Liebeswut. Aus dem Amerikanischen von - (=rororo 24416).
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Die 31-jährige Gwen, blond, gebildet und erfolgreich, bewohnt ein schickes Apartment in Manhattan. Gideon ist Idealist, lebt in einer heruntergekommenen WG und schlägt sich als Puppenspieler durchs Leben. Obwohl die beiden unterschiedlicher nicht sein könnten, fühlen sie sich unwiderstehlich von einander angezogen. Eine leidenschaftliche Affäre beginnt, aus der erst Liebe wird, dann eine Ehe. Ihr Kind wird geboren. Und da bricht auf einmal der Alltag über die Liebe herein.

Von Händler/Antiquariat, BOUQUINIST [1048136], München, BY, Germany.
685 (3) Seiten. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. Sie kommen aus derselben Stadt, New York, und leben doch in völlig unterschiedlichen Welten. Die 31 Jahre alte Gwen, eine erfolgreiche Businessfrau, bewohnt ein luxuriöses Apartment an der Upper West Side und ist so gut wie verlobt mit ihrem Langzeitfreund. Der unkonventionelle Gideon lebt in einer Sozialwohnung in der Lower East Side und schlägt sich als Puppenspieler mehr schlecht als recht durchs Leben. Zum ersten Mal sieht sie ihn auf einer Bank im Central Park, wo er gerade ein Mittagsschläfchen hält. Ein paar Tage später treffen sich die beiden wieder, tausend Meilen entfernt, in Nowosibirsk. Gwen hat dort beruflich zu tun, Gideon ist auf Tournee mit seiner Truppe. Zwischen der goldblonden Frau und dem Mann mit den tanzenden Augen funkt es sofort. - Fernanda Eberstadt (born 1960 in New York City) is an American writer. Early lifeShe is the daughter of two patrons of New York City's avant-garde, Frederick Eberstadt, a photographer and psychotherapist, and Isabel Eberstadt, a writer. Her paternal grandfather was Ferdinand Eberstadt, a Wall Street financier and adviser to presidents; her maternal grandfather was the poet Ogden Nash.[5][2] She went to the Brearley School in New York City.[6] As a teenager, she worked at Andy Warhol's Factory[1] and for Diana Vreeland at the Metropolitan Museum. Her first published piece was a profile in Andy Warhol's "Interview" in 1979 of the travel writer Bruce Chatwin. At age eighteen, Eberstadt moved to the United Kingdom where she was one of the first women to attend Magdalen College, Oxford, from which she graduated in 1982.[2] with a double first. Writing careerIn 1985, Alfred A. Knopf, Inc. published the twenty-five-year old Eberstadt's first work of literary fiction, titled Low Tide. This told the story of Jezebel, daughter of an English art dealer and a mad Louisa heiress, adn her fatal love affair with two young brothers. It takes place in New York, Oxford and Mexico. Praise for her work landed her an interview with intellectual William F. Buckley on his television program, Firing Line, where she appeared with Bret Easton Ellis, who had published "Less Than Zero" the same year. The same year, Eberstadt discussed the author of Survival in Auschwitz, Primo Levi, in an article in Commentary magazine. An essay in The Cambridge Companion to Primo Levi by Bryan Cheyette describes the article as follows: "The problem with Levi, clearly, is that he is not Eli Wiesel . Levi's secular humanism offers a completely different representation of the Holocaust to that of Wiesel and thereby endangers Wiesel's hegemony as the emblematic Holocaust survivor in the United States."[9] Biographer Ian Thomson's 2002 volume Primo Levi characterizes Eberstadt's article as motivated mainly by a disagreement with "Levi's reputation as a liberal Diaspora Jew." (p.482) Shortly after, Levi wrote to his translator that "It is not merely for this episode that I have lost my good humour." Her next novel Isaac and His Devils came in 1991 and was again widely acclaimed, described by Library Journal as a "rich novel, full of promise for the author's future." Set in rural New Hampshire, the novel´s hero is Isaac Hooker, a half-deaf, half-blind, hugely fat and ambitious boy-genius and his struggle to fulfill his parents´ blighted dreams. Her third novel, published in 1997 and set in the late 1980s New York art world, When the Sons of Heaven Meet the Daughters of the Earth, recounted the rise and fall of the now young painter, Isaac Hooker. Eberstadt began writing essays and criticism for such publications as Commentary, The New Yorker, Vogue, New York Times Magazine, and Vanity Fair.[7] Her widely cited essay "The Palace and the City," about the Sicilian writer Lampedusa and the politics of urban restoration in Palermo, was published in the December 23, 1991 issue of The New Yorker. In more recent years, she has worked extensively for The New York Ti.

