Scapeland: Writing the Landscape From Diderot's Salons to the Postmodern Museum (Faux Titre) [Paperback]
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| Schnitt | € 87,72 | € 78,07 | € 76,18 |
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Scapeland -
NL NWISBN: 9789042035942 bzw. 9042035943, in Holländisch, Brill | Rodopi, neu.
Scapeland: Writing the Landscape from Diderot’s Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot’s eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-François Lyotard’s postmodern exhibition Les Immatériaux. In the Salons, an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the modern city. For them, as for Diderot, the attempt to render visual objects in narrative language leads to the development of new literary forms and concerns. Lyotard’s concept of the “postmodern museum” frames the sublime encounter, once again, in terms that expressly evoke Diderot’s verbal rendering of painted spaces as a personal promenade. According to Lyotard, Diderot “ouvre, par écrit, les ...
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Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum (Faux Titre) (2012)
EN PB USISBN: 9789042035942 bzw. 9042035943, in Englisch, 242 Seiten, Rodopi, Taschenbuch, gebraucht.
Neu ab: $52.67 (7 Angebote)
Gebraucht ab: $74.91 (3 Angebote)
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Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Herb Tandree Philosophy Bks.
Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot's eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-François Lyotard's postmodern exhibition Les Immatériaux. In the Salons, an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the modern city. For them, as for Diderot, the attempt to render visual objects in narrative language leads to the development of new literary forms and concerns. Lyotard's concept of the "postmodern museum" frames the sublime encounter, once again, in terms that expressly evoke Diderot's verbal rendering of painted spaces as a personal promenade. According to Lyotard, Diderot "ouvre, par écrit, les surfaces des tableaux comme les portes d'une exposition.. . . [il] abolit . . . l'opposition de la nature et de la culture, de la réalité de l'image, du volume et de la surface." Reading the literary production of these four writers alongside their art criticism, Scapeland considers narrative responses to art as imaginative assertions of human presence against the impersonal world of objects. Paperback, Label: Rodopi, Rodopi, Produktgruppe: Book, Publiziert: 2012-11-28, Studio: Rodopi, Verkaufsrang: 8636387.
Von Händler/Antiquariat, Herb Tandree Philosophy Bks.
Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot's eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-François Lyotard's postmodern exhibition Les Immatériaux. In the Salons, an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the modern city. For them, as for Diderot, the attempt to render visual objects in narrative language leads to the development of new literary forms and concerns. Lyotard's concept of the "postmodern museum" frames the sublime encounter, once again, in terms that expressly evoke Diderot's verbal rendering of painted spaces as a personal promenade. According to Lyotard, Diderot "ouvre, par écrit, les surfaces des tableaux comme les portes d'une exposition.. . . [il] abolit . . . l'opposition de la nature et de la culture, de la réalité de l'image, du volume et de la surface." Reading the literary production of these four writers alongside their art criticism, Scapeland considers narrative responses to art as imaginative assertions of human presence against the impersonal world of objects. Paperback, Label: Rodopi, Rodopi, Produktgruppe: Book, Publiziert: 2012-11-28, Studio: Rodopi, Verkaufsrang: 8636387.
3
Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum (Faux Titre) (2012)
EN PB USISBN: 9789042035942 bzw. 9042035943, in Englisch, 242 Seiten, Rodopi, Taschenbuch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days, exclusief verzendkosten (indien geleverd).
Von Händler/Antiquariat, -SuperBookDeals-.
Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot's eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-Francois Lyotard's postmodern exhibition Les Immateriaux. In the Salons, an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the modern city. For them, as for Diderot, the attempt to render visual objects in narrative language leads to the development of new literary forms and concerns. Lyotard's concept of the "postmodern museum" frames the sublime encounter, once again, in terms that expressly evoke Diderot's verbal rendering of painted spaces as a personal promenade. According to Lyotard, Diderot "ouvre, par ecrit, les surfaces des tableaux comme les portes d'une exposition...[il] abolit ...l'opposition de la nature et de la culture, de la realite de l'image, du volume et de la surface." Reading the literary production of these four writers alongside their art criticism, Scapeland considers narrative responses to art as imaginative assertions of human presence against the impersonal world of objects. Paperback, Label: Rodopi, Rodopi, Productgroep: Book, Gepubliceerd: 2012-11-28, Releasedatum: 2012-11-28, Studio: Rodopi, Verkoop rang: 5354435.
Von Händler/Antiquariat, -SuperBookDeals-.
Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot's eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-Francois Lyotard's postmodern exhibition Les Immateriaux. In the Salons, an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the modern city. For them, as for Diderot, the attempt to render visual objects in narrative language leads to the development of new literary forms and concerns. Lyotard's concept of the "postmodern museum" frames the sublime encounter, once again, in terms that expressly evoke Diderot's verbal rendering of painted spaces as a personal promenade. According to Lyotard, Diderot "ouvre, par ecrit, les surfaces des tableaux comme les portes d'une exposition...[il] abolit ...l'opposition de la nature et de la culture, de la realite de l'image, du volume et de la surface." Reading the literary production of these four writers alongside their art criticism, Scapeland considers narrative responses to art as imaginative assertions of human presence against the impersonal world of objects. Paperback, Label: Rodopi, Rodopi, Productgroep: Book, Gepubliceerd: 2012-11-28, Releasedatum: 2012-11-28, Studio: Rodopi, Verkoop rang: 5354435.
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Scapeland: Writing the Landscape from Diderot's Salons to the Postmodern Museum (Faux Titre) (2012)
NL PB USISBN: 9789042035942 bzw. 9042035943, in Holländisch, Rodopi, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Shipping costs to: MWI.
Von Händler/Antiquariat, Ergodebooks.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Ergodebooks.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Scapeland: Writing the Landscape from Diderot's I Salons /I to the Postmodern
NL NWISBN: 9789042035942 bzw. 9042035943, in Holländisch, neu.
Lieferung aus: Australien, Delivery type: Flat, Delivery: Australien, America, Europe, Continental Asia, Neuseeland, Offer location: 2114 Australia.
Von Händler/Antiquariat, ausreseller - AusReseller.
Fixed price.
Von Händler/Antiquariat, ausreseller - AusReseller.
Fixed price.
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