Von dem Buch USED (VG) Reputation, and the Practice of Connoisseurship by Catherin haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Catherine B. Scallen, Rembrandt Harmenszoon Van Rijn: USED (VG) Reputation, and the Practice of Connoisseurship by Catherin (ISBN: 9789053566251) Amsterdam Amsterdam University Press 2004, in Englisch, Broschiert.
Nur diese Ausgabe anzeigen…
Nur diese Ausgabe anzeigen…
56%: Catherine Scallen: Rembrandt, Reputation, and the Practice of Connoisseurship (e-Book) (ISBN: 9789048503674) in Holländisch.
Nur diese Ausgabe anzeigen…
Nur diese Ausgabe anzeigen…
USED (VG) Reputation, and the Practice of Connoisseurship by Catherin
6 Angebote vergleichen
Bester Preis: € 11,49 (vom 15.09.2016)1
Symbolbild
Rembrandt, Reputation and the Practice of Connoisseurship (2004)
EN HC
ISBN: 9789053566251 bzw. 9053566252, in Englisch, Amsterdam Amsterdam University Press 2004, gebundenes Buch.
Lieferung aus: Belgien, Versandkosten nach: NOR.
Von Händler/Antiquariat, ERIK TONEN BOOKSELLER.
Amsterdam Amsterdam University Press 2004. Hardcover, Bound, 416 pp., 17,3x22,5cm, with 61 illustrations, brand new, pristine, never opened. ISBN 9053566252. This is the first full-length study of the scholarly formation of the corpus of Rembrandt paintings at the end of the nineteenth century. From 1870 to 1935 the first true catalogues raisonnes of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. The book concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot and Wilhelm Valentiner, who, in their articles and catalogues, shaped the modern conception of Rembrandt as a painter through their delineation of his oeuvre. Their conception of Rembrandt was not challenged in print until the 1960s, and even today their decisions are referenced by other scholars. At a time when Rembrandt connoisseurship has again returned to the forefront of academic concerns with this artist, it is of great value to understand how earlier scholars reached their conclusions about the limits and characteristics of Rembrandt's painted oeuvre. In addition to analyzing their written work, the book includes discussions of the social context of their connoisseurial practices, as shaped by these scholars' museum careers and their relationships with dealers and collectors during a period of rapid expansion of the art market, through the founding and development of new museums in Europe and the US and the extraordinary boom in private collecting with the entry of American collectors into the Old Master market in the 1890s.
Von Händler/Antiquariat, ERIK TONEN BOOKSELLER.
Amsterdam Amsterdam University Press 2004. Hardcover, Bound, 416 pp., 17,3x22,5cm, with 61 illustrations, brand new, pristine, never opened. ISBN 9053566252. This is the first full-length study of the scholarly formation of the corpus of Rembrandt paintings at the end of the nineteenth century. From 1870 to 1935 the first true catalogues raisonnes of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. The book concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot and Wilhelm Valentiner, who, in their articles and catalogues, shaped the modern conception of Rembrandt as a painter through their delineation of his oeuvre. Their conception of Rembrandt was not challenged in print until the 1960s, and even today their decisions are referenced by other scholars. At a time when Rembrandt connoisseurship has again returned to the forefront of academic concerns with this artist, it is of great value to understand how earlier scholars reached their conclusions about the limits and characteristics of Rembrandt's painted oeuvre. In addition to analyzing their written work, the book includes discussions of the social context of their connoisseurial practices, as shaped by these scholars' museum careers and their relationships with dealers and collectors during a period of rapid expansion of the art market, through the founding and development of new museums in Europe and the US and the extraordinary boom in private collecting with the entry of American collectors into the Old Master market in the 1890s.
2
Rembrandt, Reputation, and the Practice of Connoisseurship (2003)
EN HC NW
ISBN: 9789053566251 bzw. 9053566252, in Englisch, 416 Seiten, Amsterdam University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Theodore Art Books.
From 1870 to 1935, the first true catalogues raisonnés of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. This book, the first full-length study of this scholarly corpus, concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot, and Wilhelm Valentiner, whose articles and catalogues first shaped the modern conception of Rembrandt as a painter. In addition to analyzing their written work, Scallen addresses the social context of their connoisseurial practices, as shaped by their museum careers and their relationships with dealers and collectors., Hardcover, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2003-05-15, Studio: Amsterdam University Press, Verkaufsrang: 3239613.
Von Händler/Antiquariat, Theodore Art Books.
From 1870 to 1935, the first true catalogues raisonnés of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. This book, the first full-length study of this scholarly corpus, concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot, and Wilhelm Valentiner, whose articles and catalogues first shaped the modern conception of Rembrandt as a painter. In addition to analyzing their written work, Scallen addresses the social context of their connoisseurial practices, as shaped by their museum careers and their relationships with dealers and collectors., Hardcover, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2003-05-15, Studio: Amsterdam University Press, Verkaufsrang: 3239613.
3
Rembrandt, Reputation, and the Practice of Connoisseurship (2003)
EN HC US
ISBN: 9789053566251 bzw. 9053566252, in Englisch, 416 Seiten, Amsterdam University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, BetterWorldBooksUK.
From 1870 to 1935, the first true catalogues raisonnés of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. This book, the first full-length study of this scholarly corpus, concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot, and Wilhelm Valentiner, whose articles and catalogues first shaped the modern conception of Rembrandt as a painter. In addition to analyzing their written work, Scallen addresses the social context of their connoisseurial practices, as shaped by their museum careers and their relationships with dealers and collectors., Hardcover, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2003-05-15, Studio: Amsterdam University Press, Verkaufsrang: 3239613.
Von Händler/Antiquariat, BetterWorldBooksUK.
From 1870 to 1935, the first true catalogues raisonnés of Rembrandt's paintings were produced, incorporating the results of individual connoisseurs' evaluations of authenticity and quality. This book, the first full-length study of this scholarly corpus, concentrates on the written connoisseurship of Wilhelm von Bode, Abraham Bredius, Cornelis Hofstede de Groot, and Wilhelm Valentiner, whose articles and catalogues first shaped the modern conception of Rembrandt as a painter. In addition to analyzing their written work, Scallen addresses the social context of their connoisseurial practices, as shaped by their museum careers and their relationships with dealers and collectors., Hardcover, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2003-05-15, Studio: Amsterdam University Press, Verkaufsrang: 3239613.
5
Rembrandt: Reputation and the Practice of Connoisseurship (2003)
EN HC NW
ISBN: 9789053566251 bzw. 9053566252, in Englisch, 416 Seiten, Amsterdam University Press, gebundenes Buch, neu.
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen.
Von Händler/Antiquariat, Theodore Art Books.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Theodore Art Books.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
6
USED (VG) Rembrandt, Reputation, and the Practice of Connoisseurship by Catherin
EN US
ISBN: 9789053566251 bzw. 9053566252, in Englisch, gebraucht.
Lieferung aus: Australien, Lieferart: Flat, Lieferung: Weltweit, Artikelstandort: 2114 Australia.
Von Händler/Antiquariat, ausreseller - AusReseller.
Festpreisangebot.
Von Händler/Antiquariat, ausreseller - AusReseller.
Festpreisangebot.
Lade…