Anthony van Dyck - 14 Angebote vergleichen

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Verzendkosten naar: NLD.
Von Händler/Antiquariat, David Bunnett Books.
Rijksmuseum / Antwerpen Open, Amsterdam , 1999. 1st Edition. HARDCOVER. Large, very heavy 4to in dark brown cloth, silver lettering to spine. 400pp on thick art paper, colour plates, illustrations in text, extensive bibliography etc. Text in English throughout . . . . . . . . .. .CONDITION : An extremely well preserved AS NEW unread and unmarked copy (barely noticeable and very small crease to top corner tip of front cover from bumping) in an AS NEW complete Dust Jacket . . . . . . . . . . . . NOTE Due to size and/or weight shipping will cost more than the price shown above. Orders made by card will be completed after you have approved the extra cost. ... . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . . . . . . . We always ship in PROTECTIVE CARD PARCELS.

Lieferung aus: Vereinigte Staaten von Amerika, Verzendkosten naar: NLD.
Von Händler/Antiquariat, Mullen Books, Inc. ABAA / ILAB.
Amsterdam, The Netherlands: Rijksmuseum Amsterdam, 1999. Hardcover. VG/VG as new. rown cloth with two-tone pictorial dustjacket. 400 pp. Numerous color & bw plates. Issued in conjunction with several 1999-2000 exhibitions featuring prints rendered by Flemish Baroque artist Anthony Van Dyck (1599-1641). "Discusses Van Dyck's first acquaintance with the medium in Rubens' workshop and illuminates the genesis of the Iconography, a portrait gallery of illustrious contemporaries. All his etchings are catalogued together with preparatory drawings and grisailles, as well as proofs containing corrective flourishes. Furthermore a selection is made of the prints after paintings by Van Dyck. A number of them were the initiative of the artist himself, others were produced on behalf of publishers and engravers. Works from the eighteenth century are included to illustrate the influence Van Dyck exerted until long after his death -- even in France and England." (back cover) With three thematic and illustrated essays. The annotated and illustrated catalogue addresses 52 prints. Includes a glossary and a bibliography. Contents as follows: 'With the hand' : the collecting of Van Dyck prints / Ger Luijten and Saskia Sombogaart -- Prints in progress : proofs in the sixteenth and seventeenth centuries / Ger Luijten -- On feathers, candles and wet rags : the etching technique used by Van Dyck and his contemporaries / Ad Stijnman -- 'A pupil who could translate his inventions into drawings to have them cut in copper' : Anthony van Dyck and printmaking in Rubens' studio / Carl Depauw -- The Iconography : Van Dyck's portraits in print / Ger Luijten -- 'Through prints of one's art, one may become better known' : prints by and after Van Dyck up to 1641 / Ger Luijten -- The inimitable Van Dyck in copper : prints from 1640 to 1800 / Ger Luijten -- The cast for the production of Van Dyck prints / Erik Duverger & Danielle Maufort.

