The Intonation of Interrogation in Palermo Italian - 13 Angebote vergleichen

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Intonation of Interrogation in Palermo Italian: Die Buchreihe Linguistische Arbeiten hat mit uber 500 Banden zur linguistischen Theoriebildung der letzten Jahrzehnte in Deutschland und international wesentlich beigetragen. Die Reihe wird auch weiterhin neue Impulse fur die Forschung setzen und die zentrale Einsicht der Sprachwissenschaft prasentieren, dass Fortschritt in der Erforschung der menschlichen Sprachen nur durch die enge Verbindung von empirischen und theoretischen Analysen sowohl diachron wie synchron moglich ist. Daher laden wir hochwertige linguistische Arbeiten aus allen zentralen Teilgebieten der allgemeinen und einzelsprachlichen Linguistik ein, die aktuelle Fragestellungen bearbeiten, neue Daten diskutieren und die Theorieentwicklung vorantreiben. Englisch, Ebook.

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Von Händler/Antiquariat, Stork Group.
In Palermo Italian yes-no interrogatives, if the last syllable of a phrase is unstressed, the nuclear pitch contour is rising-falling, whereas if it is stressed, the contour is simply rising. An autosegmental analysis, where pitch configurations are expressed in terms of H(igh) and L(ow) tones which are either part of a pitch accent or at intermediate or intonation phrase boundaries, is shown to offer the flexibility necessary to account for such context-dependent variation. The interrogative marker consists of a L*+H pitch accent. There is no paradigmatic contrast on the intermediate phrase boundary tone (it is always L) which means that its function is purely delimitative. This tone is only fully realised when a postaccentual syllable is available to carry it; technically, it requires a secondary attachment to a syllable. The absence of the falling part of the L*+HL (L) configuration in phrases with no postaccentual syllable is thus explained. Hardcover, Ausgabe: First Edition, Label: Max Niemeyer Verlag GmbH & Co KG, Max Niemeyer Verlag GmbH & Co KG, Produktgruppe: Book, Publiziert: 1995-01-01, Studio: Max Niemeyer Verlag GmbH & Co KG.

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Von Händler/Antiquariat, orcaknowledge.
In Palermo Italian yes-no interrogatives, if the last syllable of a phrase is unstressed, the nuclear pitch contour is rising-falling, whereas if it is stressed, the contour is simply rising. An autosegmental analysis, where pitch configurations are expressed in terms of H(igh) and L(ow) tones which are either part of a pitch accent or at intermediate or intonation phrase boundaries, is shown to offer the flexibility necessary to account for such context-dependent variation. The interrogative marker consists of a L*+H pitch accent. There is no paradigmatic contrast on the intermediate phrase boundary tone (it is always L) which means that its function is purely delimitative. This tone is only fully realised when a postaccentual syllable is available to carry it; technically, it requires a secondary attachment to a syllable. The absence of the falling part of the L*+HL (L) configuration in phrases with no postaccentual syllable is thus explained. Hardcover, Ausgabe: First Edition, Label: Max Niemeyer Verlag GmbH & Co KG, Max Niemeyer Verlag GmbH & Co KG, Produktgruppe: Book, Publiziert: 1995-01-01, Studio: Max Niemeyer Verlag GmbH & Co KG.

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In Palermo Italian yes-no interrogatives, if the last syllable of a phrase is unstressed, the nuclear pitch contour is rising-falling, whereas if it is stressed, the contour is simply rising. Such context-dependent variation cannot be adequately accounted for within a British-style approach to intonation. By contrast, autosegmental pitch accent studies of intonation, where nuclear pitch configurations are expressed in terms of H(igh) and L(ow) tones, are shown to offer the flexibility necessary to do so. These tones are incorporated into a hierarchical structure in which they have either an accentual or a primarily delimitative function. In the former case, tones are part of a Pitch Accent which has an association to a syllable; in the latter case, tones are associated to nodes representing higher prosodic constituents, either the intermediate phrase or the intonation phrase, and are realised as boundary tones. Building on current analyses, a model is proposed in which tones in the Pitch Accent are also hierarchically structured, involving two levels: the Supertone and Tone. This extended Pitch Accent structure not only explains apparent inconsistencies in phonetic alignment in Palermo Italian, but also accounts for equivalent consistency in alignment in English. In addition it allows leading tones in Palermo Italian to be treated in a qualitatively different way from leading tones in English. The Palermo Italian interrogative marker consists of a L*+H Pitch Accent. There is no paradigmatic contrast on the intermediate phrase boundary tone (it is always L) which means that its function is purely delimitative. This tone is only fully realised when a postaccentual syllable is available to carry it; technically, it requires a secondary attachment to a syllable. The absence of the falling part of the L*+HL (L) configuration in phrases with no postaccentual syllable is thus explained.

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In Palermo Italian yes-no interrogatives, if the last syllable of a phrase is unstressed, the nuclear pitch contour is rising-falling, whereas if it is stressed, the contour is simply rising. Such context-dependent variation cannot be adequately accounted for within a British-style approach to intonation. By contrast, autosegmental pitch accent studies of intonation, where nuclear pitch configurations are expressed in terms of H(igh) and L(ow) tones, are shown to offer the flexibility necessary to do so. These tones are incorporated into a hierarchical structure in which they have either an accentual or a primarily delimitative function. In the former case, tones are part of a Pitch Accent which has an association to a syllable; in the latter case, tones are associated to nodes representing higher prosodic constituents, either the intermediate phrase or the intonation phrase, and are realised as boundary tones. Building on current analyses, a model is proposed in which tones in the Pitch Accent are also hierarchically structured, involving two levels: the Supertone and Tone. This extended Pitch Accent structure not only explains apparent inconsistencies in phonetic alignment in Palermo Italian, but also accounts for equivalent consistency in alignment in English. In addition it allows leading tones in Palermo Italian to be treated in a qualitatively different way from leading tones in English. The Palermo Italian interrogative marker consists of a L*+H Pitch Accent. There is no paradigmatic contrast on the intermediate phrase boundary tone (it is always L) which means that its function is purely delimitative. This tone is only fully realised when a postaccentual syllable is available to carry it; technically, it requires a secondary attachment to a syllable. The absence of the falling part of the L*+HL (L) configuration in phrases with no postaccentual syllable is thus explained.

Von Händler/Antiquariat, Orca Knowledge Systems, Inc. [603531], Novato, CA, U.S.A.
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Von Händler/Antiquariat, Amazon.it.
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