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100%: Jung, Berenike: Narrating Violence in Post-9/11 Action Cinema - Terrorist Narratives, Cinematic Narration, and Referentiality (ISBN: 9783531926025) in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
89%: Jung, Berenike: Narrating Violence in Post-9/11 Action Cinema Terrorist Narratives, Cinematic Narration, and Referentiality (ISBN: 9783531175102) 2010, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Narrating Violence in Post-9/11 Action Cinema - Terrorist Narratives, Cinematic Narration, and Referentiality
12 Angebote vergleichen
| Preise | 2013 | 2014 | 2018 | 2019 | 2020 |
|---|---|---|---|---|---|
| Schnitt | € 39,95 | € 39,95 | € 63,06 | € 44,94 | € 46,61 |
| Nachfrage |
1
Narrating Violence in Post-9/11 Action Cinema
~EN NW EB DLISBN: 9783531926025 bzw. 3531926020, vermutlich in Englisch, Springer Shop, neu, E-Book, elektronischer Download.
Lieferung aus: Mexiko, Lagernd, zzgl. Versandkosten.
This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence – and by extension the consumers of these imagers – was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films’ visual short-cuts, iconic “real” images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public. eBook.
This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence – and by extension the consumers of these imagers – was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films’ visual short-cuts, iconic “real” images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public. eBook.
2
Narrating Violence in Post-9/11 Action Cinema
~EN PB NWISBN: 9783531175102 bzw. 3531175106, vermutlich in Englisch, Springer Shop, Taschenbuch, neu.
Lieferung aus: Schweiz, Lagernd.
This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence – and by extension the consumers of these imagers – was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films’ visual short-cuts, iconic “real” images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public. Soft cover.
This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence – and by extension the consumers of these imagers – was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films’ visual short-cuts, iconic “real” images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public. Soft cover.
3
Narrating Violence in Post-9/11 Action Cinema - Terrorist Narratives, Cinematic Narration, and Referentiality
DE NW EB DLISBN: 9783531926025 bzw. 3531926020, in Deutsch, VS Verlag für Sozialwissenschaften (GWV), neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, E-Book zum Download.
This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.
This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.
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Narrating Violence in Post-9/11 Action Cinema (2010)
DE PB NWISBN: 9783531175102 bzw. 3531175106, in Deutsch, Vs Verlag Für Sozialw. Okt 2010, Taschenbuch, neu.
Von Händler/Antiquariat, Buchhandlung - Bides GbR [52676528], Dresden, SA, Germany.
Neuware - This work discusses the way in which action movies responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence and by extension the consumers of these imagers were found almost complicit. If terrorism is theatre, who goes to see the show A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence How is the audience implicitly positioned And finally, what is the role and scope of a political critique which appears to be expressed through the intrusion of the Real , visual short-cuts, iconic images such as those from Abu Ghraib prison. The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceeding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public. 130 pp. Englisch.
Neuware - This work discusses the way in which action movies responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence and by extension the consumers of these imagers were found almost complicit. If terrorism is theatre, who goes to see the show A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence How is the audience implicitly positioned And finally, what is the role and scope of a political critique which appears to be expressed through the intrusion of the Real , visual short-cuts, iconic images such as those from Abu Ghraib prison. The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceeding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public. 130 pp. Englisch.
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Symbolbild
Narrating Violence in Post-911 Action Cinema: Terrorist Narratives, Cinematic Narration, and Referentiality
DE PB NWISBN: 9783531175102 bzw. 3531175106, in Deutsch, VS-Verlag, Wiesbaden, Deutschland, Taschenbuch, neu.
Von Händler/Antiquariat, BuySomeBooks [52360437], Las Vegas, NV, U.S.A.
Paperback. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.
Paperback. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.
6
Narrating Violence in Post-9/11 Action Cinema - Terrorist Narratives, Cinematic Narration, and Referentiality
DE NW EB DLISBN: 9783531926025 bzw. 3531926020, in Deutsch, VS Verlag Für Sozialwissenschaften, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Versandkostenfrei.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
7
Symbolbild
Narrating Violence in Post-9/11 Action Cinema (2010)
DE PB NWISBN: 9783531175102 bzw. 3531175106, in Deutsch, Vs Verlag Für Sozialw. Okt 2010, Taschenbuch, neu.
Von Händler/Antiquariat, Buchhandlung - Bides GbR [52676528], Dresden, SA, Germany.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
Narrating Violence in Post-9/11 Action Cinema
DE PB NWISBN: 9783531175102 bzw. 3531175106, in Deutsch, VS Verlag für Sozialw. Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Buchhandlung Kühn GmbH, [4368407].
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Buchhandlung Kühn GmbH, [4368407].
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
9
Narrating Violence in Post-9/11 Action Cinema: Terrorist Narratives, Cinematic Narration and Referentiality in "V for Vedetta", "Munich", and "Children of Men"
EN NWISBN: 9783531175102 bzw. 3531175106, in Englisch, VS-Verlag, Wiesbaden, Deutschland, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, 3-5 Days.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
10
Narrating Violence in Post-9/11 Action Cinema Terrorist Narratives, Cinematic Narration, and Referentiality (2010)
~EN NWISBN: 3531175106 bzw. 9783531175102, vermutlich in Englisch, VS Verlag für Sozialwissenschaften; VS Verlag für Sozialwissenschaften, neu.
Von Händler/Antiquariat, MARZIES.de Buch- und Medienhandel, 14621 Schönwalde-Glien.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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