Lieferung aus: Niederlande, Uiterlijk 29 december in huis.
BUDGET BOEK ALKMAAR.
Like Dürer, Rembrandt and Goya, Anthony van Dyck (1599-1641) made a key contribution to the art of printmaking. He was himself a talented etcher, and prints after his paintings were cut by the best engravers of his day. Yet, to date, his printmaking has suffered from undeserved neglect. This book discusses Van Dyck's first acquaintance with the medium in Rubens's workshop and illuminates the genesis of the Iconography, a portrait gallery of illustrious contemporaries. All his etchings are catalogued together with preparatory drawings and grisailles, as well as proofs containing corrective flourishes. Furthermore the book includes a selection of the prints after paintings by Van Dyck. A number of them were the initiative of the artist himself, and others were produced on behalf of publishers and engravers. Works from the eighteenth century are included to illustrate the influence Van Dyck exerted until long after his death-- even in France and England. The introductory essays discuss the collecting of Van Dyck prints, the phenomenon of the trial proof, and technical aspects of the etchings. Based on new archival research the biographies are included of all those who were instrumental in the production of the prints: engravers, publishers, and the persons to whom they were dedicated by Van Dyck. Many of the prints are reproduced in color and the book has numerous comparative illustrations making it essential not only for scholars and enthusiasts of Van Dyck's work, but all those interested in the history of printmaking. Like Dürer, Rembrandt and Goya, Anthony van Dyck (1599-1641) made a key contribution to the art of printmaking. He was himself a talented etcher, and prints after his paintings were cut by the best engravers of his day. Yet, to date, his printmaking has suffered from undeserved neglect. This book discusses Van Dyck's first acquaintance with the medium in Rubens's workshop and illuminates the genesis of the Iconography, a portrait gallery of illustrious contemporaries. All his etchings are catalogued together with preparatory drawings and grisailles, as well as proofs containing corrective flourishes. Furthermore the book includes a selection of the prints after paintings by Van Dyck. A number of them were the initiative of the artist himself, and others were produced on behalf of publishers and engravers. Works from the eighteenth century are included to illustrate the influence Van Dyck exerted until long after his death-- even in France and England. The introductory essays discuss the collecting of Van Dyck prints, the phenomenon of the trial proof, and technical aspects of the etchings. Based on new archival research the biographies are included of all those who were instrumental in the production of the prints: engravers, publishers, and the persons to whom they were dedicated by Van Dyck. Many of the prints are reproduced in color and the book has numerous comparative illustrations making it essential not only for scholars and enthusiasts of Van Dyck's work, but all those interested in the history of printmaking. Inhoud:Taal: Engels;Bindwijze: Hardcover;Druk: 1;Verschijningsdatum: januari 1999;Afmetingen: 31 x 25 x 4 cm;Aantal pagina's: 400 pagina's;Illustraties: Nee; Betrokkenen:Auteur: Carl Depauw | C. Depauw;Co-auteur: C. Depauw;Redacteur: Carl Depauw;Co-redacteur: Ger Luijten;Uitgever: Rizzoli International Publications; EAN: Overige kenmerken:Gewicht: 2590 g;Verpakking breedte: 311 mm;Verpakking hoogte: 32 mm;Verpakking lengte: 248 mm; Engels | Druk: 1 | Hardcover | 9780847822355 | 400 pagina's.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Verzendkosten naar: NLD.
Von Händler/Antiquariat, Denton Island Books.
Rizzoli International, 1999. First Edition. Softcover. Very Good Condition. Crease on top corner of rear cover, book's contents are clean and unmarked. Like Dürer, Rembrandt and Goya, Anthony van Dyck (1599-1641) made a key contribution to the art of printmaking. He was himself a talented etcher, and prints after his paintings were cut by the best engravers of his day. Yet, to date, his printmaking has suffered from undeserved neglect. This book discusses Van Dyck's first acquaintance with the medium in Rubens's workshop and illuminates the genesis of the Iconography, a portrait gallery of illustrious contemporaries. All his etchings are catalogued together with preparatory drawings and grisailles, as well as proofs containing corrective flourishes. Furthermore the book includes a selection of the prints after paintings by Van Dyck. A number of them were the initiative of the artist himself, and others were produced on behalf of publishers and engravers. Works from the eighteenth century are included to illustrate the influence Van Dyck exerted until long after his death-- even in France and England.The introductory essays discuss the collecting of Van Dyck prints, the phenomenon of the trial proof, and technical aspects of the etchings. Based on new archival research the biographies are included of all those who were instrumental in the production of the prints: engravers, publishers, and the persons to whom they were dedicated by Van Dyck.Many of the prints are reproduced in color and the book has numerous comparative illustrations making it essential not only for scholars and enthusiasts of Van Dyck's work, but all those interested in the history of printmaking. 400 pages. Quantity Available: 1. Category: Art & Design; ISBN/EAN: 9789058460158. Inventory No: dscf9105. . 9789058460158.

Lieferung aus: Vereinigte Staaten von Amerika, Verzendkosten naar: NLD.
Von Händler/Antiquariat, Powell's Bookstores Chicago.
Rizzoli. Used - Very Good. 1999. Cloth, dj. Folio. 400 pp. Profusely illustrated. Slight shelf wear to dust jacket. Altogether a copy in Very Good condition. (Subject: Art & Graphic Design.).

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Verzendkosten naar: NLD.
Von Händler/Antiquariat, Colin Martin Art Books.
Amsterdam: Rizzoli, Rijksmuseum Amsterdam & Antwerpen Open. Qto., 400 pages, illustrated. A Fine copy in a Fine dust jacket. . Fine. Hardcover. 1st Edition. 1999.

Lieferung aus: Vereinigte Staaten von Amerika, exclusief verzendkosten, Verzendlocatie: DOM.
Von Händler/Antiquariat, HPB-Emerald, TX, Dallas, [RE:4].
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

Lieferung aus: Vereinigte Staaten von Amerika, exclusief verzendkosten, Verzendlocatie: DOM.
Von Händler/Antiquariat, Powell's Books Chicago, IL, Chicago, [RE:5].
Hard cover.

Lieferung aus: Vereinigte Staaten von Amerika, exclusief verzendkosten, Verzendlocatie: DOM.
Von Händler/Antiquariat, More Books, FL, MIAMI, [RE:3].
Hardcover.

Lieferung aus: Vereinigte Staaten von Amerika, exclusief verzendkosten, Verzendlocatie: DOM.
Von Händler/Antiquariat, Ergodebooks, TX, Richmond, [RE:4].
Hardcover.