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100%: Croft, (Editor) P.J.: Autograph Poetry in the English Language: Facsimiles of Original Manuscripts From the Fourteenth to the Twentieth Century (ISBN: 9789110322639) Cassell, London, Broschiert.
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47%: Sous la direction de: Peter John Croft: Autograph Poetry in the English Language. Facsimiles of Original Manuscripts from the Fourteenth to the Twentieth Century. 2 volume set. Limited Edition (ISBN: 9780304291489) 1973, Erstausgabe, in Englisch, Band: 2, Broschiert.Nur diese Ausgabe anzeigen…
Autograph Poetry in the English Language: Facsimiles of Original Manuscripts From the Fourteenth to the Twentieth Century
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1
Autograph Poetry in the English Language: Facsimiles of Original Manuscripts from the Fourteenth to the Twentieth Century (Two Volume Set) (1973)
EN HC US FEISBN: 9780304291489 bzw. 030429148X, in Englisch, Cassell, Vereinigtes Königreich Großbritannien und Nordirland, gebundenes Buch, gebraucht, Erstausgabe.
Von Händler/Antiquariat, Alexandria's Library [847689], Unionville, ON, Canada.
Limited Edition No. 411 of 1,500 copies. Two volumes in price-intact dust jackets in slipcase, which shows light wear and some sunning. Dust jackets in fine condition except for sunning to spines. Texts appear unread. Heavy books, no overseas shipments. Folio - 12" - 15" Tall.
Limited Edition No. 411 of 1,500 copies. Two volumes in price-intact dust jackets in slipcase, which shows light wear and some sunning. Dust jackets in fine condition except for sunning to spines. Texts appear unread. Heavy books, no overseas shipments. Folio - 12" - 15" Tall.
2
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Autograph Poetry in the English Language : Facsimiles of Original Manuscripts from the Fourteenth to the Twentieth Century. [ 2 vols, complete set ]
EN USISBN: 030429148X bzw. 9780304291489, in Englisch, Cassell, London, first edition, 1973. gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandart: STD, Versand nach: DE.
Von Händler/Antiquariat, Wykeham Books, [3913].
From the blurb: "Compiled and edited with an introduction, commentary and transcripts by P. J. Croft. Autograph Poetry in the English Language is a unique work. Its two volumes cover the period from the fourteenth century to Dylan Thomas in the twentieth, and represent 146 poets on 197 chronologically-arranged plates reproducing complete pages of manuscript. Each facsimile shows the poet engaged in composing, revising, or establishing a final text of his work. The reader is thus brought into living contact with poetry in the making, while at the same time he is enabled to see the development of English handwriting over six centuries and thus to view the hands of the individual poets in historical perspective. Each facsimile is faced by a letterpress page containing a transcript of the original (recording the author's deletions and revisions) and a commentary providing information on sources, relevant biographical details, features of the handwriting, and points of literary significance. There is a consolidated Table of Manuscript Locations, listing the diverse sources from which the material has been drawn, and each volume is provided with an index to the whole work. Among the subjects discussed in Mr. Croft's Introduction are the history of English handwriting and its significance as a revelation of the individual. The work covers the whole range of poetry in English from the fourteenth century, embracing the important contribution made in the nineteenth and twentieth centuries by American poets. In general, very few of the poets' own manuscripts survive from before the eighteenth century, and in preparing this book, Mr. Croft has undertaken the first thorough survey of the whole period before 1700: as a result, the ear1ier centuries are depicted in a depth which would have seemed impossible even a few years ago, when no poetry at all was believed to exist in the handwriting of such distinguished poets as Sidney, Donne, Herrick, and Dryden. It has now proved possible, however, to include almost all the greatest poets of the last 600 years - the only major exceptions are Chaucer and Spenser, none of whose poetry is known to survive in their own handwriting- and to give a genuinely representative picture of the English poetical tradition. The special contribution which the poets' own manuscripts can make to the understanding of that tradition is here adequately illustrated for the first time. The volumes contain much exciting material that has never been published before. The only known poem in Sir Philip Sidney's hand has escaped the notice of his editors and is reproduced here for the first time. Mr. Croft has identified a notebook containing an entirely new corpus of Elizabethan poetry in the hand of Sir Philip Sidney's brother Robert, a man eminent in his day as a soldier and statesman but not previously known as a poet. One sonnet from Robert Sidney's notebook is reproduced here, the first known publication of any of his poetry. The volumes also include hitherto unknown poems by Herrick, Gay, and Crabbe, a charming new Songe by the Cavalier general William Cavendish, and the original draft of Byron's most famous lyric 'She walks in Beauty', showing the poem in the process of composition and breaking off poignantly with an unfinished stanza which Byron was to suppress and which has not been published before. "From a contemporary review: " ..these two strikingly handsome volumes with their ample proportions, excellent plates with facing transcriptions of great ingenuity and accuracy, and general introductory notes and individual commentaries which stimulate and inform the reader in just the right proportions. ..The plates are of exceptionally high quality...The reproductions gain enormously from showing complete pages in actual size, and often complete poems...Each plate is accompanied by a facing transcription of remarkable faithfulness which goes as far as typography allows in the reproduction of the contents of handwriting by the conventions of print.", 2 vols, cloth, large 8vo, 35 cm, xxiii, 94 + vii, 94 - 197 pp, facs. Fine set in Near Very Good dustwrappers, which are slightly frayed and torn at the head of the spine-panels, in Very Good slipcase. 030429148X.
