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100%: Anne Adriaens-Pannier: Léon Spilliaert - Boek (9053254471) (ISBN: 9789053254479) 1946, in Holländisch, Broschiert.Nur diese Ausgabe anzeigen…
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Symbolbild
LÉON SPILLIAERT (1881 - 1946) English ed. (2020)
~ENISBN: 9781912520220 bzw. 1912520222, vermutlich in Englisch, Royal Academy (ACC) 2020.
Lieferung aus: Belgien, Versandkosten nach: DEU.
Von Händler/Antiquariat, ERIK TONEN BOOKSELLER.
Royal Academy (ACC) 2020. HB, 290 x 220 mm, 176 p, 130 colour illustrations. English edition. ISBN 9781912520220. Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso's circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city's cultural life. Although often associated with the key figures of Belgian Symbolism, Léon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.
Von Händler/Antiquariat, ERIK TONEN BOOKSELLER.
Royal Academy (ACC) 2020. HB, 290 x 220 mm, 176 p, 130 colour illustrations. English edition. ISBN 9781912520220. Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso's circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city's cultural life. Although often associated with the key figures of Belgian Symbolism, Léon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.
2
Leon Spilliaert (Hardback) (2020)
~EN HC NWISBN: 9781912520220 bzw. 1912520222, vermutlich in Englisch, Royal Academy of Arts, United Kingdom, gebundenes Buch, neu.
Von Händler/Antiquariat, The Book Depository [54837791], London, United Kingdom.
Language: English. Brand new Book. Although often associated with the key figures of Belgian Symbolism, Leon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche.This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Books.
Language: English. Brand new Book. Although often associated with the key figures of Belgian Symbolism, Leon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche.This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Books.
3
Leon Spilliaert (Hardback) (2020)
~EN HC NWISBN: 9781912520220 bzw. 1912520222, vermutlich in Englisch, Royal Academy of Arts, United Kingdom, gebundenes Buch, neu.
Von Händler/Antiquariat, Book Depository hard to find [63688905], London, United Kingdom.
Language: English. Brand new Book. Although often associated with the key figures of Belgian Symbolism, Leon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche.This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Books.
Language: English. Brand new Book. Although often associated with the key figures of Belgian Symbolism, Leon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche.This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Books.
4
Léon Spilliaert (1946)
~EN NWISBN: 9781912520220 bzw. 1912520222, vermutlich in Englisch, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
A luminous loneliness: reveries from Belgian artist Léon Spilliaert, rival of Ensor and exponent of Nietzsche and PoeAlthough often associated with Belgian symbolism, Léon Spilliaert, largely self-taught as a painter, demonstrated a peculiarly individual style. He was born in the coastal city of Ostend, and created many of his most radical works there. An introvert and insomniac who suffered from poor health as a youth, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. He drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler as well as the writers Edgar Allan Poe and Friedrich Nietzsche; his visual explorations of the self and potent images of solitude also align him with European modernists such as Edvard Munch and Vilhelm Hammershøi. This book brings together more than 100 works from international public and private collections across Belgium, France and the US, including a series of haunting self-portraits that Spilliaert created in his twenties. Various authors, among them the scholar behind the artist’s catalogue raisonné, discuss the artist’s singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Acclaimed Belgian painter Luc Tuymans, in many ways the heir to Spilliaert’s legacy, provides a foreword. Léon Spilliaert (1881–1946) was born in Ostend and moved to Brussels at the age of 20. He lived and worked between the two cities for the rest of his life. From 1903 to 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate; that same year he stayed in Paris, where he discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged.
A luminous loneliness: reveries from Belgian artist Léon Spilliaert, rival of Ensor and exponent of Nietzsche and PoeAlthough often associated with Belgian symbolism, Léon Spilliaert, largely self-taught as a painter, demonstrated a peculiarly individual style. He was born in the coastal city of Ostend, and created many of his most radical works there. An introvert and insomniac who suffered from poor health as a youth, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. He drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler as well as the writers Edgar Allan Poe and Friedrich Nietzsche; his visual explorations of the self and potent images of solitude also align him with European modernists such as Edvard Munch and Vilhelm Hammershøi. This book brings together more than 100 works from international public and private collections across Belgium, France and the US, including a series of haunting self-portraits that Spilliaert created in his twenties. Various authors, among them the scholar behind the artist’s catalogue raisonné, discuss the artist’s singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Acclaimed Belgian painter Luc Tuymans, in many ways the heir to Spilliaert’s legacy, provides a foreword. Léon Spilliaert (1881–1946) was born in Ostend and moved to Brussels at the age of 20. He lived and worked between the two cities for the rest of his life. From 1903 to 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate; that same year he stayed in Paris, where he discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged.
