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100%: Lois Swirnoff: Dimensional Color (ISBN: 9783764332532) Birkhäuser Verlag GmbH, in Deutsch, Broschiert.Nur diese Ausgabe anzeigen…
100%: Swirnoff: Dimensional Color (ISBN: 9781475720730) 2013, Birkhauser Boston, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
100%: SWIRNOFF: Dimensional Color (ISBN: 9781475720754) Springer Shop, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Swirnoff , Lois: Dimensional Color (Second Edition) (ISBN: 9780393731026) W. W. Norton & Company 2016-10-17, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: SWIRNOFF: Dimensional Color (Design Science Collection) (ISBN: 9780817632533) 1988, Birkhauser Verlag, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
100%: Swirnoff, Lois, and Reinhold, Van Nostrand: Dimensional Color (ISBN: 9780442013073) 1992, D. Van Nostrand; Van Nostrand Reinhold, Erstausgabe, in Englisch, Taschenbuch.
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Dimensional Color - 15 Angebote vergleichen
| Preise | 2016 | 2018 | 2019 | 2023 |
|---|---|---|---|---|
| Schnitt | € 32,90 | € 32,90 | € 32,90 | € 23,31 |
| Nachfrage |
1
Dimensional Color (Second Edition) (2016)
EN PB USISBN: 9780393731026 bzw. 0393731022, in Englisch, W. W. Norton & Company 2016-10-17, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Bellwetherbooks [4916642], McKeesport, PA, U.S.A.
0393731022 Very Good Condition and Unread! Text is clean and unmarked! Light shelf wear to cover from storage, crease. Has a small black line on bottom/exterior edge of pages. Tracking is not available for orders shipped outside of the United States. **Heavier books will require additional postage for International** PA Sales Tax is included in purchase price.
0393731022 Very Good Condition and Unread! Text is clean and unmarked! Light shelf wear to cover from storage, crease. Has a small black line on bottom/exterior edge of pages. Tracking is not available for orders shipped outside of the United States. **Heavier books will require additional postage for International** PA Sales Tax is included in purchase price.
2
Symbolbild
DIMENSIONAL COLOR (2003)
EN PB NWISBN: 9780393731026 bzw. 0393731022, in Englisch, W W Norton & Co Inc, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, GibbsBooks.com ( I.O.B.A.).
New York: W W Norton & Co Inc, 2003. 2nd. edition 2003 Soft cover with illustrated wraps , 160 page book with color and some black & white photos and drawings . Size: 4to - over 9¾" - 12" tall. 2nd Edition.. Illustrated Softcover. New. Illus. by Unknowen. Book.
Von Händler/Antiquariat, GibbsBooks.com ( I.O.B.A.).
New York: W W Norton & Co Inc, 2003. 2nd. edition 2003 Soft cover with illustrated wraps , 160 page book with color and some black & white photos and drawings . Size: 4to - over 9¾" - 12" tall. 2nd Edition.. Illustrated Softcover. New. Illus. by Unknowen. Book.
3
Dimensional Color (2013)
EN NW EBISBN: 9781475720730 bzw. 1475720734, in Englisch, Birkhauser Boston, neu, E-Book.
Lieferung aus: Schweiz, Sofort per Download lieferbar.
Dimensional Color, In a broad sense Design Science is the fail to perceive the system of organiza- grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per- use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe- former is multidimensional. dron, collage, tessellation, dome, each desig- nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. PDF, 01.12.2013.
Dimensional Color, In a broad sense Design Science is the fail to perceive the system of organiza- grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per- use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe- former is multidimensional. dron, collage, tessellation, dome, each desig- nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. PDF, 01.12.2013.
4
Dimensional Color
EN PB NWISBN: 9781475720754 bzw. 1475720750, in Englisch, Springer Shop, Taschenbuch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, In Stock, plus shipping.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. Soft cover.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. Soft cover.
5
Dimensional Color
EN NWISBN: 9781475720730 bzw. 1475720734, in Englisch, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten, Sofort per Download lieferbar.
Dimensional Color, In a broad sense Design Science is the fail to perceive the system of organiza- grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per- use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe- former is multidimensional. dron, collage, tessellation, dome, each desig- nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure.
