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100%: Sous la direction de: Thomas Elsaesser, Sous la direction de: Alexander Horwath, Sous la direction de: Noel King: The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition) (ISBN: 9789053566312) Amsterdam University Press, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
100%: Sous la direction de: Thomas Elsaesser, Sous la direction de: Alexander Horwath, Sous la direction de: Noel King: The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition) (ISBN: 9789053564936) Amsterdam University Press, Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
100%: Thomas Elsaesser, Noel King, Alexander Horwath, Herausgeber: Thomas Elsaesser, Herausgeber: Noel King, Herausgeber: Alexander Horwath: The Last Great American Picture Show : New Hollywood Cinema in the 1970s (Film Culture in Transition) (ISBN: 9789048520077) 2011, Amsterdam University Press, Erstausgabe, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition)
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1
The Last Great American Picture Show: New Hollywood Cinema in the 1970s
ENISBN: 9789053566312 bzw. 9053566317, in Englisch, Amsterdam University Press.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
The Last Great American Picture Show: New Hollywood Cinema in the 1970s Elsaesser, Thomas / King, Noel / Horwath, Alexander, "The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude"--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. "The Last Great American Picture Show" explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, "The Last Great American Picture Show" reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.
The Last Great American Picture Show: New Hollywood Cinema in the 1970s Elsaesser, Thomas / King, Noel / Horwath, Alexander, "The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude"--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. "The Last Great American Picture Show" explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, "The Last Great American Picture Show" reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.
2
The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition) (2004)
EN HC US FEISBN: 9789053564936 bzw. 9053564934, in Englisch, 348 Seiten, Amsterdam University Press, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, mikesjazz.
The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide. , Hardcover, Ausgabe: 1, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2004-05-01, Studio: Amsterdam University Press, Verkaufsrang: 4164225.
Von Händler/Antiquariat, mikesjazz.
The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide. , Hardcover, Ausgabe: 1, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2004-05-01, Studio: Amsterdam University Press, Verkaufsrang: 4164225.
3
The Last Great American Picture Show
EN NWISBN: 9789053566312 bzw. 9053566317, in Englisch, neu.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence.Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world.
4
The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition) (2004)
EN HC US FEISBN: 9789053564936 bzw. 9053564934, in Englisch, 391 Seiten, Amsterdam University Press, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Purple Whale 123.
The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude—these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors—Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis—could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide., Hardcover, Ausgabe: 1, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2004-05-01, Studio: Amsterdam University Press, Verkaufsrang: 5596526.
Von Händler/Antiquariat, Purple Whale 123.
The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude—these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors—Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis—could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide., Hardcover, Ausgabe: 1, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: Book, Publiziert: 2004-05-01, Studio: Amsterdam University Press, Verkaufsrang: 5596526.
5
Thomas Elsaesser, Noel King, Alexander Horwath, Herausgeber: Thomas Elsaesser, Herausgeber: Noel King, Herausgeber: Alexander Horwath
The Last Great American Picture Show : New Hollywood Cinema in the 1970s (Film Culture in Transition) (2011)
EN NW FE EB DLISBN: 9789048520077 bzw. 904852007X, in Englisch, 396 Seiten, Amsterdam University Press, neu, Erstausgabe, E-Book, elektronischer Download.
Lieferung aus: Deutschland, E-Book zum Download.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 631284.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 631284.
6
Thomas Elsaesser, Noel King, Alexander Horwath, Herausgeber: Thomas Elsaesser, Herausgeber: Noel King, Herausgeber: Alexander Horwath
The Last Great American Picture Show : New Hollywood Cinema in the 1970s (Film Culture in Transition) (2011)
EN NW FE EB DLISBN: 9789048520077 bzw. 904852007X, in Englisch, 396 Seiten, Amsterdam University Press, neu, Erstausgabe, E-Book, elektronischer Download.
Lieferung aus: Deutschland, E-Book zum Download.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 650678.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 650678.
7
Thomas Elsaesser, Noel King, Alexander Horwath, Herausgeber: Thomas Elsaesser, Herausgeber: Noel King, Herausgeber: Alexander Horwath
The Last Great American Picture Show : New Hollywood Cinema in the 1970s (Film Culture in Transition) (2011)
EN NW FE EB DLISBN: 9789048520077 bzw. 904852007X, in Englisch, 396 Seiten, Amsterdam University Press, neu, Erstausgabe, E-Book, elektronischer Download.
Lieferung aus: Deutschland, E-Book zum Download.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 547461.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 547461.
8
Thomas Elsaesser, Noel King, Alexander Horwath, Herausgeber: Thomas Elsaesser, Herausgeber: Noel King, Herausgeber: Alexander Horwath
The Last Great American Picture Show : New Hollywood Cinema in the 1970s (Film Culture in Transition) (2011)
EN NW FE EB DLISBN: 9789048520077 bzw. 904852007X, in Englisch, 396 Seiten, Amsterdam University Press, neu, Erstausgabe, E-Book, elektronischer Download.
Lieferung aus: Deutschland, E-Book zum Download.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 617538.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 617538.
9
Thomas Elsaesser, Noel King, Alexander Horwath, Herausgeber: Thomas Elsaesser, Herausgeber: Noel King, Herausgeber: Alexander Horwath
The Last Great American Picture Show : New Hollywood Cinema in the 1970s (Film Culture in Transition) (2011)
EN NW FE EB DLISBN: 9789048520077 bzw. 904852007X, in Englisch, 396 Seiten, Amsterdam University Press, neu, Erstausgabe, E-Book, elektronischer Download.
Lieferung aus: Deutschland, E-Book zum Download.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 552576.
The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. , Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: Amsterdam University Press, Amsterdam University Press, Produktgruppe: eBooks, Publiziert: 2011-09-17, Freigegeben: 2011-09-17, Studio: Amsterdam University Press, Verkaufsrang: 552576.
10
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The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition)
EN HC USISBN: 9789053564936 bzw. 9053564934, in Englisch, Amsterdam University Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, purplewhale123 [59676976], aurora, IL, U.S.A.
9053564934 Item in good condition and ready to ship!
Von Händler/Antiquariat, purplewhale123 [59676976], aurora, IL, U.S.A.
9053564934 Item in good condition and ready to ship!
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