5
Léon Spilliaert by Leon Spilliaert Hardcover | Indigo Chapters (1904)
~EN HC NWISBN: 9781912520220 bzw. 1912520222, vermutlich in Englisch, gebundenes Buch, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
A luminous loneliness: reveries from Belgian artist Léon Spilliaert, rival of Ensor and exponent of Nietzsche and PoeAlthough often associated with Belgian symbolism, Léon Spilliaert, largely self-taught as a painter, demonstrated a peculiarly individual style. He was born in the coastal city of Ostend, and created many of his most radical works there. An introvert and insomniac who suffered from poor health as a youth, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. He drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler as well as the writers Edgar Allan Poe and Friedrich Nietzsche; his visual explorations of the self and potent images of solitude also align him with European modernists such as Edvard Munch and Vilhelm Hammershøi. This book brings together more than 100 works from international public and private collections across Belgium, France and the US, including a series of haunting self-portraits that Spilliaert created in his twenties. Various authors, among them the scholar behind the artist’s catalogue raisonné, discuss the artist’s singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Acclaimed Belgian painter Luc Tuymans, in many ways the heir to Spilliaert’s legacy, provides a foreword. Léon Spilliaert (1881–1946) was born in Ostend and moved to Brussels at the age of 20. He lived and worked between the two cities for the rest of his life. From 1903 to 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate; that same year he stayed in Paris, where he discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. | Léon Spilliaert by Leon Spilliaert Hardcover | Indigo Chapters.
A luminous loneliness: reveries from Belgian artist Léon Spilliaert, rival of Ensor and exponent of Nietzsche and PoeAlthough often associated with Belgian symbolism, Léon Spilliaert, largely self-taught as a painter, demonstrated a peculiarly individual style. He was born in the coastal city of Ostend, and created many of his most radical works there. An introvert and insomniac who suffered from poor health as a youth, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. He drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler as well as the writers Edgar Allan Poe and Friedrich Nietzsche; his visual explorations of the self and potent images of solitude also align him with European modernists such as Edvard Munch and Vilhelm Hammershøi. This book brings together more than 100 works from international public and private collections across Belgium, France and the US, including a series of haunting self-portraits that Spilliaert created in his twenties. Various authors, among them the scholar behind the artist’s catalogue raisonné, discuss the artist’s singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Acclaimed Belgian painter Luc Tuymans, in many ways the heir to Spilliaert’s legacy, provides a foreword. Léon Spilliaert (1881–1946) was born in Ostend and moved to Brussels at the age of 20. He lived and worked between the two cities for the rest of his life. From 1903 to 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate; that same year he stayed in Paris, where he discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. | Léon Spilliaert by Leon Spilliaert Hardcover | Indigo Chapters.
6
Leon Spilliaert Luc Tuymans Foreword by (1946)
~EN HC NWISBN: 9781912520220 bzw. 1912520222, vermutlich in Englisch, Royal Academy of Arts, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, plus shipping.
A luminous loneliness: reveries from Belgian artist Léon Spilliaert, rival of Ensor and exponent of Nietzsche and PoeAlthough often associated with Belgian symbolism, Léon Spilliaert, largely self-taught as a painter, demonstrated a peculiarly individual style. He was born in the coastal city of Ostend, and created many of his most radical works there. An introvert and insomniac who suffered from poor health as a youth, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. He drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler as well as the writers Edgar Allan Poe and Friedrich Nietzsche; his visual explorations of the self and potent images of solitude also align him with European modernists such as Edvard Munch and Vilhelm Hammershøi.This book brings together more than 100 works from international public and private collections across Belgium, France and the US, including a series of haunting self-portraits that Spilliaert created in his twenties. Various authors, among them the scholar behind the artist’s catalogue raisonné, discuss the artist’s singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Acclaimed Belgian painter Luc Tuymans, in many ways the heir to Spilliaert’s legacy, provides a foreword.Léon Spilliaert (1881–1946) was born in Ostend and moved to Brussels at the age of 20. He lived and worked between the two cities for the rest of his life. From 1903 to 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate; that same year he stayed in Paris, where he discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged.
