L'Assassinat de L'Experience Par la Peinture, Monory/The Assassination Of Experience By Painting, Monory Ecrits Sur L'Art Contemporain Et Les Artistes)
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| Preise | 2014 | 2015 | 2016 | 2017 | 2018 |
|---|---|---|---|---|---|
| Schnitt | € 106,50 | € 69,02 | € 58,95 | € 69,72 | € 68,46 |
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L'assassinat de lexperience par la peinture, Monory, the assassination of experience bij painting, Monory (2013)
NL HC NWISBN: 9789058678812 bzw. 9058678814, in Holländisch, Leiden University Press, gebundenes Buch, neu.
Lieferung aus: Niederlande, Vandaag voor 23:00 uur besteld, morgen in huis.
bol.com.
Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since ‘Discourse, Figure’. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian". Monory's im... Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since ‘Discourse, Figure’. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian". Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a "modern contemporary surrealism". Both Lyotard and Monory live the "dilemma of Americanisation", the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of ‘difference’: desire and fear, exultation and a profound malaise. The plastic universe of Monory and the aesthetic meditations of Lyotard are in perfect symbiosis. Sarah Wilson's epilogue thoroughly outlines both the history of a friendship, and at the same time the intellectual and artistic climate of the nineteen-seventies. Productinformatie:Soort: Met illustraties;Taal: Engels;Afmetingen: 28x239x168 mm;Gewicht: 678,00 gram;Druk: 1;ISBN10: 9058678814;ISBN13: 9789058678812;Product breedte: 168 mm;Product hoogte: 28 mm;Product lengte: 239 mm; Engels | Hardcover | 2013.
bol.com.
Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since ‘Discourse, Figure’. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian". Monory's im... Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since ‘Discourse, Figure’. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian". Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a "modern contemporary surrealism". Both Lyotard and Monory live the "dilemma of Americanisation", the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of ‘difference’: desire and fear, exultation and a profound malaise. The plastic universe of Monory and the aesthetic meditations of Lyotard are in perfect symbiosis. Sarah Wilson's epilogue thoroughly outlines both the history of a friendship, and at the same time the intellectual and artistic climate of the nineteen-seventies. Productinformatie:Soort: Met illustraties;Taal: Engels;Afmetingen: 28x239x168 mm;Gewicht: 678,00 gram;Druk: 1;ISBN10: 9058678814;ISBN13: 9789058678812;Product breedte: 168 mm;Product hoogte: 28 mm;Product lengte: 239 mm; Engels | Hardcover | 2013.
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The Assassination Of Experience By Painting, Monory
NL NWISBN: 9789058678812 bzw. 9058678814, in Holländisch, Leuven University Press, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Jean-François Lyotard, Books, Art and Architecture, Art History, The Assassination Of Experience By Painting, Monory, Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Discourse, Figure. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is Californian. Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a modern contemporary surrealism. Both Lyotard and Monory live the “dilemma of Americanization,” the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of difference: desire and fear, exultation and a profound malaise. The plastic universe of Monory and the aesthetic meditations of Lyotard are in perfect symbiosis. Sarah Wilson's epilogue thoroughly outlines both the history of a friendship and, at the same time, the intellectual and artistic climate of the 1970s.
Jean-François Lyotard, Books, Art and Architecture, Art History, The Assassination Of Experience By Painting, Monory, Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Discourse, Figure. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is Californian. Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a modern contemporary surrealism. Both Lyotard and Monory live the “dilemma of Americanization,” the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of difference: desire and fear, exultation and a profound malaise. The plastic universe of Monory and the aesthetic meditations of Lyotard are in perfect symbiosis. Sarah Wilson's epilogue thoroughly outlines both the history of a friendship and, at the same time, the intellectual and artistic climate of the 1970s.
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