Von Händler/Antiquariat, BOUQUINIST [1048136], München, BY, Germany.
685 (3) Seiten. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. Sie kommen aus derselben Stadt, New York, und leben doch in völlig unterschiedlichen Welten. Die 31 Jahre alte Gwen, eine erfolgreiche Businessfrau, bewohnt ein luxuriöses Apartment an der Upper West Side und ist so gut wie verlobt mit ihrem Langzeitfreund. Der unkonventionelle Gideon lebt in einer Sozialwohnung in der Lower East Side und schlägt sich als Puppenspieler mehr schlecht als recht durchs Leben. Zum ersten Mal sieht sie ihn auf einer Bank im Central Park, wo er gerade ein Mittagsschläfchen hält. Ein paar Tage später treffen sich die beiden wieder, tausend Meilen entfernt, in Nowosibirsk. Gwen hat dort beruflich zu tun, Gideon ist auf Tournee mit seiner Truppe. Zwischen der goldblonden Frau und dem Mann mit den tanzenden Augen funkt es sofort. - Fernanda Eberstadt (born 1960 in New York City) is an American writer. Early lifeShe is the daughter of two patrons of New York City's avant-garde, Frederick Eberstadt, a photographer and psychotherapist, and Isabel Eberstadt, a writer. Her paternal grandfather was Ferdinand Eberstadt, a Wall Street financier and adviser to presidents; her maternal grandfather was the poet Ogden Nash.[5][2] She went to the Brearley School in New York City.[6] As a teenager, she worked at Andy Warhol's Factory[1] and for Diana Vreeland at the Metropolitan Museum. Her first published piece was a profile in Andy Warhol's "Interview" in 1979 of the travel writer Bruce Chatwin. At age eighteen, Eberstadt moved to the United Kingdom where she was one of the first women to attend Magdalen College, Oxford, from which she graduated in 1982.[2] with a double first. Writing careerIn 1985, Alfred A. Knopf, Inc. published the twenty-five-year old Eberstadt's first work of literary fiction, titled Low Tide. This told the story of Jezebel, daughter of an English art dealer and a mad Louisa heiress, adn her fatal love affair with two young brothers. It takes place in New York, Oxford and Mexico. Praise for her work landed her an interview with intellectual William F. Buckley on his television program, Firing Line, where she appeared with Bret Easton Ellis, who had published "Less Than Zero" the same year. The same year, Eberstadt discussed the author of Survival in Auschwitz, Primo Levi, in an article in Commentary magazine. An essay in The Cambridge Companion to Primo Levi by Bryan Cheyette describes the article as follows: "The problem with Levi, clearly, is that he is not Eli Wiesel . Levi's secular humanism offers a completely different representation of the Holocaust to that of Wiesel and thereby endangers Wiesel's hegemony as the emblematic Holocaust survivor in the United States."[9] Biographer Ian Thomson's 2002 volume Primo Levi characterizes Eberstadt's article as motivated mainly by a disagreement with "Levi's reputation as a liberal Diaspora Jew." (p.482) Shortly after, Levi wrote to his translator that "It is not merely for this episode that I have lost my good humour." Her next novel Isaac and His Devils came in 1991 and was again widely acclaimed, described by Library Journal as a "rich novel, full of promise for the author's future." Set in rural New Hampshire, the novel´s hero is Isaac Hooker, a half-deaf, half-blind, hugely fat and ambitious boy-genius and his struggle to fulfill his parents´ blighted dreams. Her third novel, published in 1997 and set in the late 1980s New York art world, When the Sons of Heaven Meet the Daughters of the Earth, recounted the rise and fall of the now young painter, Isaac Hooker. Eberstadt began writing essays and criticism for such publications as Commentary, The New Yorker, Vogue, New York Times Magazine, and Vanity Fair.