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100%: Orlene Denice McMahon: Listening to the French New Wave (ISBN: 9783035398571) 2014, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Orlene Denice McMahon: Listening to the French New Wave : The Film Music and Composers of Postwar French Art Cinema (ISBN: 9783035305883) 2014, in Deutsch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: McMahon, Orlene Denice: Listening to the French New Wave: The Film Music and Composers of Postwar French Art Cinema (New Studies in European Cinema) (ISBN: 9783034317504) 2014, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
88%: Orlene Denice McMahon: Listening to the French New Wave: The Film Music and Composers of Postwar French Art Cinema (New Studies in European Cinema Book 16) (English Edition) (ISBN: 9783035398564) 2014, Peter Lang AG, Internationaler Verlag der Wissenschaften, Erstausgabe, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
Listening to the French New Wave - 16 Angebote vergleichen
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1
Listening to the French New Wave - The Film Music and Composers of Postwar French Art Cinema
~EN NW EB DLISBN: 9783035398571 bzw. 3035398577, vermutlich in Englisch, Internationaler Verlag Der Wissenschaften Peter Lang AG, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Versandkostenfrei.
Listening to the French New Wave: As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. Englisch, Ebook.
Listening to the French New Wave: As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. Englisch, Ebook.
2
Listening to the French New Wave - The Film Music and Composers of Postwar French Art Cinema
DE PB NWISBN: 9783034317504 bzw. 3034317506, in Deutsch, Peter Lang, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Listening to the French New Wave: As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. Englisch, Taschenbuch.
Listening to the French New Wave: As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. Englisch, Taschenbuch.
3
Listening to the French New Wave
EN NW EB DLISBN: 9783035398571 bzw. 3035398577, in Englisch, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music.
As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music.
4
Listening to the French New Wave: The Film Music and Composers of Postwar French Art Cinema
DE NWISBN: 9783034317504 bzw. 3034317506, in Deutsch, Peter Lang AG, Internationaler Verlag der Wissenschaften, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Orlene Denice McMahon, Books, Entertainment, Listening to the French New Wave: The Film Music and Composers of Postwar French Art Cinema, As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music.
Orlene Denice McMahon, Books, Entertainment, Listening to the French New Wave: The Film Music and Composers of Postwar French Art Cinema, As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music.
5
Listening to the French New Wave: The Film Music and Composers of Postwar French Art Cinema (New Studies in European Cinema) (2014)
EN PB NW FEISBN: 9783034317504 bzw. 3034317506, in Englisch, 295 Seiten, Peter Lang AG, Internationaler Verlag der Wissenschaften, Taschenbuch, neu, Erstausgabe.
Neu ab: £31.70 (19 Angebote)
Gebraucht ab: £37.23 (5 Angebote)
Zu den weiteren 24 Angeboten bei Amazon.co.uk
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 24 hours.
Von Händler/Antiquariat, Amazon.co.uk.
As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. 'Listening to the French New Wave 'offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. Paperback, Ausgabe: 1st New edition, Label: Peter Lang AG, Internationaler Verlag der Wissenschaften, Peter Lang AG, Internationaler Verlag der Wissenschaften, Produktgruppe: Book, Publiziert: 2014-03-21, Freigegeben: 2014-03-21, Studio: Peter Lang AG, Internationaler Verlag der Wissenschaften, Verkaufsrang: 428170.
Von Händler/Antiquariat, Amazon.co.uk.
As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. 'Listening to the French New Wave 'offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. Paperback, Ausgabe: 1st New edition, Label: Peter Lang AG, Internationaler Verlag der Wissenschaften, Peter Lang AG, Internationaler Verlag der Wissenschaften, Produktgruppe: Book, Publiziert: 2014-03-21, Freigegeben: 2014-03-21, Studio: Peter Lang AG, Internationaler Verlag der Wissenschaften, Verkaufsrang: 428170.
6
Listening to the French New Wave: The Film Music and Composers of Postwar French Art Cinema (New Studies in European Cinema) (2014)
EN PB NW FEISBN: 9783034317504 bzw. 3034317506, in Englisch, 295 Seiten, Peter Lang AG, Internationaler Verlag der Wissenschaften, Taschenbuch, neu, Erstausgabe.
Neu ab: $49.00 (15 Angebote)
Gebraucht ab: $46.55 (9 Angebote)
Zu den weiteren 24 Angeboten bei Amazon.com
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 2-3 business days.
Von Händler/Antiquariat, Blackwell's U.K. *Tracked Service to the USA*.
As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. Paperback, Ausgabe: 1st New edition, Label: Peter Lang AG, Internationaler Verlag der Wissenschaften, Peter Lang AG, Internationaler Verlag der Wissenschaften, Produktgruppe: Book, Publiziert: 2014-03-21, Studio: Peter Lang AG, Internationaler Verlag der Wissenschaften, Verkaufsrang: 3474084.
Von Händler/Antiquariat, Blackwell's U.K. *Tracked Service to the USA*.
As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. Paperback, Ausgabe: 1st New edition, Label: Peter Lang AG, Internationaler Verlag der Wissenschaften, Peter Lang AG, Internationaler Verlag der Wissenschaften, Produktgruppe: Book, Publiziert: 2014-03-21, Studio: Peter Lang AG, Internationaler Verlag der Wissenschaften, Verkaufsrang: 3474084.
7
Listening to the French New Wave : The Film Music and Composers of Postwar French Art Cinema
EN NW EB DLISBN: 9783035398571 bzw. 3035398577, in Englisch, Wiley, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
This book offers the first detailed study of the music and composers of French New Wave cinema, offering a new look at this popular film movement.The author challenges the view that these films were revolutionary because of their reliance on traditional approaches to music yet highlights New Wave directors who adopted contemporary music practices.
This book offers the first detailed study of the music and composers of French New Wave cinema, offering a new look at this popular film movement.The author challenges the view that these films were revolutionary because of their reliance on traditional approaches to music yet highlights New Wave directors who adopted contemporary music practices.
8
Listening to the French New Wave : The Film Music and Composers of Postwar French Art Cinema
EN NW EB DLISBN: 9783035398571 bzw. 3035398577, in Englisch, Springer Netherlands, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
This book offers the first detailed study of the music and composers of French New Wave cinema, offering a new look at this popular film movement.The author challenges the view that these films were revolutionary because of their reliance on traditional approaches to music yet highlights New Wave directors who adopted contemporary music practices.
This book offers the first detailed study of the music and composers of French New Wave cinema, offering a new look at this popular film movement.The author challenges the view that these films were revolutionary because of their reliance on traditional approaches to music yet highlights New Wave directors who adopted contemporary music practices.
9
Listening to the French New Wave (2014)
EN NW EB DLISBN: 9783035398571 bzw. 3035398577, in Englisch, Peter Lang AG, Internationaler Verlag der Wissenschaften, Peter Lang AG, Internationaler Verlag der Wissenschaften, Peter Lang AG, Internationaler Verlag der Wissenschaften, neu, E-Book, elektronischer Download.
Lieferung aus: Brasilien, in-stock.
As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there.
As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there.
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