Theory Into Practice: Composition, Performance and the Listening Experience (Collected Writings of the Orpheus Institute)
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Theory Into Practice, Composition, Performance and the Listening Experience (1999)
NL PB NWISBN: 9789061869948 bzw. 9061869943, in Holländisch, Leuven University Press, Taschenbuch, neu.
Lieferung aus: Niederlande, 5-10 werkdagen.
bol.com.
The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experie... The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.Soort: Met illustraties;Taal: Engels;Afmetingen: 0x0x0 mm;Gewicht: 99,00 gram;Verschijningsdatum: december 1999;Druk: 1;ISBN10: 9061869943;ISBN13: 9789061869948; Engelstalig | Paperback | 1999.
bol.com.
The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experie... The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.Soort: Met illustraties;Taal: Engels;Afmetingen: 0x0x0 mm;Gewicht: 99,00 gram;Verschijningsdatum: december 1999;Druk: 1;ISBN10: 9061869943;ISBN13: 9789061869948; Engelstalig | Paperback | 1999.
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Theory Into Practice: Composition, Performance and the Listening Experience (Collected Writings of the Orpheus Institute) (1999)
EN PB NWISBN: 9789061869948 bzw. 9061869943, in Englisch, 122 Seiten, Leuven University Press, Taschenbuch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 24 hours.
Von Händler/Antiquariat, Amazon.co.uk.
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Von Händler/Antiquariat, Amazon.co.uk.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Theory Into Practice: Composition, Performance and the Listening Experience (Collected Writings of the Orpheus Institute) (1999)
EN PB USISBN: 9789061869948 bzw. 9061869943, in Englisch, 122 Seiten, Leuven University Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Usually dispatched within 1-2 business days, exclusief verzendkosten (indien geleverd).
Von Händler/Antiquariat, -SuperBookDeals-.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, -SuperBookDeals-.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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