[7] Her widely cited essay "The Palace and the City," about the Sicilian writer Lampedusa and the politics of urban restoration in Palermo, was published in the December 23, 1991 issue of The New Yorker. In more recent years, she has worked extensively for The New York Times Magazine, publishing profiles of the Nobel Prize-winning novelist Orhan Pamuk, of Moroccan-based Spanish writer Juan Goytisolo ,and the Portuguese novelist Jose Saramago, as well as of indie-rock group Cocorosie. Following her pattern of a six-year interval between novels, Eberstadt published The Furies in 2003. Praised by Kirkus Reviews, Booklist, Publishers Weekly, and the New York Times Book Review, fellow writer Bret Easton Ellis called it "spellbinding",[citation needed] and the New York Observer said "The Furies veers pretty close to genius." John Updike, reviewing "Little Money Street" in "The New Yorker," described Eberstadt as "ambitious, resourceful novelist."[8] Life in FranceIn 1998, Eberstadt went to live on a vineyard in the French Pyrenees, outside the city of Perpignan. She became friends with a family of French gypsy musicians. Her first work of non-fiction, Little Money Street - In Search of Gypsies and Their Music in the South of France, which portrays that friendship, was released by Knopf in March 2006. Luc Sante called the book "passionate, intimate, at once exhilarating and despairing, a rich and profound work of high nonfiction literature. A portrait of the Gypsies of southwestern France, it is also about family, about consumerism, and about the ruthlessness of a world in which there is no more open world." Eberstadt and her husband, Alaistair Meddon Oswald Bruton, a journalist whom she married on June 5, 1993,[5] live in France; they have two children.[6] Her sixth book, a novel called RAT, was published by Alfred A. Knopf in March 2010. RAT tells the story of a 15-year-old girl who set off on a journey from rural France to London, with her adopted brother in search of her birth father and a better life. It received very good reviews with Booklist calling it "mythic, gritty and unforgettable." wikipedia-org-wiki-Fernanda_Eberstadt Aus: wikipedia-org Sprache: Deutsch Gewicht in Gramm: 600 Beziehungsroman, Amerikanische Wirtschaft, America.

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Von Händler/Antiquariat, Antiquariat * Der Bücherfreund * im Jura, [3336].
685 S. TB-Nr.24416, Fortmat 19,0 X 12,5 cm. 1. Auflage. Zustand: Minimale Spuren auf vorderem Deckel, sonst einwandfrei.

Lieferung aus: Deutschland, zzgl. Versandkosten.
Erste Auflage dieser Ausgabe. 685 Seiten. 19 cm. Taschenbuch. Kartoniert. ISBN: 3499244160. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. - Fernanda Eberstadt (born 1960 in New York City) is an American writer.[1][2][3][4] Early lifeShe is the daughter of two patrons of New York City's avant-garde, Frederick Eberstadt, a photographer and psychotherapist, and Isabel Eberstadt, a writer. Her paternal grandfather was Ferdinand Eberstadt, a Wall Street financier and adviser to presidents; her maternal grandfather was the poet Ogden Nash.[5][2] She went to the Brearley School in New York City.[6] As a teenager, she worked at Andy Warhol's Factory[1] and for Diana Vreeland at the Metropolitan Museum. Her first published piece was a profile in Andy Warhol's "Interview" in 1979 of the travel writer Bruce Chatwin. At age eighteen, Eberstadt moved to the United Kingdom where she was one of the first women to attend Magdalen College, Oxford, from which she graduated in 1982.[2] with a double first. Writing careerIn 1985, Alfred A. Knopf, Inc. published the twenty-five-year old Eberstadt's first work of literary fiction, titled Low Tide. This told the story of Jezebel, daughter of an English art dealer and a mad Louisa heiress, adn her fatal love affair with two young brothers. It takes place in New York, Oxford and Mexico. Praise for her work landed her an interview with intellectual William F. Buckley on his television program, Firing Line, where she appeared with Bret Easton Ellis, who had published "Less Than Zero" the same year. The same year, Eberstadt discussed the author of Survival in Auschwitz, Primo Levi, in an article in Commentary magazine. An essay in The Cambridge Companion to Primo Levi by Bryan Cheyette describes the article as follows: "The problem with Levi, clearly, is that he is not Eli Wiesel ... Levi's secular humanism offers a completely different representation of the Holocaust to that of Wiesel and thereby endangers Wiesel's hegemony as the emblematic Holocaust survivor in the United States."