A luminous loneliness: reveries from Belgian artist Léon Spilliaert, rival of Ensor and exponent of Nietzsche and PoeAlthough often associated with Belgian symbolism, Léon Spilliaert, largely self-taught as a painter, demonstrated a peculiarly individual style. He was born in the coastal city of Ostend, and created many of his most radical works there. An introvert and insomniac who suffered from poor health as a youth, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. He drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler as well as the writers Edgar Allan Poe and Friedrich Nietzsche; his visual explorations of the self and potent images of solitude also align him with European modernists such as Edvard Munch and Vilhelm Hammershøi.This book brings together more than 100 works from international public and private collections across Belgium, France and the US, including a series of haunting self-portraits that Spilliaert created in his twenties. Various authors, among them the scholar behind the artist’s catalogue raisonné, discuss the artist’s singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Acclaimed Belgian painter Luc Tuymans, in many ways the heir to Spilliaert’s legacy, provides a foreword.Léon Spilliaert (1881–1946) was born in Ostend and moved to Brussels at the age of 20. He lived and worked between the two cities for the rest of his life. From 1903 to 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate; that same year he stayed in Paris, where he discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged.
7
Leon Spilliaert
~EN HC NWISBN: 9781912520220 bzw. 1912520222, vermutlich in Englisch, Royal Academy of Arts, gebundenes Buch, neu.
Although often associated with the key figures of Belgian Symbolism, Leon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.
8
Leon Spilliaert
EN NWISBN: 9781912520220 bzw. 1912520222, in Englisch, neu.
Although often associated with the key figures of Belgian Symbolism, Leon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.
9
Léon Spilliaert - Boek (9053254471) (1946)
NL NWISBN: 9053254471 bzw. 9789053254479, in Holländisch, Aantal pagina's, neu.
Lieferung aus: Niederlande, Vandaag voor 23:00 besteld, morgen in huis.
Het Boek Léon Spilliaert (9053254471) geschreven door Anne Adriaens-Pannier bestel je op bruna.nl! Lang voor andere openbare instellingen raakten de conservatoren van de Koninklijke Bibliotheek van België geboeid door het oeuvre van Léon SPILLIAERT (1881-1946) en wilden zij werken van hem aan hun collecties toevoegen. Zo'n tien jaar na het overlijden van de kunstenaar werd contact opgenomen met zijn weduwe Rachel Spilliaert-Vergison en kocht de KBR een eerste groep tekeningen. De meeste van die tekeningen zijn in Oost-Indische inkt uitgevoerd, sommige ervan zijn ingekleurd. De tekeningen weerspiegelen Spilliaert's interesse voor het literaire symbolisme, zijn scherpe blik op de wereld en de toenmalige sociale problemen, maar net zo goed ook zijn vertrouwde familiale sfeer. De KBR kocht op drie jaar meer dan 150 werken van bescheiden formaat waaruit duidelijk de sprituele zoektocht en de experimenteerdrang van de kunstenaar blijken. Deze overzichtscatalogus van de grootste verzameling grafisch werk van Spilliaert vertelt de geschiedenis van een unieke collectie en toont verscheidene voorbeelden van bijzondere gravures, litho's en originele boekillustraties. 307 x 253 x 24 mm, unisex, Aantal pagina's: adult, Bruna, Boeken - Meerdere talen boeken - Anne Adriaens-Pannier.
