Pink The Exposed Color in Contemporary Art and Culture
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| Schnitt | € 116,95 | € 139,91 | € 50,59 | € 208,23 | € 188,44 |
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1
Symbolbild
Pink The Exposed Color in Contemporary Art and Culture (2006)
~EN HC USISBN: 9783775717717 bzw. 3775717714, vermutlich in Englisch, Hatje Cantz Publishers, gebundenes Buch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Last Exit Books.
E-237: Hatje Cantz Publishers. Very Good. 2006. Hardcover. Hardcover. 4to. Hatje Cantz Publishers. Ostfildern, Germany. 2006. 283 pgs. Bound in pink cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. From the rosy tint of wind-reddened cheeks to the first flush of arousal, from cherry blossoms to PeptoBismol, pink is a sweet, intimate, fragile and sickening shade. Few colors trigger more contradictory associations and emotions--tender, childish, plastic, pornographic--or are so symbolic of both high and low culture. Pink is sometimes awkward, even embarrassing, but on the other hand it is enjoyed and associated with the idea of beauty. Artists of all hues, from Jean-Honore Fragonard to Pablo Picasso, Caspar David Friedrich, Louise Bourgeois, Sylvie Fleury or Pipilotti Rist, have studied it in their works. The examples collected here include those and more, featuring Caspar David Friedrich, the early Joseph Beuys, Willem De Kooning, Andy Warhol and Yves Klein, not to mention contemporaries like Christo, Nan Goldin, Vanessa Beecroft, Wolfgang Tillmans, Takashi Murakami and Pipilotti Rist. In addition, Pink gathers work by a group of young talents from the Bauhaus University in Vienna and the Tokyo National University of Fine Arts and Music, where working students cooperated over an interactive web site to investigate the color's most current perceptions and uses. Their final selection suggests, among other things, that viewer reactions are determined by cultural factors. For example, the positive perception of pink in Japan seems strikingly masculine to the Western viewer; every year the country pauses to contemplate the pink blossoms of the cherry trees, which, after just a few days, drift like snow to the ground, symbols of the death of the samurai, who falls in the bloom of youth. As the cherry trees blossom, this book on the nature of pink makes its debut, an unusual intercultural discourse. EB; 9.6 X 6.9 X 1.4 inches; 283 pages .
Von Händler/Antiquariat, Last Exit Books.
E-237: Hatje Cantz Publishers. Very Good. 2006. Hardcover. Hardcover. 4to. Hatje Cantz Publishers. Ostfildern, Germany. 2006. 283 pgs. Bound in pink cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. From the rosy tint of wind-reddened cheeks to the first flush of arousal, from cherry blossoms to PeptoBismol, pink is a sweet, intimate, fragile and sickening shade. Few colors trigger more contradictory associations and emotions--tender, childish, plastic, pornographic--or are so symbolic of both high and low culture. Pink is sometimes awkward, even embarrassing, but on the other hand it is enjoyed and associated with the idea of beauty. Artists of all hues, from Jean-Honore Fragonard to Pablo Picasso, Caspar David Friedrich, Louise Bourgeois, Sylvie Fleury or Pipilotti Rist, have studied it in their works. The examples collected here include those and more, featuring Caspar David Friedrich, the early Joseph Beuys, Willem De Kooning, Andy Warhol and Yves Klein, not to mention contemporaries like Christo, Nan Goldin, Vanessa Beecroft, Wolfgang Tillmans, Takashi Murakami and Pipilotti Rist. In addition, Pink gathers work by a group of young talents from the Bauhaus University in Vienna and the Tokyo National University of Fine Arts and Music, where working students cooperated over an interactive web site to investigate the color's most current perceptions and uses. Their final selection suggests, among other things, that viewer reactions are determined by cultural factors. For example, the positive perception of pink in Japan seems strikingly masculine to the Western viewer; every year the country pauses to contemplate the pink blossoms of the cherry trees, which, after just a few days, drift like snow to the ground, symbols of the death of the samurai, who falls in the bloom of youth. As the cherry trees blossom, this book on the nature of pink makes its debut, an unusual intercultural discourse. EB; 9.6 X 6.9 X 1.4 inches; 283 pages .
2
Pink The Exposed Color in Contemporary Art and Culture (2006)
~EN HC USISBN: 9783775717717 bzw. 3775717714, vermutlich in Englisch, Hatje Cantz Publishers, E-237, gebundenes Buch, gebraucht, guter Zustand.
Von Händler/Antiquariat, Last Exit Books [2450288], Charlottesville, VA, U.S.A.