[9] Biographer Ian Thomson's 2002 volume Primo Levi characterizes Eberstadt's article as motivated mainly by a disagreement with "Levi's reputation as a liberal Diaspora Jew." (p.482) Shortly after, Levi wrote to his translator that "It is not merely for this episode that I have lost my good humour." Her next novel Isaac and His Devils came in 1991 and was again widely acclaimed, described by Library Journal as a "rich novel, full of promise for the author's future." Set in rural New Hampshire, the novel's hero is Isaac Hooker, a half-deaf, half-blind, hugely fat and ambitious boy-genius and his struggle to fulfill his parents' blighted dreams. Her third novel, published in 1997 and set in the late 1980s New York art world, When the Sons of Heaven Meet the Daughters of the Earth, recounted the rise and fall of the now young painter, Isaac Hooker. Eberstadt began writing essays and criticism for such publications as Commentary, The New Yorker, Vogue, New York Times Magazine, and Vanity Fair.[7] Her widely cited essay "The Palace and the City," about the Sicilian writer Lampedusa and the politics of urban restoration in Palermo, was published in the December 23, 1991 issue of The New Yorker. In more recent years, she has worked extensively for The New York Times Magazine, publishing profiles of the Nobel Prize-winning novelist Orhan Pamuk, of Moroccan-based Spanish writer Juan Goytisolo ,and the Portuguese novelist Jose Saramago, as well as of indie-rock group Cocorosie. Following her pattern of a six-year interval between novels, Eberstadt published The Furies in 2003. Praised by Kirkus Reviews, Booklist, Publishers Weekly, and the New York Times Book Review, fellow writer Bret Easton Ellis called it "spellbinding",[citation needed] and the New York Observer said "The Furies veers pretty close to genius." John Updike, reviewing "Little Money Street" in "The New Yorker," described Eberstadt as "ambitious, resourceful novelist."[8] Life in FranceIn 1998, Eberstadt went to live on a vineyard in the French Pyrenees, outside the city of Perpignan. She became friends with a family of French gypsy musicians. Her first work of non-fiction, Little Money Street - In Search of Gypsies and Their Music in the South of France, which portrays that friendship, was released by Knopf in March 2006. Luc Sante called the book "passionate, intimate, at once exhilarating and despairing, a rich and profound work of high nonfiction literature. A portrait of the Gypsies of southwestern France, it is also about family, about consumerism, and about the ruthlessness of a world in which there is no more open world." Eberstadt and her husband, Alaistair Meddon Oswald Bruton, a journalist whom she married on June 5, 1993,[5] live in France; they have two children.[6] Her sixth book, a novel called RAT, was published by Alfred A. Knopf in March 2010. RAT tells the story of a 15-year-old girl who set off on a journey from rural France to London, with her adopted brother in search of her birth father and a better life. It received very good reviews with Booklist calling it "mythic, gritty and unforgettable." wikipedia-org-wiki-Fernanda_Eberstadt Aus: wikipedia-org [Beziehungsroman, Amerikanische Wirtschaft, Americana, Amerikanistik, Amerikanische Literatur des 21. Jahrhunderts, New York [NY], Tochter, Amerika, Ehepaar, Amerikaner, Scheitern, Beziehungsanbahnung, Beziehung, Amerikanerin, Amerikanische Gesellschaft, Belletristische Darstellung, Unfalltod].

Lieferung aus: Deutschland, Versandkosten in die BRD.
Von Händler/Antiquariat, BOUQUINIST Versand-Antiquariat GbR , 80799 München.