Het Boek Léon Spilliaert (9053254471) geschreven door Anne Adriaens-Pannier bestel je op bruna.nl! Lang voor andere openbare instellingen raakten de conservatoren van de Koninklijke Bibliotheek van België geboeid door het oeuvre van Léon SPILLIAERT (1881-1946) en wilden zij werken van hem aan hun collecties toevoegen. Zo'n tien jaar na het overlijden van de kunstenaar werd contact opgenomen met zijn weduwe Rachel Spilliaert-Vergison en kocht de KBR een eerste groep tekeningen. De meeste van die tekeningen zijn in Oost-Indische inkt uitgevoerd, sommige ervan zijn ingekleurd. De tekeningen weerspiegelen Spilliaert's interesse voor het literaire symbolisme, zijn scherpe blik op de wereld en de toenmalige sociale problemen, maar net zo goed ook zijn vertrouwde familiale sfeer. De KBR kocht op drie jaar meer dan 150 werken van bescheiden formaat waaruit duidelijk de sprituele zoektocht en de experimenteerdrang van de kunstenaar blijken. Deze overzichtscatalogus van de grootste verzameling grafisch werk van Spilliaert vertelt de geschiedenis van een unieke collectie en toont verscheidene voorbeelden van bijzondere gravures, litho's en originele boekillustraties. 307 x 253 x 24 mm, unisex, Aantal pagina's: adult, Bruna, Boeken - Meerdere talen boeken - Anne Adriaens-Pannier.
10
Léon Spilliaert (1946)
NL HC NWISBN: 9789053254479 bzw. 9053254471, in Holländisch, Pandora, gebundenes Buch, neu.
Lieferung aus: Niederlande, Op werkdagen voor 23:00 uur besteld, volgende dag in huis.
Lang voor andere openbare instellingen raakten de conservatoren van de Koninklijke Bibliotheek van België geboeid door het oeuvre van Léon SPILLIAERT (1881-1946) en wilden zij werken van hem aan hun collecties toevoegen. Zo'n tien jaar na het overlijden van de kunstenaar werd contact opgenomen met zijn weduwe Rachel Spilliaert-Vergison en kocht de KBR een eerste groep tekeningen. De meeste van die tekeningen zijn in Oost-Indische inkt uitgevoerd, sommige ervan zijn ingekleurd. De tekeningen weerspiegelen Spilliaert's interesse voor het literaire symbolisme, zijn scherpe blik op de wereld en de toenmalige sociale problemen, maar net zo goed ook zijn vertrouwde familiale sfeer. De KBR kocht op drie jaar meer dan 150 werken van bescheiden formaat waaruit duidelijk de sprituele zoektocht en de experimenteerdrang van de kunstenaar blijken. Deze overzichtscatalogus van de grootste verzameling grafisch werk van Spilliaert vertelt de geschiedenis van een unieke collectie en toont verscheidene voorbeelden van bijzondere gravures, litho's en originele boekillustraties. Kunst en cultuur, Alle kunst en cultuur, Boeken > Kunst & cultuur > Alle kunst & cultuur.
Lang voor andere openbare instellingen raakten de conservatoren van de Koninklijke Bibliotheek van België geboeid door het oeuvre van Léon SPILLIAERT (1881-1946) en wilden zij werken van hem aan hun collecties toevoegen. Zo'n tien jaar na het overlijden van de kunstenaar werd contact opgenomen met zijn weduwe Rachel Spilliaert-Vergison en kocht de KBR een eerste groep tekeningen. De meeste van die tekeningen zijn in Oost-Indische inkt uitgevoerd, sommige ervan zijn ingekleurd. De tekeningen weerspiegelen Spilliaert's interesse voor het literaire symbolisme, zijn scherpe blik op de wereld en de toenmalige sociale problemen, maar net zo goed ook zijn vertrouwde familiale sfeer. De KBR kocht op drie jaar meer dan 150 werken van bescheiden formaat waaruit duidelijk de sprituele zoektocht en de experimenteerdrang van de kunstenaar blijken. Deze overzichtscatalogus van de grootste verzameling grafisch werk van Spilliaert vertelt de geschiedenis van een unieke collectie en toont verscheidene voorbeelden van bijzondere gravures, litho's en originele boekillustraties. Kunst en cultuur, Alle kunst en cultuur, Boeken > Kunst & cultuur > Alle kunst & cultuur.
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