The Dark Creative Passage: A Derridean Journey From The Literary Text To Film
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1
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The dark creative passage: A Derridean journey from the literary text to film (2005)
DE PB NWISBN: 9783884767320 bzw. 3884767321, in Deutsch, Wissenschaftlicher Verlag Trier, Trier, Germany, Taschenbuch, neu.
Von Händler/Antiquariat, Arroyo Books [51200584], Mexico, MEX, Mexico.
One of the most important images in this book is the element of darkness within the creative act. The film-maker who reads closely a particular literary text must pass through a long process of turning away from everyday light, toward forgetting, toward a kind of darkness that eventually will lead to a vision that will produce a new work of art. In Derrida¿s Memoirs of the Blind, this art becomes sketching or painting. Here, within these pages, this art becomes film. Greenaway reads the text of the Heian Court¿s Sei Shonagan, where lovers write letters of poetry, then films a late 20th century Japan and Hong Kong where Shonagan¿s text becomes calligraphy written upon beautiful human flesh. Jim Jarmusch reads William Blake and then puts these words into the mouth of an aboriginal who, along with an accountant from Cleveland named Bill Blake, flee the sheriffs in a Wild West film. Denys Arcand¿s Montreal actors are crumbling memories of the empty Marcan tomb; Quentin Tarantino¿s ¿Pulp Fiction¿ characters arise from ancient Maltese Falcons; Jean-Jacques Arnaud¿s ¿The Lover¿ arises from Marguerite Duras¿ Vietnam nights of deep blue, and Anthony Minghella¿s ¿English Patient¿ lives in sun-drenched deserts, rather than in Michael Ondaatje¿s dark Tuscan villa. What happens in between these literary and filmic texts is part of the mystery of creation that this work explores. Books.
One of the most important images in this book is the element of darkness within the creative act. The film-maker who reads closely a particular literary text must pass through a long process of turning away from everyday light, toward forgetting, toward a kind of darkness that eventually will lead to a vision that will produce a new work of art. In Derrida¿s Memoirs of the Blind, this art becomes sketching or painting. Here, within these pages, this art becomes film. Greenaway reads the text of the Heian Court¿s Sei Shonagan, where lovers write letters of poetry, then films a late 20th century Japan and Hong Kong where Shonagan¿s text becomes calligraphy written upon beautiful human flesh. Jim Jarmusch reads William Blake and then puts these words into the mouth of an aboriginal who, along with an accountant from Cleveland named Bill Blake, flee the sheriffs in a Wild West film. Denys Arcand¿s Montreal actors are crumbling memories of the empty Marcan tomb; Quentin Tarantino¿s ¿Pulp Fiction¿ characters arise from ancient Maltese Falcons; Jean-Jacques Arnaud¿s ¿The Lover¿ arises from Marguerite Duras¿ Vietnam nights of deep blue, and Anthony Minghella¿s ¿English Patient¿ lives in sun-drenched deserts, rather than in Michael Ondaatje¿s dark Tuscan villa. What happens in between these literary and filmic texts is part of the mystery of creation that this work explores. Books.
2
Symbolbild
The dark creative passage: A Derridean journey from the literary text to film (2005)
DE PB NWISBN: 9783884767320 bzw. 3884767321, in Deutsch, Taschenbuch, neu.
Von Händler/Antiquariat, Arroyo Books [51200584], Mexico City, DF, Mexico.
One of the most important images in this book is the element of darkness within the creative act. The film-maker who reads closely a particular literary text must pass through a long process of turning away from everyday light, toward forgetting, toward a kind of darkness that eventually will lead to a vision that will produce a new work of art. In Derrida¿s Memoirs of the Blind, this art becomes sketching or painting. Here, within these pages, this art becomes film. Greenaway reads the text of the Heian Court¿s Sei Shonagan, where lovers write letters of poetry, then films a late 20th century Japan and Hong Kong where Shonagan¿s text becomes calligraphy written upon beautiful human flesh. Jim Jarmusch reads William Blake and then puts these words into the mouth of an aboriginal who, along with an accountant from Cleveland named Bill Blake, flee the sheriffs in a Wild West film. Denys Arcand¿s Montreal actors are crumbling memories of the empty Marcan tomb; Quentin Tarantino¿s ¿Pulp Fiction¿ characters arise from ancient Maltese Falcons; Jean-Jacques Arnaud¿s ¿The Lover¿ arises from Marguerite Duras¿ Vietnam nights of deep blue, and Anthony Minghella¿s ¿English Patient¿ lives in sun-drenched deserts, rather than in Michael Ondaatje¿s dark Tuscan villa. What happens in between these literary and filmic texts is part of the mystery of creation that this work explores.