Erste Auflage dieser Ausgabe. 685 Seiten. 19 cm. Taschenbuch. Kartoniert. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. - Fernanda Eberstadt (born 1960 in New York City) is an American writer.[1][2][3][4] Early lifeShe is the daughter of two patrons of New York City's avant-garde, Frederick Eberstadt, a photographer and psychotherapist, and Isabel Eberstadt, a writer. Her paternal grandfather was Ferdinand Eberstadt, a Wall Street financier and adviser to presidents; her maternal grandfather was the poet Ogden Nash.[5][2] She went to the Brearley School in New York City.[6] As a teenager, she worked at Andy Warhol's Factory[1] and for Diana Vreeland at the Metropolitan Museum. Her first published piece was a profile in Andy Warhol's "Interview" in 1979 of the travel writer Bruce Chatwin. At age eighteen, Eberstadt moved to the United Kingdom where she was one of the first women to attend Magdalen College, Oxford, from which she graduated in 1982.[2] with a double first. Writing careerIn 1985, Alfred A. Knopf, Inc. published the twenty-five-year old Eberstadt's first work of literary fiction, titled Low Tide. This told the story of Jezebel, daughter of an English art dealer and a mad Louisa heiress, adn her fatal love affair with two young brothers. It takes place in New York, Oxford and Mexico. Praise for her work landed her an interview with intellectual William F. Buckley on his television program, Firing Line, where she appeared with Bret Easton Ellis, who had published "Less Than Zero" the same year. The same year, Eberstadt discussed the author of Survival in Auschwitz, Primo Levi, in an article in Commentary magazine. An essay in The Cambridge Companion to Primo Levi by Bryan Cheyette describes the article as follows: "The problem with Levi, clearly, is that he is not Eli Wiesel ... Levi's secular humanism offers a completely different representation of the Holocaust to that of Wiesel and thereby endangers Wiesel's hegemony as the emblematic Holocaust survivor in the United States."[9] Biographer Ian Thomson's 2002 volume Primo Levi characterizes Eberstadt's article as motivated mainly by a disagreement with "Levi's reputation as a liberal Diaspora Jew." (p.482) Shortly after, Levi wrote to his translator that "It is not merely for this episode that I have lost my good humour." Her next novel Isaac and His Devils came in 1991 and was again widely acclaimed, described by Library Journal as a "rich novel, full of promise for the author's future." Set in rural New Hampshire, the novel´s hero is Isaac Hooker, a half-deaf, half-blind, hugely fat and ambitious boy-genius and his struggle to fulfill his parents´ blighted dreams. Her third novel, published in 1997 and set in the late 1980s New York art world, When the Sons of Heaven Meet the Daughters of the Earth, recounted the rise and fall of the now young painter, Isaac Hooker. Eberstadt began writing essays and criticism for such publications as Commentary, The New Yorker, Vogue, New York Times Magazine, and Vanity Fair.[7] Her widely cited essay "The Palace and the City," about the Sicilian writer Lampedusa and the politics of urban restoration in Palermo, was published in the December 23, 1991 issue of The New Yorker. In more recent years, she has worked extensively for The New York Times Magazine, publishing profiles of the Nobel Prize-winning novelist Orhan Pamuk, of Moroccan-based Spanish writer Juan Goytisolo ,and the Portuguese novelist Jose Saramago, as well as of indie-rock group Cocorosie. Following her pattern of a six-year interval between novels, Eberstadt published The Furies in 2003. Praised by Kirkus Reviews, Booklist, Publishers Weekly, and the New York Times Book Review, fellow writer Bret Easton Ellis called it "spellbinding",[citation needed] and the New York Observer said "The Furies veers pretty close to genius." John Updike, reviewing "Little Money Street" in "The New Yorker," described Eberstadt as "ambitious, resourceful novelist."[8] Life in FranceIn 1998, Eberstadt went to live on a vineyard in the French Pyrenees, outside the city of Perpignan. She became friends with a family of French gypsy musicians. Her first work of non-fiction, Little Money Street - In Search of Gypsies and Their Music in the South of France, which portrays that friendship, was released by Knopf in March 2006. Luc Sante called the book "passionate, intimate, at once exhilarating and despairing, a rich and profound work of high nonfiction literature. A portrait of the Gypsies of southwestern France, it is also about family, about consumerism, and about the ruthlessness of a world in which there is no more open world." Eberstadt and her husband, Alaistair Meddon Oswald Bruton, a journalist whom she married on June 5, 1993,[5] live in France; they have two children.[6] Her sixth book, a novel called RAT, was published by Alfred A. Knopf in March 2010. RAT tells the story of a 15-year-old girl who set off on a journey from rural France to London, with her adopted brother in search of her birth father and a better life. It received very good reviews with Booklist calling it "mythic, gritty and unforgettable." wikipedia-org-wiki-Fernanda_Eberstadt Aus: wikipedia-org Versand D: 2,50 EUR Beziehungsroman, Amerikanische Wirtschaft, Americana, Amerikanistik, Amerikanische Literatur des 21. Jahrhunderts, New York , Tochter, Amerika, Ehepaar, Amerikaner, Scheitern, Beziehungsanbahnung, Beziehung, Amerikanerin, Amerikanische Gesellschaft, Belletristische Darstellung, Unfalltod.