Hardcover. 4to. Hatje Cantz Publishers. Ostfildern, Germany. 2006. 283 pgs. Bound in pink cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. From the rosy tint of wind-reddened cheeks to the first flush of arousal, from cherry blossoms to PeptoBismol, pink is a sweet, intimate, fragile and sickening shade. Few colors trigger more contradictory associations and emotions--tender, childish, plastic, pornographic--or are so symbolic of both high and low culture. Pink is sometimes awkward, even embarrassing, but on the other hand it is enjoyed and associated with the idea of beauty. Artists of all hues, from Jean-Honore Fragonard to Pablo Picasso, Caspar David Friedrich, Louise Bourgeois, Sylvie Fleury or Pipilotti Rist, have studied it in their works. The examples collected here include those and more, featuring Caspar David Friedrich, the early Joseph Beuys, Willem De Kooning, Andy Warhol and Yves Klein, not to mention contemporaries like Christo, Nan Goldin, Vanessa Beecroft, Wolfgang Tillmans, Takashi Murakami and Pipilotti Rist. In addition, Pink gathers work by a group of young talents from the Bauhaus University in Vienna and the Tokyo National University of Fine Arts and Music, where working students cooperated over an interactive web site to investigate the color's most current perceptions and uses. Their final selection suggests, among other things, that viewer reactions are determined by cultural factors. For example, the positive perception of pink in Japan seems strikingly masculine to the Western viewer; every year the country pauses to contemplate the pink blossoms of the cherry trees, which, after just a few days, drift like snow to the ground, symbols of the death of the samurai, who falls in the bloom of youth. As the cherry trees blossom, this book on the nature of pink makes its debut, an unusual intercultural discourse. EB; 9.6 X 6.9 X 1.4 inches; 283 pages, Books.
Hardcover. 4to. Hatje Cantz Publishers. Ostfildern, Germany. 2006. 283 pgs. Bound in pink cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. From the rosy tint of wind-reddened cheeks to the first flush of arousal, from cherry blossoms to PeptoBismol, pink is a sweet, intimate, fragile and sickening shade. Few colors trigger more contradictory associations and emotions--tender, childish, plastic, pornographic--or are so symbolic of both high and low culture. Pink is sometimes awkward, even embarrassing, but on the other hand it is enjoyed and associated with the idea of beauty. Artists of all hues, from Jean-Honore Fragonard to Pablo Picasso, Caspar David Friedrich, Louise Bourgeois, Sylvie Fleury or Pipilotti Rist, have studied it in their works. The examples collected here include those and more, featuring Caspar David Friedrich, the early Joseph Beuys, Willem De Kooning, Andy Warhol and Yves Klein, not to mention contemporaries like Christo, Nan Goldin, Vanessa Beecroft, Wolfgang Tillmans, Takashi Murakami and Pipilotti Rist. In addition, Pink gathers work by a group of young talents from the Bauhaus University in Vienna and the Tokyo National University of Fine Arts and Music, where working students cooperated over an interactive web site to investigate the color's most current perceptions and uses. Their final selection suggests, among other things, that viewer reactions are determined by cultural factors. For example, the positive perception of pink in Japan seems strikingly masculine to the Western viewer; every year the country pauses to contemplate the pink blossoms of the cherry trees, which, after just a few days, drift like snow to the ground, symbols of the death of the samurai, who falls in the bloom of youth. As the cherry trees blossom, this book on the nature of pink makes its debut, an unusual intercultural discourse. EB; 9.6 X 6.9 X 1.4 inches; 283 pages, Books.
3
Symbolbild
Pink: The Exposed Color in Contemporary Art and Culture (2006)
~EN USISBN: 9783775717717 bzw. 3775717714, vermutlich in Englisch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Books Express.
2006-01-08. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be re-issue. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!
Von Händler/Antiquariat, Books Express.
2006-01-08. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be re-issue. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!
4
Pink: The Exposed Color in Contemporary Art and Culture (2006)
EN HC USISBN: 9783775717717 bzw. 3775717714, in Englisch, 283 Seiten, Hatje Cantz Publishers, gebundenes Buch, gebraucht.
Neu ab: $79.50 (4 Angebote)
Gebraucht ab: $89.65 (15 Angebote)
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Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 24 hours.
Von Händler/Antiquariat, KAYLEY'S PRIME STORE.
