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100%: Andrea Caputo: All City Writers: The Graffiti Diaspora (ISBN: 9782859800161) 2012, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
35%: Caputo, Andrea: All City Writers (ISBN: 9782859800130) Kitchen January 2010, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
All City Writers: The Graffiti Diaspora - 12 Angebote vergleichen
| Preise | 2017 | 2019 | 2020 | 2021 | 2022 |
|---|---|---|---|---|---|
| Schnitt | € 41,32 | € 41,36 | € 40,85 | € 37,39 | € 41,69 |
| Nachfrage |
1
All City Writers (2009)
~EN HC USISBN: 9782859800130 bzw. 2859800131, vermutlich in Englisch, Kitchen 93, France, gebundenes Buch, gebraucht, guter Zustand.
Von Händler/Antiquariat, Twice Sold Tales, Capitol Hill [18967], Seattle, WA, U.S.A.
Rare hardcover in Very Good condition. Light bumping on corners, some rubbing, slight sunfading on top edges, very minor spots of soiling. Light fading on top edge of pages. Binding is tight. **Due to book's size & weight additional charges for international and priority shipping will apply.**, Books.
Rare hardcover in Very Good condition. Light bumping on corners, some rubbing, slight sunfading on top edges, very minor spots of soiling. Light fading on top edge of pages. Binding is tight. **Due to book's size & weight additional charges for international and priority shipping will apply.**, Books.
2
All City Writers: The Graffiti Diaspora
~EN NWISBN: 9782859800161 bzw. 2859800166, vermutlich in Englisch, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
The title, ALL CITY WRITERS, describes a vast research on the Writing movement, focusing particularly on the process of its exportation from New York to all of Europe during the ''80s. The first part of the research analyzes how graffiti in media such as movies, videos, magazines, and books from New York influenced Europe. When images of the New York subway arrived in London, Paris, Munich, and Amsterdam, a huge milestone was set: A first generation of European graffiti writers started to follow the letters, the method, the techniques, and the general lifestyle of New York in the ''70s.The book, a massive volume of more than 400 pages, has been conceived as an imaginary newspaper. The chronicles it contains have not been penned by real journalists or narrators but by people who define themselves as ''writers.'' In this volume, a chorus of uncensored voices in the first person reveal their knowledge of European cities, their infrastructures, interstices, and neighborhoods. This is the generation who, in the last two decades of the 20th Century, imported the countercultural phenomenon from New York commonly known as ''Graffiti.''At the outset, the obsessive repetition of a tag and the search for urban fame became a widespread and spontaneous act, an infinite ego trip that was rarely dissociated from the reproduction of the chosen letters. In these pages, European writers abandon the compulsive act of tagging for a moment, to narrate the city and cast a personal eye—not always detached—on the trains, the streets, and the urban surroundings that common citizens generally cannot or will not acknowledge. The chapters that compose this book focus on special themes, comparable to the sections of a daily newspaper, presented here as special reports on the New York subway, the European network, or the first urban strongholds.The combination of these elements, including, among others, a detailed, in-depth description of the phenomenon''s explosion in Italy during the ''90s, provides a unique history of the variety of pathways they explored and documents the desires of an entire generation intent on describing and interpreting their cultural movement. Through historic and detailed documentation deriving from a singular urban episode, the New York City Subway, ALL CITY WRITERS wants to investigate the evolution and the consequences of a countercultural phenomenon, which in the last decades has provoked a change in the rules of aesthetics and communication in modern day society.
The title, ALL CITY WRITERS, describes a vast research on the Writing movement, focusing particularly on the process of its exportation from New York to all of Europe during the ''80s. The first part of the research analyzes how graffiti in media such as movies, videos, magazines, and books from New York influenced Europe. When images of the New York subway arrived in London, Paris, Munich, and Amsterdam, a huge milestone was set: A first generation of European graffiti writers started to follow the letters, the method, the techniques, and the general lifestyle of New York in the ''70s.The book, a massive volume of more than 400 pages, has been conceived as an imaginary newspaper. The chronicles it contains have not been penned by real journalists or narrators but by people who define themselves as ''writers.'' In this volume, a chorus of uncensored voices in the first person reveal their knowledge of European cities, their infrastructures, interstices, and neighborhoods. This is the generation who, in the last two decades of the 20th Century, imported the countercultural phenomenon from New York commonly known as ''Graffiti.''At the outset, the obsessive repetition of a tag and the search for urban fame became a widespread and spontaneous act, an infinite ego trip that was rarely dissociated from the reproduction of the chosen letters. In these pages, European writers abandon the compulsive act of tagging for a moment, to narrate the city and cast a personal eye—not always detached—on the trains, the streets, and the urban surroundings that common citizens generally cannot or will not acknowledge. The chapters that compose this book focus on special themes, comparable to the sections of a daily newspaper, presented here as special reports on the New York subway, the European network, or the first urban strongholds.The combination of these elements, including, among others, a detailed, in-depth description of the phenomenon''s explosion in Italy during the ''90s, provides a unique history of the variety of pathways they explored and documents the desires of an entire generation intent on describing and interpreting their cultural movement. Through historic and detailed documentation deriving from a singular urban episode, the New York City Subway, ALL CITY WRITERS wants to investigate the evolution and the consequences of a countercultural phenomenon, which in the last decades has provoked a change in the rules of aesthetics and communication in modern day society.
