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James Ensor - Boek Exhibitions International (9053254749)
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Bester Preis: € 39,95 (vom 06.09.2020)1
James Ensor - Boek Exhibitions International (9053254749) (1929)
NL NWISBN: 9053254749 bzw. 9789053254745, in Holländisch, neu.
Lieferung aus: Niederlande, Vandaag voor 23:00 besteld, morgen in huis.
Het Boek James Ensor (9053254749) geschreven door Exhibitions International bestel je op bruna.nl! In 1912-1913, James Ensor produced a series of 32 drawings in coloured pencil titled Scènes de la vie du Christ [Scenes from the life of Christ]. Each drawing on paper measures about 15 by 21 cm. The series depicts different episodes from the lives of Jesus and the Virgin Mary. In it, Ensor managed to combine the sublime and the grotesque in an unsurpassed manner. Some compositions are quite conventional, others typically 'Ensorian', and some even humorous. Among the works in the series is a drawing in which Ensor portrays him-self as Christ, confronted with a dozen Belgian art critics who have gathered before him. In 1929 the drawings were made into lithographs and published in the form of an album by Galerie Georges Giroux in Brussels. These drawings can be considered as a link between the Ostend master's early and later oeuvre. The series combines various motifs which Ensor also executed in oil paint. The author of the work, Xavier Tricot, also pays close attention to the figure of Christ in James Ensor's work. From 1885 onward, the figure of Christ occupied a central position in Ensor's oeuvre. In some of his works, the artist identified with the Messiah.
Het Boek James Ensor (9053254749) geschreven door Exhibitions International bestel je op bruna.nl! In 1912-1913, James Ensor produced a series of 32 drawings in coloured pencil titled Scènes de la vie du Christ [Scenes from the life of Christ]. Each drawing on paper measures about 15 by 21 cm. The series depicts different episodes from the lives of Jesus and the Virgin Mary. In it, Ensor managed to combine the sublime and the grotesque in an unsurpassed manner. Some compositions are quite conventional, others typically 'Ensorian', and some even humorous. Among the works in the series is a drawing in which Ensor portrays him-self as Christ, confronted with a dozen Belgian art critics who have gathered before him. In 1929 the drawings were made into lithographs and published in the form of an album by Galerie Georges Giroux in Brussels. These drawings can be considered as a link between the Ostend master's early and later oeuvre. The series combines various motifs which Ensor also executed in oil paint. The author of the work, Xavier Tricot, also pays close attention to the figure of Christ in James Ensor's work. From 1885 onward, the figure of Christ occupied a central position in Ensor's oeuvre. In some of his works, the artist identified with the Messiah.
2
Ensor - Boek Exhibitions International (9053254668) (1949)
NL NWISBN: 9053254668 bzw. 9789053254660, in Holländisch, neu.
Lieferung aus: Niederlande, Vandaag voor 23:00 besteld, morgen in huis.
Het Boek Ensor (9053254668) geschreven door Exhibitions International bestel je op bruna.nl! During 1889, Belgian artist James Ensor (1860-1949) painted a monumental canvas that would be his magnum opus: The Entry of Christ into Brussels in 1889. The work is one of the most complex paintings ever painted. It is only forty years after its completion that the monumental canvas was first publicly exhibited at the James Ensor retrospective at the Brussels Palais des Beaux-Arts in 1929. Needless to say, therefore, that the exhibiting of Ensor's work in 1929 was for many a revelation. Until then it had been seen and was known only to a limited group of visitors and insiders.
Het Boek Ensor (9053254668) geschreven door Exhibitions International bestel je op bruna.nl! During 1889, Belgian artist James Ensor (1860-1949) painted a monumental canvas that would be his magnum opus: The Entry of Christ into Brussels in 1889. The work is one of the most complex paintings ever painted. It is only forty years after its completion that the monumental canvas was first publicly exhibited at the James Ensor retrospective at the Brussels Palais des Beaux-Arts in 1929. Needless to say, therefore, that the exhibiting of Ensor's work in 1929 was for many a revelation. Until then it had been seen and was known only to a limited group of visitors and insiders.
