Richard Phillips Adolf Dietrich: Painting and Misappropriation (SWISS INSTITUTE)
8 Angebote vergleichen

Von Händler/Antiquariat, LowKeyBooks [65875000], Sumas, WA, U.S.A.
Item is in good condition. Some moderate creases and wear. This item may not come with CDs or additional parts including access codes for textbooks. This may not have a dust jacket. Might be an ex-library copy and contain writing, highlighting, non-removable stickers, and stamps. Photos are stock pictures and not of the actual item. Books.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Discover Books.
Swiss Institute. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included.

Von Händler/Antiquariat, Discover Books [64434602], Toledo, OH, U.S.A.
Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Books.

Lieferung aus: Schweiz, Versandfertig innert 6 - 9 Tagen.
Painting and Misappropriation, Since 2003, American artist Richard Phillips (born 1964) has made numerous appropriations of paintings by the Swiss artist Adolf Dietrich (1877-1957). Phillips shares with Dietrich a fondness for such subjects as animals, people and landscapes, stylized into an extreme degree of artifice. Phillips´ appropriations and quotations of Dietrich´s motifs orient his own aims firmly within the logic of art history (specifically the modernist canon), and Dietrich, known in his day as ´´the German Rousseau,´´ and winning acclaim under the constrained terms of ´´naive,´´ also proves to be a sophisticated modernist artist. In this volume, published to accompany an exhibition at the Swiss Institute in New York, Phillips´ works are presented alongside Dietrich´s, accompanied by an essay on Dietrich by Phillips, a conversation between Beatrix Ruf and Phillips, a text by Dietrich scholar Dorothee Mesmer and an introduction by Gianni Jetzer and Markus Landert. gebundene Ausgabe, 01.09.2010.

Lieferung aus: Deutschland, plus shipping.
Painting and Misappropriation Since 2003, American artist Richard Phillips (born 1964) has made numerous appropriations of paintings by the Swiss artist Adolf Dietrich (1877-1957). Phillips shares with Dietrich a fondness for such subjects as animals, people and landscapes, stylized into an extreme degree of artifice. Phillips´ appropriations and quotations of Dietrich´s motifs orient his own aims firmly within the logic of art history (specifically the modernist canon), and Dietrich, known in his day as ´´the German Rousseau,´´ and winning acclaim under the constrained terms of ´´naive,´´ also proves to be a sophisticated modernist artist. In this volume, published to accompany an exhibition at the Swiss Institute in New York, Phillips´ works are presented alongside Dietrich´s, accompanied by an essay on Dietrich by Phillips, a conversation between Beatrix Ruf and Phillips, a text by Dietrich scholar Dorothee Mesmer and an introduction by Gianni Jetzer and Markus Landert. 01.09.2010, gebundene Ausgabe.

Von Händler/Antiquariat, Hennessey + Ingalls [54522233], Los Angeles, CA, U.S.A.
Since 2003, American artist Richard Phillips (born 1964) has made numerous appropriations of paintings by the Swiss artist Adolf Dietrich (1877-1957). Phillips shares with Dietrich a fondness for such subjects as animals, people and landscapes, stylized into an extreme degree of artifice. Phillips' appropriations and quotations of Dietrich's motifs orient his own aims firmly within the logic of art history (specifically the modernist canon), and Dietrich, known in his day as 'the German Rousseau,' and winning acclaim under the constrained terms of 'naive,' also proves to be a sophisticated modernist artist. In this volume, published to accompany an exhibition at the Swiss Institute in New York, Phillips' works are presented alongside Dietrich's, accompanied by an essay on Dietrich by Phillips, a conversation between Beatrix Ruf and Phillips, a text by Dietrich scholar Dorothee Mesmer and an introduction by Gianni Jetzer and Markus Landert. Books.

Von Händler/Antiquariat, Books Unplugged [74050220], Amherst, NY, U.S.A.
Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within, Books.

Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Richard Phillips Adolf Dietrich: Painting and Misappropriation Phillips, Richard / Ruf, Beatrix / Messmer, Dorothee, Since 2003, American artist Richard Phillips (born 1964) has made numerous appropriations of paintings by the Swiss artist Adolf Dietrich (1877-1957). Phillips shares with Dietrich a fondness for such subjects as animals, people and landscapes, stylized into an extreme degree of artifice. Phillips' appropriations and quotations of Dietrich's motifs orient his own aims firmly within the logic of art history (specifically the modernist canon), and Dietrich, known in his day as "the German Rousseau," and winning acclaim under the constrained terms of "naive," also proves to be a sophisticated modernist artist. In this volume, published to accompany an exhibition at the Swiss Institute in New York, Phillips' works are presented alongside Dietrich's, accompanied by an essay on Dietrich by Phillips, a conversation between Beatrix Ruf and Phillips, a text by Dietrich scholar Dorothee Mesmer and an introduction by Gianni Jetzer and Markus Landert.