Von Händler/Antiquariat, Wykeham Books, [3913].
From the blurb: "Compiled and edited with an introduction, commentary and transcripts by P. J. Croft. Autograph Poetry in the English Language is a unique work. Its two volumes cover the period from the fourteenth century to Dylan Thomas in the twentieth, and represent 146 poets on 197 chronologically-arranged plates reproducing complete pages of manuscript. Each facsimile shows the poet engaged in composing, revising, or establishing a final text of his work. The reader is thus brought into living contact with poetry in the making, while at the same time he is enabled to see the development of English handwriting over six centuries and thus to view the hands of the individual poets in historical perspective. Each facsimile is faced by a letterpress page containing a transcript of the original (recording the author's deletions and revisions) and a commentary providing information on sources, relevant biographical details, features of the handwriting, and points of literary significance. There is a consolidated Table of Manuscript Locations, listing the diverse sources from which the material has been drawn, and each volume is provided with an index to the whole work. Among the subjects discussed in Mr. Croft's Introduction are the history of English handwriting and its significance as a revelation of the individual. The work covers the whole range of poetry in English from the fourteenth century, embracing the important contribution made in the nineteenth and twentieth centuries by American poets. In general, very few of the poets' own manuscripts survive from before the eighteenth century, and in preparing this book, Mr. Croft has undertaken the first thorough survey of the whole period before 1700: as a result, the ear1ier centuries are depicted in a depth which would have seemed impossible even a few years ago, when no poetry at all was believed to exist in the handwriting of such distinguished poets as Sidney, Donne, Herrick, and Dryden. It has now proved possible, however, to include almost all the greatest poets of the last 600 years - the only major exceptions are Chaucer and Spenser, none of whose poetry is known to survive in their own handwriting- and to give a genuinely representative picture of the English poetical tradition. The special contribution which the poets' own manuscripts can make to the understanding of that tradition is here adequately illustrated for the first time. The volumes contain much exciting material that has never been published before. The only known poem in Sir Philip Sidney's hand has escaped the notice of his editors and is reproduced here for the first time. Mr. Croft has identified a notebook containing an entirely new corpus of Elizabethan poetry in the hand of Sir Philip Sidney's brother Robert, a man eminent in his day as a soldier and statesman but not previously known as a poet. One sonnet from Robert Sidney's notebook is reproduced here, the first known publication of any of his poetry. The volumes also include hitherto unknown poems by Herrick, Gay, and Crabbe, a charming new Songe by the Cavalier general William Cavendish, and the original draft of Byron's most famous lyric 'She walks in Beauty', showing the poem in the process of composition and breaking off poignantly with an unfinished stanza which Byron was to suppress and which has not been published before. "From a contemporary review: " ..these two strikingly handsome volumes with their ample proportions, excellent plates with facing transcriptions of great ingenuity and accuracy, and general introductory notes and individual commentaries which stimulate and inform the reader in just the right proportions. ..The plates are of exceptionally high quality...The reproductions gain enormously from showing complete pages in actual size, and often complete poems...Each plate is accompanied by a facing transcription of remarkable faithfulness which goes as far as typography allows in the reproduction of the contents of handwriting by the conventions of print.", 2 vols, cloth, large 8vo, 35 cm, xxiii, 94 + vii, 94 - 197 pp, facs. Fine set in Near Very Good dustwrappers, which are slightly frayed and torn at the head of the spine-panels, in Very Good slipcase. 030429148X.
3
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Autograph Poetry in the English Language : Facsimiles of Original Manuscripts from the Fourteenth to the Twentieth Century. [ 2 vols, complete set ]
EN USISBN: 030429148X bzw. 9780304291489, in Englisch, Cassell, London, first edition, 1973. gebraucht.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandart: STD, Versand nach: DE.
Von Händler/Antiquariat, Wykeham Books, [3913].