3
All City Writers: The Graffiti Diaspora Andrea Caputo Author
~EN PB NWISBN: 9782859800161 bzw. 2859800166, vermutlich in Englisch, AMMO Books, LLC, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
The title, ALL CITY WRITERS, describes a vast research on the Writing movement, focusing particularly on the process of its exportation from New York to all of Europe during the '80s. The first part of the research analyzes how graffiti in media such as movies, videos, magazines, and books from New York influenced Europe. When images of the New York subway arrived in London, Paris, Munich, and Amsterdam, a huge milestone was set: A first generation of European graffiti writers started to follow the letters, the method, the techniques, and the general lifestyle of New York in the '70s.The book, a massive volume of more than 400 pages, has been conceived as an imaginary newspaper. The chronicles it contains have not been penned by real journalists or narrators but by people who define themselves as 'writers.' In this volume, a chorus of uncensored voices in the first person reveal their knowledge of European cities, their infrastructures, interstices, and neighborhoods. This is the generation who, in the last two decades of the 20th Century, imported the countercultural phenomenon from New York commonly known as 'Graffiti.'At the outset, the obsessive repetition of a tag and the search for urban fame became a widespread and spontaneous act, an infinite ego trip that was rarely dissociated from the reproduction of the chosen letters. In these pages, European writers abandon the compulsive act of tagging for a moment, to narrate the city and cast a personal eye—not always detached—on the trains, the streets, and the urban surroundings that common citizens generally cannot or will not acknowledge. The chapters that compose this book focus on special themes, comparable to the sections of a daily newspaper, presented here as special reports on the New York subway, the European network, or the first urban strongholds.The combination of these elements, including, among others, a detailed, in-depth description of the phenomenon's explosion in Italy during the '90s, provides a unique history of the variety of pathways they explored and documents the desires of an entire generation intent on describing and interpreting their cultural movement. Through historic and detailed documentation deriving from a singular urban episode, the New York City Subway, ALL CITY WRITERS wants to investigate the evolution and the consequences of a countercultural phenomenon, which in the last decades has provoked a change in the rules of aesthetics and communication in modern day society.
The title, ALL CITY WRITERS, describes a vast research on the Writing movement, focusing particularly on the process of its exportation from New York to all of Europe during the '80s. The first part of the research analyzes how graffiti in media such as movies, videos, magazines, and books from New York influenced Europe. When images of the New York subway arrived in London, Paris, Munich, and Amsterdam, a huge milestone was set: A first generation of European graffiti writers started to follow the letters, the method, the techniques, and the general lifestyle of New York in the '70s.The book, a massive volume of more than 400 pages, has been conceived as an imaginary newspaper. The chronicles it contains have not been penned by real journalists or narrators but by people who define themselves as 'writers.' In this volume, a chorus of uncensored voices in the first person reveal their knowledge of European cities, their infrastructures, interstices, and neighborhoods. This is the generation who, in the last two decades of the 20th Century, imported the countercultural phenomenon from New York commonly known as 'Graffiti.'At the outset, the obsessive repetition of a tag and the search for urban fame became a widespread and spontaneous act, an infinite ego trip that was rarely dissociated from the reproduction of the chosen letters. In these pages, European writers abandon the compulsive act of tagging for a moment, to narrate the city and cast a personal eye—not always detached—on the trains, the streets, and the urban surroundings that common citizens generally cannot or will not acknowledge. The chapters that compose this book focus on special themes, comparable to the sections of a daily newspaper, presented here as special reports on the New York subway, the European network, or the first urban strongholds.The combination of these elements, including, among others, a detailed, in-depth description of the phenomenon's explosion in Italy during the '90s, provides a unique history of the variety of pathways they explored and documents the desires of an entire generation intent on describing and interpreting their cultural movement. Through historic and detailed documentation deriving from a singular urban episode, the New York City Subway, ALL CITY WRITERS wants to investigate the evolution and the consequences of a countercultural phenomenon, which in the last decades has provoked a change in the rules of aesthetics and communication in modern day society.
4
All City Writers
~EN HC USISBN: 9782859800130 bzw. 2859800131, vermutlich in Englisch, Kitchen 93, gebundenes Buch, gebraucht, guter Zustand.
Von Händler/Antiquariat, medimops [55410863], Berlin, Germany.
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Books.
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Books.
5
All City Writers. by (2010)
~EN HC USISBN: 9782859800130 bzw. 2859800131, vermutlich in Englisch, Kitchen January 2010, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Hennessey + Ingalls [54522233], Los Angeles, CA, U.S.A.
Open copy, moderate wear on cover and along edges/corners, clean interiors/pages, Books.
Open copy, moderate wear on cover and along edges/corners, clean interiors/pages, Books.
6
All City Writers: The Graffiti Diaspora (2012)
~EN PB NWISBN: 2859800166 bzw. 9782859800161, vermutlich in Englisch, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
7
All City Writers: The Graffiti Diaspora (2012)
EN PB USISBN: 9782859800161 bzw. 2859800166, in Englisch, 408 Seiten, Kitchen 93, Taschenbuch, gebraucht.
Neuf à partir de: € 29,79 (12 Offre)
Utilisé à partir de: € 28,83 (5 Offre)
Davantage d’offres Voir la 17 de Amazon.de
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen, frais de port (si livré).
Von Händler/Antiquariat, MEDIMOPS.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, MEDIMOPS.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
Symbolbild
All City Writers: The Graffiti Diaspora (2012)
~EN PB USISBN: 9782859800161 bzw. 2859800166, vermutlich in Englisch, Kitchen 93, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, frais de port, Zone d’expédition: DOM.
Von Händler/Antiquariat, GreatBookPrices, MD, Columbia, [RE:5].
Trade paperback.
Von Händler/Antiquariat, GreatBookPrices, MD, Columbia, [RE:5].
Trade paperback.
9
All City Writers (2009)
~EN USISBN: 2859800131 bzw. 9782859800130, vermutlich in Englisch, gebraucht, guter Zustand.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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