Von Händler/Antiquariat, BOUQUINIST [1048136], München, BY, Germany.
685 Seiten. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. - Fernanda Eberstadt (born 1960 in New York City) is an American writer.[1][2][3][4] Early lifeShe is the daughter of two patrons of New York City's avant-garde, Frederick Eberstadt, a photographer and psychotherapist, and Isabel Eberstadt, a writer. Her paternal grandfather was Ferdinand Eberstadt, a Wall Street financier and adviser to presidents; her maternal grandfather was the poet Ogden Nash.[5][2] She went to the Brearley School in New York City.[6] As a teenager, she worked at Andy Warhol's Factory[1] and for Diana Vreeland at the Metropolitan Museum. Her first published piece was a profile in Andy Warhol's "Interview" in 1979 of the travel writer Bruce Chatwin. At age eighteen, Eberstadt moved to the United Kingdom where she was one of the first women to attend Magdalen College, Oxford, from which she graduated in 1982.[2] with a double first. Writing careerIn 1985, Alfred A. Knopf, Inc. published the twenty-five-year old Eberstadt's first work of literary fiction, titled Low Tide. This told the story of Jezebel, daughter of an English art dealer and a mad Louisa heiress, adn her fatal love affair with two young brothers. It takes place in New York, Oxford and Mexico. Praise for her work landed her an interview with intellectual William F. Buckley on his television program, Firing Line, where she appeared with Bret Easton Ellis, who had published "Less Than Zero" the same year. The same year, Eberstadt discussed the author of Survival in Auschwitz, Primo Levi, in an article in Commentary magazine. An essay in The Cambridge Companion to Primo Levi by Bryan Cheyette describes the article as follows: "The problem with Levi, clearly, is that he is not Eli Wiesel . Levi's secular humanism offers a completely different representation of the Holocaust to that of Wiesel and thereby endangers Wiesel's hegemony as the emblematic Holocaust survivor in the United States."[9] Biographer Ian Thomson's 2002 volume Primo Levi characterizes Eberstadt's article as motivated mainly by a disagreement with "Levi's reputation as a liberal Diaspora Jew." (p.482) Shortly after, Levi wrote to his translator that "It is not merely for this episode that I have lost my good humour." Her next novel Isaac and His Devils came in 1991 and was again widely acclaimed, described by Library Journal as a "rich novel, full of promise for the author's future." Set in rural New Hampshire, the novel´s hero is Isaac Hooker, a half-deaf, half-blind, hugely fat and ambitious boy-genius and his struggle to fulfill his parents´ blighted dreams. Her third novel, published in 1997 and set in the late 1980s New York art world, When the Sons of Heaven Meet the Daughters of the Earth, recounted the rise and fall of the now young painter, Isaac Hooker. Eberstadt began writing essays and criticism for such publications as Commentary, The New Yorker, Vogue, New York Times Magazine, and Vanity Fair.[7] Her widely cited essay "The Palace and the City," about the Sicilian writer Lampedusa and the politics of urban restoration in Palermo, was published in the December 23, 1991 issue of The New Yorker. In more recent years, she has worked extensively for The New York Times Magazine, publishing profiles of the Nobel Prize-winning novelist Orhan Pamuk, of Moroccan-based Spanish writer Juan Goytisolo ,and the Portuguese novelist Jose Saramago, as well as of indie-rock group Cocorosie. Following her pattern of a six-year interval between novels, Eberstadt published The Furies in 2003. Praised by Kirkus Reviews, Booklist, Publishers Weekly, and the New York Times Book Review, fellow writer Bret Easton Ellis called it "spellbinding",[citation needed] and the New York Observer said "The Furies veers pretty close to genius." John Updike, reviewing "Little Money Street" in "The New Yorker," described Eberstadt as "ambitious, resourceful novelist."[8] Life in FranceIn 1998, Eberstadt went to live on a vineyard in the Fre.