One of the most important images in this book is the element of darkness within the creative act. The film-maker who reads closely a particular literary text must pass through a long process of turning away from everyday light, toward forgetting, toward a kind of darkness that eventually will lead to a vision that will produce a new work of art. In Derrida¿s Memoirs of the Blind, this art becomes sketching or painting. Here, within these pages, this art becomes film. Greenaway reads the text of the Heian Court¿s Sei Shonagan, where lovers write letters of poetry, then films a late 20th century Japan and Hong Kong where Shonagan¿s text becomes calligraphy written upon beautiful human flesh. Jim Jarmusch reads William Blake and then puts these words into the mouth of an aboriginal who, along with an accountant from Cleveland named Bill Blake, flee the sheriffs in a Wild West film. Denys Arcand¿s Montreal actors are crumbling memories of the empty Marcan tomb; Quentin Tarantino¿s ¿Pulp Fiction¿ characters arise from ancient Maltese Falcons; Jean-Jacques Arnaud¿s ¿The Lover¿ arises from Marguerite Duras¿ Vietnam nights of deep blue, and Anthony Minghella¿s ¿English Patient¿ lives in sun-drenched deserts, rather than in Michael Ondaatje¿s dark Tuscan villa. What happens in between these literary and filmic texts is part of the mystery of creation that this work explores.
3
Symbolbild
The dark creative passage: A Derridean journey from the literary text to film (2005)
DE PB NWISBN: 9783884767320 bzw. 3884767321, in Deutsch, Wissenschaftlicher Verlag Trier, Trier, Germany, Taschenbuch, neu.
Von Händler/Antiquariat, Arroyo Books [51200584], Mexico, Mexico.
One of the most important images in this book is the element of darkness within the creative act. The film-maker who reads closely a particular literary text must pass through a long process of turning away from everyday light, toward forgetting, toward a kind of darkness that eventually will lead to a vision that will produce a new work of art. In Derrida¿s Memoirs of the Blind, this art becomes sketching or painting. Here, within these pages, this art becomes film. Greenaway reads the text of the Heian Court¿s Sei Shonagan, where lovers write letters of poetry, then films a late 20th century Japan and Hong Kong where Shonagan¿s text becomes calligraphy written upon beautiful human flesh. Jim Jarmusch reads William Blake and then puts these words into the mouth of an aboriginal who, along with an accountant from Cleveland named Bill Blake, flee the sheriffs in a Wild West film. Denys Arcand¿s Montreal actors are crumbling memories of the empty Marcan tomb; Quentin Tarantino¿s ¿Pulp Fiction¿ characters arise from ancient Maltese Falcons; Jean-Jacques Arnaud¿s ¿The Lover¿ arises from Marguerite Duras¿ Vietnam nights of deep blue, and Anthony Minghella¿s ¿English Patient¿ lives in sun-drenched deserts, rather than in Michael Ondaatje¿s dark Tuscan villa. What happens in between these literary and filmic texts is part of the mystery of creation that this work explores.
One of the most important images in this book is the element of darkness within the creative act. The film-maker who reads closely a particular literary text must pass through a long process of turning away from everyday light, toward forgetting, toward a kind of darkness that eventually will lead to a vision that will produce a new work of art. In Derrida¿s Memoirs of the Blind, this art becomes sketching or painting. Here, within these pages, this art becomes film. Greenaway reads the text of the Heian Court¿s Sei Shonagan, where lovers write letters of poetry, then films a late 20th century Japan and Hong Kong where Shonagan¿s text becomes calligraphy written upon beautiful human flesh. Jim Jarmusch reads William Blake and then puts these words into the mouth of an aboriginal who, along with an accountant from Cleveland named Bill Blake, flee the sheriffs in a Wild West film. Denys Arcand¿s Montreal actors are crumbling memories of the empty Marcan tomb; Quentin Tarantino¿s ¿Pulp Fiction¿ characters arise from ancient Maltese Falcons; Jean-Jacques Arnaud¿s ¿The Lover¿ arises from Marguerite Duras¿ Vietnam nights of deep blue, and Anthony Minghella¿s ¿English Patient¿ lives in sun-drenched deserts, rather than in Michael Ondaatje¿s dark Tuscan villa. What happens in between these literary and filmic texts is part of the mystery of creation that this work explores.