From the rosy tint of wind-reddened cheeks to the first flush of arousal, from cherry blossoms to PeptoBismol, pink is a sweet, intimate, fragile and sickening shade. Few colors trigger more contradictory associations and emotions--tender, childish, plastic, pornographic--or are so symbolic of both high and low culture. Pink is sometimes awkward, even embarrassing, but on the other hand it is enjoyed and associated with the idea of beauty. Artists of all hues, from Jean-Honore Fragonard to Pablo Picasso, Caspar David Friedrich, Louise Bourgeois, Sylvie Fleury or Pipilotti Rist, have studied it in their works. The examples collected here include those and more, featuring Caspar David Friedrich, the early Joseph Beuys, Willem De Kooning, Andy Warhol and Yves Klein, not to mention contemporaries like Christo, Nan Goldin, Vanessa Beecroft, Wolfgang Tillmans, Takashi Murakami and Pipilotti Rist. In addition, Pink gathers work by a group of young talents from the Bauhaus University in Vienna and the Tokyo National University of Fine Arts and Music, where working students cooperated over an interactive web site to investigate the color's most current perceptions and uses. Their final selection suggests, among other things, that viewer reactions are determined by cultural factors. For example, the positive perception of pink in Japan seems strikingly masculine to the Western viewer; every year the country pauses to contemplate the pink blossoms of the cherry trees, which, after just a few days, drift like snow to the ground, symbols of the death of the samurai, who falls in the bloom of youth. As the cherry trees blossom, this book on the nature of pink makes its debut, an unusual intercultural discourse. Hardcover, Label: Hatje Cantz Publishers, Hatje Cantz Publishers, Produktgruppe: Book, Publiziert: 2006-08-15, Studio: Hatje Cantz Publishers, Verkaufsrang: 2093717.
Von Händler/Antiquariat, KAYLEY'S PRIME STORE.
From the rosy tint of wind-reddened cheeks to the first flush of arousal, from cherry blossoms to PeptoBismol, pink is a sweet, intimate, fragile and sickening shade. Few colors trigger more contradictory associations and emotions--tender, childish, plastic, pornographic--or are so symbolic of both high and low culture. Pink is sometimes awkward, even embarrassing, but on the other hand it is enjoyed and associated with the idea of beauty. Artists of all hues, from Jean-Honore Fragonard to Pablo Picasso, Caspar David Friedrich, Louise Bourgeois, Sylvie Fleury or Pipilotti Rist, have studied it in their works. The examples collected here include those and more, featuring Caspar David Friedrich, the early Joseph Beuys, Willem De Kooning, Andy Warhol and Yves Klein, not to mention contemporaries like Christo, Nan Goldin, Vanessa Beecroft, Wolfgang Tillmans, Takashi Murakami and Pipilotti Rist. In addition, Pink gathers work by a group of young talents from the Bauhaus University in Vienna and the Tokyo National University of Fine Arts and Music, where working students cooperated over an interactive web site to investigate the color's most current perceptions and uses. Their final selection suggests, among other things, that viewer reactions are determined by cultural factors. For example, the positive perception of pink in Japan seems strikingly masculine to the Western viewer; every year the country pauses to contemplate the pink blossoms of the cherry trees, which, after just a few days, drift like snow to the ground, symbols of the death of the samurai, who falls in the bloom of youth. As the cherry trees blossom, this book on the nature of pink makes its debut, an unusual intercultural discourse. Hardcover, Label: Hatje Cantz Publishers, Hatje Cantz Publishers, Produktgruppe: Book, Publiziert: 2006-08-15, Studio: Hatje Cantz Publishers, Verkaufsrang: 2093717.
5
Symbolbild
Pink: The Exposed Color in Contemporary Art and Culture (2006)
~EN HC USISBN: 9783775717717 bzw. 3775717714, vermutlich in Englisch, Hatje Cantz, gebundenes Buch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Moe's Books.
Hatje Cantz, 2006. Hard cover. Very good/No jacket. Cover is lightly soiled and dusty. Inside pages are clean and unmarked.
Von Händler/Antiquariat, Moe's Books.
Hatje Cantz, 2006. Hard cover. Very good/No jacket. Cover is lightly soiled and dusty. Inside pages are clean and unmarked.
6
Symbolbild
Pink: The Exposed Color in Contemporary Art and Culture (2006)
~EN NWISBN: 9783775717717 bzw. 3775717714, vermutlich in Englisch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Books Express.
2006-01-08. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence, excellent customer service!
Von Händler/Antiquariat, Books Express.
2006-01-08. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence, excellent customer service!
7
Pink
DE USISBN: 9783775717717 bzw. 3775717714, in Deutsch, gebraucht, guter Zustand.
Lieferung aus: Deutschland, 2-3 Werktage.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
Symbolbild
Pink: The Exposed Color in Contemporary Art and Culture (2006)
~EN HCISBN: 9783775717717 bzw. 3775717714, vermutlich in Englisch, Hatje Cantz Publishers, gebundenes Buch.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Ergodebooks.
Hatje Cantz Publishers, 2006-08-15. Hardcover. Used:Good.
Von Händler/Antiquariat, Ergodebooks.
Hatje Cantz Publishers, 2006-08-15. Hardcover. Used:Good.
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