From the blurb: "Compiled and edited with an introduction, commentary and transcripts by P. J. Croft. Autograph Poetry in the English Language is a unique work. Its two volumes cover the period from the fourteenth century to Dylan Thomas in the twentieth, and represent 146 poets on 197 chronologically-arranged plates reproducing complete pages of manuscript. Each facsimile shows the poet engaged in composing, revising, or establishing a final text of his work. The reader is thus brought into living contact with poetry in the making, while at the same time he is enabled to see the development of English handwriting over six centuries and thus to view the hands of the individual poets in historical perspective. Each facsimile is faced by a letterpress page containing a transcript of the original (recording the author's deletions and revisions) and a commentary providing information on sources, relevant biographical details, features of the handwriting, and points of literary significance. There is a consolidated Table of Manuscript Locations, listing the diverse sources from which the material has been drawn, and each volume is provided with an index to the whole work. Among the subjects discussed in Mr. Croft's Introduction are the history of English handwriting and its significance as a revelation of the individual. The work covers the whole range of poetry in English from the fourteenth century, embracing the important contribution made in the nineteenth and twentieth centuries by American poets. In general, very few of the poets' own manuscripts survive from before the eighteenth century, and in preparing this book, Mr. Croft has undertaken the first thorough survey of the whole period before 1700: as a result, the ear1ier centuries are depicted in a depth which would have seemed impossible even a few years ago, when no poetry at all was believed to exist in the handwriting of such distinguished poets as Sidney, Donne, Herrick, and Dryden. It has now proved possible, however, to include almost all the greatest poets of the last 600 years - the only major exceptions are Chaucer and Spenser, none of whose poetry is known to survive in their own handwriting- and to give a genuinely representative picture of the English poetical tradition. The special contribution which the poets' own manuscripts can make to the understanding of that tradition is here adequately illustrated for the first time. The volumes contain much exciting material that has never been published before. The only known poem in Sir Philip Sidney's hand has escaped the notice of his editors and is reproduced here for the first time. Mr. Croft has identified a notebook containing an entirely new corpus of Elizabethan poetry in the hand of Sir Philip Sidney's brother Robert, a man eminent in his day as a soldier and statesman but not previously known as a poet. One sonnet from Robert Sidney's notebook is reproduced here, the first known publication of any of his poetry. The volumes also include hitherto unknown poems by Herrick, Gay, and Crabbe, a charming new Songe by the Cavalier general William Cavendish, and the original draft of Byron's most famous lyric 'She walks in Beauty', showing the poem in the process of composition and breaking off poignantly with an unfinished stanza which Byron was to suppress and which has not been published before. "From a contemporary review: " ..these two strikingly handsome volumes with their ample proportions, excellent plates with facing transcriptions of great ingenuity and accuracy, and general introductory notes and individual commentaries which stimulate and inform the reader in just the right proportions. ..The plates are of exceptionally high quality...The reproductions gain enormously from showing complete pages in actual size, and often complete poems...Each plate is accompanied by a facing transcription of remarkable faithfulness which goes as far as typography allows in the reproduction of the contents of handwriting by the conventions of print.", 2 vols, cloth, large 8vo, 35 cm, xxiii, 94 + vii, 94 - 197 pp, facs. Fine set in dustwrappers which are slightly torn at the head and tail of the spines, in Very Good slipcase. 030429148X.
Von Händler/Antiquariat, Wykeham Books, [3913].