4
The Dark Creative Passage
DE NWISBN: 9783884767320 bzw. 3884767321, in Deutsch, neu.
Lieferung aus: Österreich, zzgl. Versandkosten, sofort lieferbar.
One of the most important images in this book is the element of darkness within the creative act. The film-maker who reads closely a particular literary text must pass through a long process of turning away from everyday light, toward forgetting, toward a kind of darkness that eventually will lead to a vision that will produce a new work of art. In Derrida's Memoirs of the Blind, this art becomes sketching or painting. Here, within these pages, this art becomes film.Greenaway reads the text of the Heian Court's Sei Shonagan, where lovers write letters of poetry, then films a late 20th century Japan and Hong Kong where Jim Jarmusch reads William Blake and then puts these words into the mouth of an aboriginal who, along with an accountant from Cleveland named Bill Blake, flee memories of the empty Marcan tomb; Quentin Tarantino's''Pulp Fiction''characters arise from ancient Maltese Falcons; Jean-Jacques Arnaud's''The Lover''arises from Marguerite Duras'Vietnam nights of deep blue, and Anthony Minghella's''English Patient''lives in sun-drenched deserts, rather than in Michael Ondaatje's dark Tuscan villas. What happens in between these literary and filmic texts is part of the mystery of creation that this work explores.
One of the most important images in this book is the element of darkness within the creative act. The film-maker who reads closely a particular literary text must pass through a long process of turning away from everyday light, toward forgetting, toward a kind of darkness that eventually will lead to a vision that will produce a new work of art. In Derrida's Memoirs of the Blind, this art becomes sketching or painting. Here, within these pages, this art becomes film.Greenaway reads the text of the Heian Court's Sei Shonagan, where lovers write letters of poetry, then films a late 20th century Japan and Hong Kong where Jim Jarmusch reads William Blake and then puts these words into the mouth of an aboriginal who, along with an accountant from Cleveland named Bill Blake, flee memories of the empty Marcan tomb; Quentin Tarantino's''Pulp Fiction''characters arise from ancient Maltese Falcons; Jean-Jacques Arnaud's''The Lover''arises from Marguerite Duras'Vietnam nights of deep blue, and Anthony Minghella's''English Patient''lives in sun-drenched deserts, rather than in Michael Ondaatje's dark Tuscan villas. What happens in between these literary and filmic texts is part of the mystery of creation that this work explores.
5
Symbolbild
The Dark Creative Passage (2005)
DE PB USISBN: 9783884767320 bzw. 3884767321, in Deutsch, Wissenschaftlicher Verlag, Trier, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Ethan Daniel Books [53152918], Toronto, ON, Canada.
A study of the creative process involved in the act of adapting classic literary works to film. A fine unread paperback copy without marks, inscriptions or underlining. Not ex-library. Not a remainder. Books.
A study of the creative process involved in the act of adapting classic literary works to film. A fine unread paperback copy without marks, inscriptions or underlining. Not ex-library. Not a remainder. Books.
7
The Dark Creative Passage: A Derridean Journey From The Literary Text To Film (2005)
EN PB NW FEISBN: 9783884767320 bzw. 3884767321, in Englisch, 172 Seiten, WVT Wissenschaftlicher Verlag Trier, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen, Tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, wvt_2004.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, wvt_2004.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
The Dark Creative Passage: A Derridean Journey From The Literary Text To Film (2005)
EN PB US FEISBN: 9783884767320 bzw. 3884767321, in Englisch, 172 Seiten, WVT Wissenschaftlicher Verlag Trier, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Deutschland, Versandfertig in 6 - 10 Werktagen, Versandkostenfrei. Tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, ErgodeBooks Ships From USA.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, ErgodeBooks Ships From USA.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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