Empty and Full - 8 Angebote vergleichen
| Preise | 2013 | 2014 | 2015 | 2020 |
|---|---|---|---|---|
| Schnitt | € 17,68 | € 6,20 | € 11,64 | € 12,51 |
| Nachfrage |
1
Symbolbild
Empty and Full (2011)
~EN HC USISBN: 9783775730150 bzw. 377573015X, vermutlich in Englisch, Hatje Cantz Publishers, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Hennessey + Ingalls.
Hatje Cantz Publishers, May 2011. Hardcover. Used - Very Good. Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth. Very nice clean, tight copy free of any marks. No dj as issued.
Von Händler/Antiquariat, Hennessey + Ingalls.
Hatje Cantz Publishers, May 2011. Hardcover. Used - Very Good. Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth. Very nice clean, tight copy free of any marks. No dj as issued.
2
Symbolbild
Empty and Full (2011)
~EN HCISBN: 9783775730150 bzw. 377573015X, vermutlich in Englisch, Hatje Cantz Publishers May 2011, gebundenes Buch.
Von Händler/Antiquariat, Hennessey + Ingalls [54522233], Los Angeles, CA, U.S.A.
Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth. Very nice clean, tight copy free of any marks. No dj as issued.
Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth. Very nice clean, tight copy free of any marks. No dj as issued.
3
Empty and Full (2011)
~EN HC US FEISBN: 9783775730150 bzw. 377573015X, vermutlich in Englisch, Hatje Cantz Verlag, Ostfildern, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Händler/Antiquariat, Hylaila, [131845].
Verlagstext: Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth. 96 pages, 53 color illustrations, english language, very good, 900 g schwer Size: 27,5 x 25,5 cm, BB-8, 2011, Hardcover, Sehr gut, Umschlag: Kein Schutzumschlag, Erstausgabe. Internationaler Versand, Banküberweisung, Offene Rechnung.
Von Händler/Antiquariat, Hylaila, [131845].
Verlagstext: Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth. 96 pages, 53 color illustrations, english language, very good, 900 g schwer Size: 27,5 x 25,5 cm, BB-8, 2011, Hardcover, Sehr gut, Umschlag: Kein Schutzumschlag, Erstausgabe. Internationaler Versand, Banküberweisung, Offene Rechnung.
4
Symbolbild
Empty and Full (2011)
~EN HC US FEISBN: 9783775730150 bzw. 377573015X, vermutlich in Englisch, Hatje Cantz Verlag, Ostfildern, gebundenes Buch, gebraucht, Erstausgabe.
Von Händler/Antiquariat, Hylaila - Online-Antiquariat [1047600], Wiesbaden, Germany.
Verlagstext: Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth. 96 pages, 53 color illustrations, english language, very good, 900 g schwer Size: 27,5 x 25,5 cm, BB-8.
Verlagstext: Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century. This fully illustrated catalogue features a discussion between the artist and ICA Boston Chief Curator Helen Molesworth. 96 pages, 53 color illustrations, english language, very good, 900 g schwer Size: 27,5 x 25,5 cm, BB-8.
5
Catherine Opie: Empty and Full (2011)
EN HC NW FEISBN: 9783775730150 bzw. 377573015X, in Englisch, 96 Seiten, Molesworth, Helen, Hatje Cantz Verlag, gebundenes Buch, neu, Erstausgabe.
Neu ab: 7,90 € (11 Angebote)
Gebraucht ab: 8,37 € (6 Angebote)
Zu den weiteren 17 Angeboten bei Amazon.de (Int.)
Lieferung aus: Deutschland, Auf Lager. Lieferung von Amazon, Versandkostenfrei.
Von Händler/Antiquariat, Buchhandel Detlef Otten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Buchhandel Detlef Otten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
6
Catherine Opie: Empty and Full (2011)
EN HC US FEISBN: 9783775730150 bzw. 377573015X, in Englisch, 96 Seiten, Molesworth, Helen, Hatje Cantz Verlag, gebundenes Buch, gebraucht, Erstausgabe.
Neu ab: 7,90 € (11 Angebote)
Gebraucht ab: 8,37 € (6 Angebote)
Zu den weiteren 17 Angeboten bei Amazon.de
Lieferung aus: Vereinigte Staaten von Amerika, Auf Lager. Tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, Bear Book Sales.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Bear Book Sales.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
7
Catherine Opie: Empty and Full (2011)
EN HC US FEISBN: 9783775730150 bzw. 377573015X, in Englisch, 96 Seiten, Molesworth, Helen, Hatje Cantz Verlag, gebundenes Buch, gebraucht, Erstausgabe.
Neu ab: 7,90 € (11 Angebote)
Gebraucht ab: 8,37 € (6 Angebote)
Zu den weiteren 17 Angeboten bei Amazon.de (Int.)
Lieferung aus: Deutschland, Tatsächliche Versandkosten können abweichen.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
![9783775730150 - Molesworth, Helen Medv...: Catherine Opie: Empty and Full [Gebundene Ausgabe]](/c-9783775730150-0.jpg "9783775730150 - Molesworth, Helen Medv...: Catherine Opie: Empty and Full [Gebundene Ausgabe]")
Catherine Opie: Empty and Full [Gebundene Ausgabe]
DE NWISBN: 9783775730150 bzw. 377573015X, in Deutsch, neu.
Buchhandel Detlef Otten, [3582679].
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Lade…