten.
Japanese artist Kitagawa Utamaro (1753-1806) was one of the influential artists working in the genre of ukiyo-e, pictures of the floating world', in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. This title presents a study of selected print sets, and reinterprets Utamaro in the context of his times. Kunst & Cultuur algemeen, Kunstgeschiedenis.
Japanese artist Kitagawa Utamaro (1753-1806) was one of the influential artists working in the genre of ukiyo-e, pictures of the floating world', in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. This title presents a study of selected print sets, and reinterprets Utamaro in the context of his times. Kunst & Cultuur algemeen, Kunstgeschiedenis.
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