From the blurb: "Compiled and edited with an introduction, commentary and transcripts by P. J. Croft. Autograph Poetry in the English Language is a unique work. Its two volumes cover the period from the fourteenth century to Dylan Thomas in the twentieth, and represent 146 poets on 197 chronologically-arranged plates reproducing complete pages of manuscript. Each facsimile shows the poet engaged in composing, revising, or establishing a final text of his work. The reader is thus brought into living contact with poetry in the making, while at the same time he is enabled to see the development of English handwriting over six centuries and thus to view the hands of the individual poets in historical perspective. Each facsimile is faced by a letterpress page containing a transcript of the original (recording the author's deletions and revisions) and a commentary providing information on sources, relevant biographical details, features of the handwriting, and points of literary significance. There is a consolidated Table of Manuscript Locations, listing the diverse sources from which the material has been drawn, and each volume is provided with an index to the whole work. Among the subjects discussed in Mr. Croft's Introduction are the history of English handwriting and its significance as a revelation of the individual. The work covers the whole range of poetry in English from the fourteenth century, embracing the important contribution made in the nineteenth and twentieth centuries by American poets. In general, very few of the poets' own manuscripts survive from before the eighteenth century, and in preparing this book, Mr. Croft has undertaken the first thorough survey of the whole period before 1700: as a result, the ear1ier centuries are depicted in a depth which would have seemed impossible even a few years ago, when no poetry at all was believed to exist in the handwriting of such distinguished poets as Sidney, Donne, Herrick, and Dryden. It has now proved possible, however, to include almost all the greatest poets of the last 600 years - the only major exceptions are Chaucer and Spenser, none of whose poetry is known to survive in their own handwriting- and to give a genuinely representative picture of the English poetical tradition. The special contribution which the poets' own manuscripts can make to the understanding of that tradition is here adequately illustrated for the first time. The volumes contain much exciting material that has never been published before. The only known poem in Sir Philip Sidney's hand has escaped the notice of his editors and is reproduced here for the first time. Mr. Croft has identified a notebook containing an entirely new corpus of Elizabethan poetry in the hand of Sir Philip Sidney's brother Robert, a man eminent in his day as a soldier and statesman but not previously known as a poet. One sonnet from Robert Sidney's notebook is reproduced here, the first known publication of any of his poetry. The volumes also include hitherto unknown poems by Herrick, Gay, and Crabbe, a charming new Songe by the Cavalier general William Cavendish, and the original draft of Byron's most famous lyric 'She walks in Beauty', showing the poem in the process of composition and breaking off poignantly with an unfinished stanza which Byron was to suppress and which has not been published before. "From a contemporary review: " ..these two strikingly handsome volumes with their ample proportions, excellent plates with facing transcriptions of great ingenuity and accuracy, and general introductory notes and individual commentaries which stimulate and inform the reader in just the right proportions. ..The plates are of exceptionally high quality...The reproductions gain enormously from showing complete pages in actual size, and often complete poems...Each plate is accompanied by a facing transcription of remarkable faithfulness which goes as far as typography allows in the reproduction of the contents of handwriting by the conventions of print.", 2 vols, cloth, large 8vo, 35 cm, xxiii, 94 + vii, 94 - 197 pp, facs. Fine set in dustwrappers which are slightly torn at the head and tail of the spines, in Very Good slipcase. 030429148X.
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AUTOGRAPH POETRY IN THE ENGLISH LANGUAGE : Facsimiles of Original Manuscripts from the Fouteenth to the Twentieth Century. (1973)
EN HC USISBN: 9780304291489 bzw. 030429148X, Band: 2, in Englisch, Mcgraw Hill, gebundenes Buch, gebraucht, mit Einband.
Von Händler/Antiquariat, Book Alley [35740], Pasadena, CA, U.S.A.
Very Good. Limited Edition 1132 / 1500. 2 volume set. Both books very good solid. Dust jackets protected in brodarts. Slipcase Used with NO markings in text. Pasadena's finest independent new and used bookstore.
Very Good. Limited Edition 1132 / 1500. 2 volume set. Both books very good solid. Dust jackets protected in brodarts. Slipcase Used with NO markings in text. Pasadena's finest independent new and used bookstore.
5
Autograph Poetry in the English Language: Facsimiles of Original Manuscripts From the Fourteenth to the Twentieth Century (1973)
HCISBN: 9789110322639 bzw. 9110322639, Sprache unbekannt, gebundenes Buch.
Von Händler/Antiquariat, Strand Book Store, ABAA [500041], New York, NY, U.S.A.
Rare. 2 volume. 4to. Light edge wear. VG/VG in a VG slipcase.RARE-Books on Books.
Rare. 2 volume. 4to. Light edge wear. VG/VG in a VG slipcase.RARE-Books on Books.
6
Autograph Poetry in the English Language: Facsimiles of Original Manuscripts From the Fourteenth to the Twentieth Century (1973)
HC USISBN: 9789110322639 bzw. 9110322639, Sprache unbekannt, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Strand Book Store, ABAA [500041], New York, NY, U.S.A.
2 volume. 4to. Light edge wear. VG/VG in a VG slipcase.
2 volume. 4to. Light edge wear. VG/VG in a VG slipcase.
7
Autograph Poetry in the English Language: Facsimiles of Original Manuscripts From the Fourteenth to the Twentieth Century (1973)
HC USISBN: 9789110322639 bzw. 9110322639, Sprache unbekannt, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Strand Book Store, ABAA [500041], New York, NY, U.S.A.
2 volume. 4to. Light edge wear. VG/VG in a VG slipcase.
2 volume. 4to. Light edge wear. VG/VG in a VG slipcase.
9
Autograph Poetry in the English Language (1973)
EN HC USISBN: 9780304291489 bzw. 030429148X, in Englisch, 224 Seiten, Littlehampton Book Services Ltd, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, WonderBook.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, WonderBook.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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