Wettbewerbstheorie : eine kritische Auseinandersetzung. Volkswirtschaftliche Schriften ; H. 434
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Von Händler/Antiquariat, Fullerstone Books.
Margaret M. Mitchell argues that all Pauline interpretation depends to a large degree upon the ways in which readers formulate their own mental (and sometimes graphic) images of the author, Paul. John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church (c. 349-407 C.E.), richly exemplifies this phenomenon in his writings and speeches, where he composes word portraits of his beloved Paul, so as to bring his own readers face to face with the saintly figure he commends for their imitation. The author brings together the copious portraits of Paul - of his body, his soul, and his life circumstances - found throughout Chrysostom's immense corpus of writings, and for the first time analyzes them as complex rhetorical compositions built upon well-known conventions and techniques of Greco-Roman rhetoric (epithet, encomium, and ekphrasis). Chrysostom's literary portraiture, by idealizing Paul as 'the archetypal image' of Christian virtue, served as a rhetorical vehicle for social construction and replication of the Pauline model in the now-Christian society of late antiquity. Pauline interpretation as Chrysostom practiced it confounds both the traditional map of patristic exegesis as defined by the dichotomy between Antiochene literalism and Alexandrine allegory, and contemporary hermeneutical claims about 'the death of the author' in the interpretive enterprise. While Chrysostom's Pauline portraiture may reach exalted heights of artistry, it is not unique, as comparisons with Chrysostom's Latin contemporary Augustine and recent Pauline scholarship reveal. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus sancti Pauli, and a catalogue and color plates of artistic representations of Chrysostom and Paul that graphically represent the author/exegete dynamic this study explores. Hardcover, Label: Mohr Siebeck, Mohr Siebeck, Product group: Book, Published: 2000, Release date: 2000-01-01, Studio: Mohr Siebeck.

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Von Händler/Antiquariat, Amazon.com.
Margaret M. Mitchell argues that all Pauline interpretation depends to a large degree upon the ways in which readers formulate their own mental (and sometimes graphic) images of the author, Paul. John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church (c. 349-407 C.E.), richly exemplifies this phenomenon in his writings and speeches, where he composes word portraits of his beloved Paul, so as to bring his own readers face to face with the saintly figure he commends for their imitation. The author brings together the copious portraits of Paul - of his body, his soul, and his life circumstances - found throughout Chrysostom's immense corpus of writings, and for the first time analyzes them as complex rhetorical compositions built upon well-known conventions and techniques of Greco-Roman rhetoric (epithet, encomium, and ekphrasis). Chrysostom's literary portraiture, by idealizing Paul as 'the archetypal image' of Christian virtue, served as a rhetorical vehicle for social construction and replication of the Pauline model in the now-Christian society of late antiquity. Pauline interpretation as Chrysostom practiced it confounds both the traditional map of patristic exegesis as defined by the dichotomy between Antiochene literalism and Alexandrine allegory, and contemporary hermeneutical claims about 'the death of the author' in the interpretive enterprise. While Chrysostom's Pauline portraiture may reach exalted heights of artistry, it is not unique, as comparisons with Chrysostom's Latin contemporary Augustine and recent Pauline scholarship reveal. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus sancti Pauli , and a catalogue and color plates of artistic representations of Chrysostom and Paul that graphically represent the author/exegete dynamic this study explores. Hardcover, Label: Mohr Siebeck, Mohr Siebeck, Product group: Book, Published: 2000-12-31, Studio: Mohr Siebeck, Sales rank: 18248584.

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Von Händler/Antiquariat, Rhein-Team Lörrach, [3332481].
Neuware - Margaret M. Mitchell argues that all Pauline interpretation depends to a large degree upon the ways in which readers formulate their own mental (and sometimes graphic) images of the author, Paul. John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church (c. 349-407 C.E.), richly exemplifies this phenomenon in his writings and speeches, where he composes word portraits of his beloved Paul, so as to bring his own readers face to face with the saintly figure he commends for their imitation. The author brings together the copious portraits of Paul - of his body, his soul, and his life circumstances - found throughout Chrysostom's immense corpus of writings, and for the first time analyzes them as complex rhetorical compositions built upon well-known conventions and techniques of Greco-Roman rhetoric (epithet, encomium, and ekphrasis). Chrysostom's literary portraiture, by idealizing Paul as 'the archetypal image' of Christian virtue, served as a rhetorical vehicle for social construction and replication of the Pauline model in the now-Christian society of late antiquity. Pauline interpretation as Chrysostom practiced it confounds both the traditional map of patristic exegesis as defined by the dichotomy between Antiochene literalism and Alexandrine allegory, and contemporary hermeneutical claims about 'the death of the author' in the interpretive enterprise. While Chrysostom's Pauline portraiture may reach exalted heights of artistry, it is not unique, as comparisons with Chrysostom's Latin contemporary Augustine and recent Pauline scholarship reveal. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus sancti Pauli, and a catalogue and color plates of artistic representations of Chrysostom and Paul that graphically represent the author/exegete dynamic this study explores. -, Buch, Neuware, 237x169x40 mm, 1023g, 250, Internationaler Versand, offene Rechnung (Vorkasse vorbehalten), PayPal, Banküberweisung.

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Arguing that all Pauline interpretation depends significantly on the ways in which readers formulate their own images of the apostle, Margaret M. Mitchell posits that John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church, exemplifies this phenomenon. Mitchell brings together Chrysostom's copious portraits of Paul-of his body, his soul, and his life circumstances-and for the first time analyzes them as complex rhetorical compositions built on well-known conventions of Greco-Roman rhetoric. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus sancti Pauli and a catalogue of color plates of artistic representations that graphically represent the author/exegete dynamic this study explores.

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9780664225100,0664225101,heavenly,trumpet,john,chrysostom,pauline,interpretation,margaret,mitchell, Excellent Marketplace listings for "Heavenly Trumpet: John Chrysostom and the Art of Pauline Interpretation" by Margaret M. Mitchell starting as low as $9.99! Paperback, Shipping to USA only!

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Margaret M. Mitchell, Books, Religion and Spirituality, The Heavenly Trumpet: John Chrysostom And The Art Of Pauline Interpretation, Uses Chrysostom's sermons on Paul to propose a new hermeneutical strategy for reading Paul.

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Von Händler/Antiquariat, Antiquariat Clement, 53111 Bonn.
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Von Händler/Antiquariat, Speyer & Peters GmbH, 67593 Westhofen.
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The-Heavenly-Trumpet~~Margaret-M-Mitchell, Heavenly Trumpet, Paperback.