Que peindre?/What to Paint?: Adami, Arakawa, Buren (Jean-François Writings on Contemporary Art and Artists) (English and French Edition)
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Que peindre? / what to paint? - Jean-Francois Lyotard (ISBN: 9789058677921) (1992)
NL NWISBN: 9058677923 bzw. 9789058677921, in Holländisch, neu.
Lieferung aus: Niederlande, Tijdelijk niet voorradig.
Het boek Que peindre? / what to paint? (ISBN:9789058677921) geschreven door Jean-Francois Lyotard bestel je op bruna.nl! The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the 'Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the 'pragmatist of the invisible'. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in...
Het boek Que peindre? / what to paint? (ISBN:9789058677921) geschreven door Jean-Francois Lyotard bestel je op bruna.nl! The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the 'Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the 'pragmatist of the invisible'. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in...
2
Que Peindre?/what To Paint?: Adami, Arakawa, Buren
NL NWISBN: 9789058677921 bzw. 9058677923, in Holländisch, Leuven University Press, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Jean-francois Lyotard, Books, Art and Architecture, Que Peindre?/what To Paint?: Adami, Arakawa, Buren, Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the 1980s, at the time of the Differend (1983) and of the Kantian turn leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colorist-draftsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the pragmatist of the invisible. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavors, in tones—in one word, the visual, that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a “world,” nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa's word is quite obviously blank, elusive.
Jean-francois Lyotard, Books, Art and Architecture, Que Peindre?/what To Paint?: Adami, Arakawa, Buren, Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the 1980s, at the time of the Differend (1983) and of the Kantian turn leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colorist-draftsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the pragmatist of the invisible. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavors, in tones—in one word, the visual, that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a “world,” nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa's word is quite obviously blank, elusive.
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Que Peindre?/What To Paint?: Adami, Arakawa, Buren (2013)
NL HC NWISBN: 9789058677921 bzw. 9058677923, in Holländisch, Leuven Univ Pr, gebundenes Buch, neu.
Lieferung aus: Schweiz, Versandfertig innert 3 Wochen.
Adami, Arakawa, Buren, The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the ´Kantian turn´ leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the ´pragmatist of the invisible´. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in one word, the visual that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a ´world´, nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa´s word is quite obviously blank, elusive. gebundene Ausgabe, 26.03.2013.
Adami, Arakawa, Buren, The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the ´Kantian turn´ leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the ´pragmatist of the invisible´. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in one word, the visual that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a ´world´, nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa´s word is quite obviously blank, elusive. gebundene Ausgabe, 26.03.2013.
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Que Peindre?/What To Paint?: Adami, Arakawa, Buren
EN NWISBN: 9789058677921 bzw. 9058677923, in Englisch, neu.
Lieferung aus: Schweiz, zzgl. Versandkosten, wird besorgt, Lieferzeit unbekannt.
Que Peindre?/What To Paint?: Adami, Arakawa, Buren, The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the 'Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the 'pragmatist of the invisible'. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in one word, the visual that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a 'world', nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa's word is quite obviously blank, elusive.
Que Peindre?/What To Paint?: Adami, Arakawa, Buren, The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the 'Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the 'pragmatist of the invisible'. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in one word, the visual that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a 'world', nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa's word is quite obviously blank, elusive.
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Writing ons Contemporary Art and Artists 5 - Que peindre? / what to paint? adami, arakawa, buren (2012)
NL HC NWISBN: 9789058677921 bzw. 9058677923, in Holländisch, Leuven University Press, gebundenes Buch, neu.
Lieferung aus: Niederlande, Vandaag besteld, dinsdag in huis.
bol.com.
The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the 'Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draug... The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the 'Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the 'pragmatist of the invisible'. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in one word, the visual that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a 'world', nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa's word is quite obviously blank, elusive. Productinformatie:Soort: Met illustraties;Taal: Nederlands;Afmetingen: 39x238x172 mm;Gewicht: 1,08 kg;Druk: 1;ISBN10: 9058677923;ISBN13: 9789058677921;Product breedte: 172 mm;Product hoogte: 39 mm;Product lengte: 238 mm; Nederlands | Hardcover | 2012.
bol.com.
The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the 'Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draug... The most important writings of Lyotard on contemporary art in English for the first time Seven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend (1983) and of the 'Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the 'pragmatist of the invisible'. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in one word, the visual that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a 'world', nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa's word is quite obviously blank, elusive. Productinformatie:Soort: Met illustraties;Taal: Nederlands;Afmetingen: 39x238x172 mm;Gewicht: 1,08 kg;Druk: 1;ISBN10: 9058677923;ISBN13: 9789058677921;Product breedte: 172 mm;Product hoogte: 39 mm;Product lengte: 238 mm; Nederlands | Hardcover | 2012.
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Jean-François Writing Ons Contemporary Art And Artists Que Peindre? / What To Paint?
NLISBN: 9789058677921 bzw. 9058677923, in Holländisch.
Lieferung aus: Niederlande, zzgl. Versandkosten.
Von Händler/Antiquariat, Cosmox.nl [csmx].
Hardcover. ISBN: 9789058677921. Levertijd: Op werkdagen voor 21:30 uur besteld morgen in huis. (mit BILD/with PICTURE).
Von Händler/Antiquariat, Cosmox.nl [csmx].
Hardcover. ISBN: 9789058677921. Levertijd: Op werkdagen voor 21:30 uur besteld morgen in huis. (mit BILD/with PICTURE).
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