3
James Ensor (2020)
EN PB NWISBN: 9789053254745 bzw. 9053254749, in Englisch, Taschenbuch, neu.
Lieferung aus: Niederlande, Op werkdagen voor 21:00 uur besteld, volgende dag in huis.
In 1912-1913, James Ensor produced a series of 32 drawings in coloured pencil titled Scènes de la vie du Christ [Scenes from the life of Christ]. Each drawing on paper measures about 15 by 21 cm. The series depicts different episodes from the lives of Jesus and the Virgin Mary. In it, Ensor managed to combine the sublime and the grotesque in an unsurpassed manner. Some compositions are quite conventional, others typically apos;Ensorianapos;, and some even humorous. Among the works in the series is a drawing in which Ensor portrays him-self as Christ, confronted with a dozen Belgian art critics who have gathered before him. In 1929 the drawings were made into lithographs and published in the form of an album by Galerie Georges Giroux in Brussels. These drawings can be considered as a link between the Ostend masterapos;s early and later oeuvre. The series combines various motifs which Ensor also executed in oil paint. The author of the work, Xavier Tricot, also pays close attention to the figure of Christ in James Ensorapos;s work. From 1885 onward, the figure of Christ occupied a central position in Ensorapos;s oeuvre. In some of his works, the artist identified with the Messiah. Kunst cultuur, Alle kunst cultuur, Engelse Boeken > Kunst cultuur > Alle kunst cultuur.
In 1912-1913, James Ensor produced a series of 32 drawings in coloured pencil titled Scènes de la vie du Christ [Scenes from the life of Christ]. Each drawing on paper measures about 15 by 21 cm. The series depicts different episodes from the lives of Jesus and the Virgin Mary. In it, Ensor managed to combine the sublime and the grotesque in an unsurpassed manner. Some compositions are quite conventional, others typically apos;Ensorianapos;, and some even humorous. Among the works in the series is a drawing in which Ensor portrays him-self as Christ, confronted with a dozen Belgian art critics who have gathered before him. In 1929 the drawings were made into lithographs and published in the form of an album by Galerie Georges Giroux in Brussels. These drawings can be considered as a link between the Ostend masterapos;s early and later oeuvre. The series combines various motifs which Ensor also executed in oil paint. The author of the work, Xavier Tricot, also pays close attention to the figure of Christ in James Ensorapos;s work. From 1885 onward, the figure of Christ occupied a central position in Ensorapos;s oeuvre. In some of his works, the artist identified with the Messiah. Kunst cultuur, Alle kunst cultuur, Engelse Boeken > Kunst cultuur > Alle kunst cultuur.
4
Ensor (2020)
EN PB NWISBN: 9789053254660 bzw. 9053254668, in Englisch, Taschenbuch, neu.
Lieferung aus: Niederlande, Nog niet verschenen, verwacht vanaf.
During 1889, Belgian artist James Ensor (1860-1949) painted a monumental canvas that would be his magnum opus: The Entry of Christ into Brussels in 1889. The work is one of the most complex paintings ever painted. It is only forty years after its completion that the monumental canvas was first publicly exhibited at the James Ensor retrospective at the Brussels Palais des Beaux-Arts in 1929. Needless to say, therefore, that the exhibiting of Ensor's work in 1929 was for many a revelation. Until then it had been seen and was known only to a limited group of visitors and insiders. Kunst & cultuur, Alle kunst & cultuur, Engelse Boeken > Kunst & cultuur > Alle kunst & cultuur.
During 1889, Belgian artist James Ensor (1860-1949) painted a monumental canvas that would be his magnum opus: The Entry of Christ into Brussels in 1889. The work is one of the most complex paintings ever painted. It is only forty years after its completion that the monumental canvas was first publicly exhibited at the James Ensor retrospective at the Brussels Palais des Beaux-Arts in 1929. Needless to say, therefore, that the exhibiting of Ensor's work in 1929 was for many a revelation. Until then it had been seen and was known only to a limited group of visitors and insiders. Kunst & cultuur, Alle kunst & cultuur, Engelse Boeken > Kunst & cultuur > Alle kunst & cultuur.
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