Dimensional Color, In a broad sense Design Science is the fail to perceive the system of organiza- grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per- use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe- former is multidimensional. dron, collage, tessellation, dome, each desig- nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure.
6
Dimensional Color
EN USISBN: 0393731022 bzw. 9780393731026, in Englisch, W. W. Norton & Company, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
arts music and photography,graphic design,science and math,science and math,techniques,textbooks,use of color, Dimensional Color (Second Edition), To the basic grammar of color and form presented in the first edition of Dimensional Color, Lois Swirnoff adds a chapter on color structure and expands one on color and light. Exploring the interaction between light, color, and surfaces, the book provides an invaluable tool for the teaching and practice of color in architecture and design. 230 color; 58 b & w illustrations.
arts music and photography,graphic design,science and math,science and math,techniques,textbooks,use of color, Dimensional Color (Second Edition), To the basic grammar of color and form presented in the first edition of Dimensional Color, Lois Swirnoff adds a chapter on color structure and expands one on color and light. Exploring the interaction between light, color, and surfaces, the book provides an invaluable tool for the teaching and practice of color in architecture and design. 230 color; 58 b & w illustrations.
7
Dimensional Color (Design Science Collection) (1988)
EN HC USISBN: 9780817632533 bzw. 0817632530, in Englisch, 162 Seiten, Birkhäuser, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, anybookltduk.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. Hardcover, Ausgabe: First Printing, Label: Birkhäuser, Birkhäuser, Produktgruppe: Book, Publiziert: 1988-12-01, Studio: Birkhäuser, Verkaufsrang: 2858064.
Von Händler/Antiquariat, anybookltduk.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. Hardcover, Ausgabe: First Printing, Label: Birkhäuser, Birkhäuser, Produktgruppe: Book, Publiziert: 1988-12-01, Studio: Birkhäuser, Verkaufsrang: 2858064.
8
Dimensional Color (Design Science Collection) (1988)
EN HC NWISBN: 9780817632533 bzw. 0817632530, in Englisch, 162 Seiten, Birkhäuser, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, DelhiBookStore.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. Hardcover, Ausgabe: First Printing, Label: Birkhäuser, Birkhäuser, Produktgruppe: Book, Publiziert: 1988-12-01, Studio: Birkhäuser, Verkaufsrang: 2858064.
Von Händler/Antiquariat, DelhiBookStore.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. Hardcover, Ausgabe: First Printing, Label: Birkhäuser, Birkhäuser, Produktgruppe: Book, Publiziert: 1988-12-01, Studio: Birkhäuser, Verkaufsrang: 2858064.
9
Dimensional Color (Design Science Collection) (1988)
EN HC USISBN: 9780817632533 bzw. 0817632530, in Englisch, 162 Seiten, Birkhäuser, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, serxner.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. Hardcover, Ausgabe: First Printing, Label: Birkhäuser, Birkhäuser, Produktgruppe: Book, Publiziert: 1988-12-01, Studio: Birkhäuser, Verkaufsrang: 2858064.
Von Händler/Antiquariat, serxner.
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure. Hardcover, Ausgabe: First Printing, Label: Birkhäuser, Birkhäuser, Produktgruppe: Book, Publiziert: 1988-12-01, Studio: Birkhäuser, Verkaufsrang: 2858064.
10
Symbolbild
Dimensional Color (Second Edition) (2003)
EN PB USISBN: 9780393731026 bzw. 0393731022, in Englisch, W. W. Norton & Company, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Weller Book Works.
W. W. Norton & Company. PAPERBACK. 0393731022 Swirnoff, Lois. Dimensional Color. NY: Norton, 2003. 160pp. Indexed. Square 8vo. Paperback. Book condition: Very good with light bumping to edges and slight shelf wear to covers. Internally pristine. . Very Good. 2003.
Von Händler/Antiquariat, Weller Book Works.
W. W. Norton & Company. PAPERBACK. 0393731022 Swirnoff, Lois. Dimensional Color. NY: Norton, 2003. 160pp. Indexed. Square 8vo. Paperback. Book condition: Very good with light bumping to edges and slight shelf wear to covers. Internally pristine. . Very Good. 2003.
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