Coremodac: Papers on Paper (Dutch, English and French Edition)
5 Angebote vergleichen

Von Händler/Antiquariat, Fundus-Online GbR Borkert SchwarzZerfaß [8335842], Berlin, Germany.
XIII; 128 S., Abb. Einband etwas berieben. - G. VAN NiEUWENBORGH Woord vooraf G. VAN NIEUWENBORGH Preface c. VAN DAMME Ten geleide c. VAN DAMME Preamble -- c. VAN DAMME Papier. Beeld en basis. Behoud en Verval. Algemene probleemstelling. -- A. LANCKMAN Papier. Beeld en basis. Verval en herstel. Structuren in en met papier -- p. VAN DAMME Problemen in verband met de conservering van papier j. DECOSTER Papier als drager van betekenissen -- H.c. DE HERDER Praktische oplossing bij de conservering van grote papiercollecties -- M. HUGHES Conservation and Restoring Techniques of Contemporary Works of Art on Paper. Conservation Mounting and Framing Techniques -- E. MAHIEU Bleken van papier met gasvormige bleekmiddelen -- A. VAN DE KERCKHOVE Teveel is teveel: De conservatie van hedendaagse kunst op, in of met papier -- M.A. PORIAU De opleiding in de papierrestauratie -- L. DAMEN Les dessins aux 'crayons' de Fra Bartolommeo dans la collection Boymans à Rotterdam -- F. VANDEPiTTE Selectieve bibliografie // This book compiles the lectures given during the symposium 'Paper. Preservation and Decay', which took place in Aalst on io and n September 1992. This symposium was part of the first edition of the Biennale 'Paper. Image and Base' (6 June-20 September 1992), which highlighted various aspects of paper and its artistic use, from a historical as well as a current point of view. Dirk Martens (1446-1534), citizen of Aalst, humanist and first printer in the Netherlands, was chosen as a point of departure for this project. The 1992 edition included exhibitions on diverse locations in the city and offered a kaleidoscopic view on different facets of using paper in the contemporary international art scene. Internationally renowned experts tackled the problem of conserving and restoring paper art works. The Dirk Martens Committee thought it expedient to publish these texts as a sequel to 'Conservation and Restoration of Modern and Contemporary Art', a publication which resulted from the 1990 symposium of the same name. At this occasion as well, Prof. Dr. Claire Van Damme was the moving spirit behind the organisation of this event, an initiative of the Centre for Conservation and Restoration of Modern and Contemporary Art, subsidiary to the Seminar of Plastic Arts at the University of Ghent. ISBN 9053491147 Sprache: de Gewicht in Gramm: 550.

Fundus-Online GbR Borkert/ Schwarz/ Zerfaß, [3280044].
XIII 128 S., Abb. Broschiert.Einband etwas berieben. - G. VAN NiEUWENBORGH Woord vooraf G. VAN NIEUWENBORGH Preface c. VAN DAMME Ten geleide c. VAN DAMME Preamble -- c. VAN DAMME Papier. Beeld en basis. Behoud en Verval. Algemene probleemstelling. -- A. LANCKMAN Papier. Beeld en basis. Verval en herstel. Structuren in en met papier -- p. VAN DAMME Problemen in verband met de conservering van papier j. DECOSTER Papier als drager van betekenissen -- H.c. DE HERDER Praktische oplossing bij de conservering van grote papiercollecties -- M. HUGHES Conservation and Restoring Techniques of Contemporary Works of Art on Paper. Conservation Mounting and Framing Techniques -- E. MAHIEU Bleken van papier met gasvormige bleekmiddelen -- A. VAN DE KERCKHOVE Teveel is teveel: De conservatie van hedendaagse kunst op, in of met papier -- M.A. PORIAU De opleiding in de papierrestauratie -- L. DAMEN Les dessins aux 'crayons' de Fra Bartolommeo dans la collection Boymans à Rotterdam -- F. VANDEPiTTE Selectieve bibliografie // This book compiles the lectures given during the symposium 'Paper. Preservation and Decay', which took place in Aalst on io and n September 1992. This symposium was part of the first edition of the Biennale 'Paper. Image and Base' (6 June-20 September 1992), which highlighted various aspects of paper and its artistic use, from a historical as well as a current point of view. Dirk Martens (1446-1534), citizen of Aalst, humanist and first printer in the Netherlands, was chosen as a point of departure for this project. The 1992 edition included exhibitions on diverse locations in the city and offered a kaleidoscopic view on different facets of using paper in the contemporary international art scene. Internationally renowned experts tackled the problem of conserving and restoring paper art works. The Dirk Martens Committee thought it expedient to publish these texts as a sequel to 'Conservation and Restoration of Modern and Contemporary Art', a publication which resulted from the 1990 symposium of the same name. At this occasion as well, Prof. Dr. Claire Van Damme was the moving spirit behind the organisation of this event, an initiative of the Centre for Conservation and Restoration of Modern and Contemporary Art, subsidiary to the Seminar of Plastic Arts at the University of Ghent. ISBN 9053491147.

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