Quatorze Juillet - 9 Angebote vergleichen

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Design Books.
Amsterdam: Van Zoetendaal Gallery, 2010. This is a fine softcover copy with a very good dust jacket with light wear at top of spine. Completely clean. Text in French and English. This catalog was prepared to accompany the exhibition of Johan Van Der Keuken's photographs at the FOAM in Amsterdam in 2010. The photographs in this exhibition and book are from the same years as the photographer's most well known book, Paris Mortel, published in Amsterdam in 1963. Illustrated in black & white. These photographs were all taken in Paris on July 14, 1958, Independence Day in France. This is one of France's largest public celebrations and on this day in Paris, 1958, the photographer happened to wander into a small square where a stage had been set up for musicians and dancing. One of his most famous photographs is two young people dancing during this celebration. The photographs in this exhibition are from that same roll of film: more photographs showing the whole sequence. A fascinating book. 10" high X 7" wide. This book will be securely packed and shipped with tracking. . Soft Cover. Fine/Very Good.

Lieferung aus: Deutschland, zzgl. Versandkosten.
Von Privat, Suchfalke, [3149401].
Johan van der Keuken - Quatorze Julliet. Van Zoetendaal Publishers 2010. First Edition, First Printing edition, 19,5x 27 cm, Binding Sempuyu-Style, Pages 64 x 2. Text Noshka van der Lely. Concept Noshka van der Lely & Willem van Zoetendaal. Text Engl./Französisch. With Original Dustjacket (photo-pictorial wrappers). Number of copies: 1,500. Selected as one of the Best Books of 2010 by John Gossage, Morten Andersen, Jörg M Colberg, Martin Parr. Bastille Day, Paris, 1958; a wind-blown couple dances in the street on the Quai de Bourbon, isolated and oblivious to the derelict buildings beside them. This well-known image by documentary filmmaker and photographer Van der Keuken was first published in 1964; the discovery of 32 negatives from the same shoot informs this book and exhibition at Amsterdam's FOAM. Groups of girls socialise; other couples dance and drift off; children laugh; chance passers-by take centre stage. As the image's context is revealed in dynamic sequence, Van der Keuken's perception, processes and choices are uncovered, evincing the cinematic qualities and capturing of motion that concerned him throughout his later career. (Publisher's Description) Paris, 14 July 1958, a cloudy and windy day. In a narrow street on the Île St.-Louis a small band have assembled on a stage to celebrate the national day of celebration. Elderly couples wander past, children hang about, girls parade with pointy chests and little scarves wound tightly round their necks. From time to time people dance. A twenty-year-old film student from Holland takes a series of photographs. The last of these is destined to become famous, appearing in no fewer than six of Johan van der Keuken’s photobooks. In 2010 the time came to put the whole series on display. The vehicle was a book of twenty-five photos of that cloudy and windy day, the six books with the famous photo, the seven strips of film that started it all, and a postscript by van der Keuken’s widow Noshka van der Lely. Thanks to the Japanese style of binding, these relatively sparse contents acquire sufficient volume without becoming needlessly heavy. Not all panel members were taken with the way one of the three photos that van der Keuken took that same evening had been turned into a decorative wrapper for the book. On the other hand the execution of the interior with the photos printed in two shades of black and two of grey on pleasant paper stock is nothing short of exemplary. Might there really, on that day, have been the sound of a musette? It came to light that, besides the famous photo of the dancers taken on 14 July 1958, Johan van der Keuken’s archives contain a great many negatives from his Paris period that were never published. These rolls were shot on the same occasion as the widely known print and as an ensemble they depict an enthralling dance scene. If we view the photos chronologically we can observe people entering the field of view: young women wearing floral-print skirts and their hair bedecked with scarves, older couples, men from North Africa and young children with their parents. The people gather around the dance floor and the music strikes up. The people chat, peripheral extras become leading players, a man with a ladder walks across the frame, a car drives around the corner. Some start to dance, while others spectate from the sidelines. We see girlfriends dancing together, older couples and children, too. Chance passers-by become new dancing partners. Later on Johan van de Keuken selected the most beautiful of these negatives, the photo that for him encapsulated this event in a single image. For this book we have opted for a different approach, incorporating what surrounds that particular shot, what went before and what came after, bringing this session to a close. This reveals the ‘cinematic’ quality of the scene, the movement it embodies. It is as if the photographer dances along with the twirling public. 2010, wie neu, 1.Auflage/First edition, Internationaler Versand, Banküberweisung, PayPal, Selbstabholung und Barzahlung.

Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Privat, Suchfalke, [3149401].
Johan van der Keuken - Quatorze Julliet. Van Zoetendaal Publishers 2010. First Edition, First Printing edition, 19,5x 27 cm, Binding Sempuyu-Style, Pages 64 x 2. Text Noshka van der Lely. Concept Noshka van der Lely & Willem van Zoetendaal. Text Engl./Französisch. With Original Dustjacket (photo-pictorial wrappers). Number of copies: 1,500. Selected as one of the Best Books of 2010 by John Gossage, Morten Andersen, Jörg M Colberg, Martin Parr. Bastille Day, Paris, 1958; a wind-blown couple dances in the street on the Quai de Bourbon, isolated and oblivious to the derelict buildings beside them. This well-known image by documentary filmmaker and photographer Van der Keuken was first published in 1964; the discovery of 32 negatives from the same shoot informs this book and exhibition at Amsterdam's FOAM. Groups of girls socialise; other couples dance and drift off; children laugh; chance passers-by take centre stage. As the image's context is revealed in dynamic sequence, Van der Keuken's perception, processes and choices are uncovered, evincing the cinematic qualities and capturing of motion that concerned him throughout his later career. (Publisher's Description) Paris, 14 July 1958, a cloudy and windy day. In a narrow street on the Île St.-Louis a small band have assembled on a stage to celebrate the national day of celebration. Elderly couples wander past, children hang about, girls parade with pointy chests and little scarves wound tightly round their necks. From time to time people dance. A twenty-year-old film student from Holland takes a series of photographs. The last of these is destined to become famous, appearing in no fewer than six of Johan van der Keuken’s photobooks. In 2010 the time came to put the whole series on display. The vehicle was a book of twenty-five photos of that cloudy and windy day, the six books with the famous photo, the seven strips of film that started it all, and a postscript by van der Keuken’s widow Noshka van der Lely. Thanks to the Japanese style of binding, these relatively sparse contents acquire sufficient volume without becoming needlessly heavy. Not all panel members were taken with the way one of the three photos that van der Keuken took that same evening had been turned into a decorative wrapper for the book. On the other hand the execution of the interior with the photos printed in two shades of black and two of grey on pleasant paper stock is nothing short of exemplary. Might there really, on that day, have been the sound of a musette? It came to light that, besides the famous photo of the dancers taken on 14 July 1958, Johan van der Keuken’s archives contain a great many negatives from his Paris period that were never published. These rolls were shot on the same occasion as the widely known print and as an ensemble they depict an enthralling dance scene. If we view the photos chronologically we can observe people entering the field of view: young women wearing floral-print skirts and their hair bedecked with scarves, older couples, men from North Africa and young children with their parents. The people gather around the dance floor and the music strikes up. The people chat, peripheral extras become leading players, a man with a ladder walks across the frame, a car drives around the corner. Some start to dance, while others spectate from the sidelines. We see girlfriends dancing together, older couples and children, too. Chance passers-by become new dancing partners. Later on Johan van de Keuken selected the most beautiful of these negatives, the photo that for him encapsulated this event in a single image. For this book we have opted for a different approach, incorporating what surrounds that particular shot, what went before and what came after, bringing this session to a close. This reveals the ‘cinematic’ quality of the scene, the movement it embodies. It is as if the photographer dances along with the twirling public. 2010, wie neu, 1.Auflage/First edition, Internationaler Versand, Banküberweisung, PayPal, Selbstabholung und Barzahlung.

Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Privat, Suchfalke, [3149401].
Johan van der Keuken - Quatorze Julliet. Van Zoetendaal Publishers 2010. First Edition, First Printing edition, 19,5x 27 cm, Binding Sempuyu-Style, Pages 64 x 2. Text Noshka van der Lely. Concept Noshka van der Lely & Willem van Zoetendaal. Text Engl./Französisch. With Original Dustjacket (photo-pictorial wrappers). Number of copies: 1,500. Selected as one of the Best Books of 2010 by John Gossage, Morten Andersen, Jörg M Colberg, Martin Parr. Bastille Day, Paris, 1958; a wind-blown couple dances in the street on the Quai de Bourbon, isolated and oblivious to the derelict buildings beside them. This well-known image by documentary filmmaker and photographer Van der Keuken was first published in 1964; the discovery of 32 negatives from the same shoot informs this book and exhibition at Amsterdam's FOAM. Groups of girls socialise; other couples dance and drift off; children laugh; chance passers-by take centre stage. As the image's context is revealed in dynamic sequence, Van der Keuken's perception, processes and choices are uncovered, evincing the cinematic qualities and capturing of motion that concerned him throughout his later career. (Publisher's Description) Paris, 14 July 1958, a cloudy and windy day. In a narrow street on the Île St.-Louis a small band have assembled on a stage to celebrate the national day of celebration. Elderly couples wander past, children hang about, girls parade with pointy chests and little scarves wound tightly round their necks. From time to time people dance. A twenty-year-old film student from Holland takes a series of photographs. The last of these is destined to become famous, appearing in no fewer than six of Johan van der Keuken’s photobooks. In 2010 the time came to put the whole series on display. The vehicle was a book of twenty-five photos of that cloudy and windy day, the six books with the famous photo, the seven strips of film that started it all, and a postscript by van der Keuken’s widow Noshka van der Lely. Thanks to the Japanese style of binding, these relatively sparse contents acquire sufficient volume without becoming needlessly heavy. Not all panel members were taken with the way one of the three photos that van der Keuken took that same evening had been turned into a decorative wrapper for the book. On the other hand the execution of the interior with the photos printed in two shades of black and two of grey on pleasant paper stock is nothing short of exemplary. Might there really, on that day, have been the sound of a musette? It came to light that, besides the famous photo of the dancers taken on 14 July 1958, Johan van der Keuken’s archives contain a great many negatives from his Paris period that were never published. These rolls were shot on the same occasion as the widely known print and as an ensemble they depict an enthralling dance scene. If we view the photos chronologically we can observe people entering the field of view: young women wearing floral-print skirts and their hair bedecked with scarves, older couples, men from North Africa and young children with their parents. The people gather around the dance floor and the music strikes up. The people chat, peripheral extras become leading players, a man with a ladder walks across the frame, a car drives around the corner. Some start to dance, while others spectate from the sidelines. We see girlfriends dancing together, older couples and children, too. Chance passers-by become new dancing partners. Later on Johan van de Keuken selected the most beautiful of these negatives, the photo that for him encapsulated this event in a single image. For this book we have opted for a different approach, incorporating what surrounds that particular shot, what went before and what came after, bringing this session to a close. This reveals the ‘cinematic’ quality of the scene, the movement it embodies. It is as if the photographer dances along with the twirling public. 2010, wie neu, 1.Auflage/First edition, Internationaler Versand, Banküberweisung, PayPal, Selbstabholung und Barzahlung.

Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Privat, Suchfalke, [3149401].
Johan van der Keuken - Quatorze Julliet. Van Zoetendaal Publishers 2010. First Edition, First Printing edition, 19,5x 27 cm, Binding Sempuyu-Style, Pages 64 x 2. Text Noshka van der Lely. Concept Noshka van der Lely & Willem van Zoetendaal. Text Engl./Französisch. With Original Dustjacket (photo-pictorial wrappers). Number of copies: 1,500. Selected as one of the Best Books of 2010 by John Gossage, Morten Andersen, Jörg M Colberg, Martin Parr. Bastille Day, Paris, 1958; a wind-blown couple dances in the street on the Quai de Bourbon, isolated and oblivious to the derelict buildings beside them. This well-known image by documentary filmmaker and photographer Van der Keuken was first published in 1964; the discovery of 32 negatives from the same shoot informs this book and exhibition at Amsterdam's FOAM. Groups of girls socialise; other couples dance and drift off; children laugh; chance passers-by take centre stage. As the image's context is revealed in dynamic sequence, Van der Keuken's perception, processes and choices are uncovered, evincing the cinematic qualities and capturing of motion that concerned him throughout his later career. (Publisher's Description) Paris, 14 July 1958, a cloudy and windy day. In a narrow street on the Île St.-Louis a small band have assembled on a stage to celebrate the national day of celebration. Elderly couples wander past, children hang about, girls parade with pointy chests and little scarves wound tightly round their necks. From time to time people dance. A twenty-year-old film student from Holland takes a series of photographs. The last of these is destined to become famous, appearing in no fewer than six of Johan van der Keuken’s photobooks. In 2010 the time came to put the whole series on display. The vehicle was a book of twenty-five photos of that cloudy and windy day, the six books with the famous photo, the seven strips of film that started it all, and a postscript by van der Keuken’s widow Noshka van der Lely. Thanks to the Japanese style of binding, these relatively sparse contents acquire sufficient volume without becoming needlessly heavy. Not all panel members were taken with the way one of the three photos that van der Keuken took that same evening had been turned into a decorative wrapper for the book. On the other hand the execution of the interior with the photos printed in two shades of black and two of grey on pleasant paper stock is nothing short of exemplary. Might there really, on that day, have been the sound of a musette? It came to light that, besides the famous photo of the dancers taken on 14 July 1958, Johan van der Keuken’s archives contain a great many negatives from his Paris period that were never published. These rolls were shot on the same occasion as the widely known print and as an ensemble they depict an enthralling dance scene. If we view the photos chronologically we can observe people entering the field of view: young women wearing floral-print skirts and their hair bedecked with scarves, older couples, men from North Africa and young children with their parents. The people gather around the dance floor and the music strikes up. The people chat, peripheral extras become leading players, a man with a ladder walks across the frame, a car drives around the corner. Some start to dance, while others spectate from the sidelines. We see girlfriends dancing together, older couples and children, too. Chance passers-by become new dancing partners. Later on Johan van de Keuken selected the most beautiful of these negatives, the photo that for him encapsulated this event in a single image. For this book we have opted for a different approach, incorporating what surrounds that particular shot, what went before and what came after, bringing this session to a close. This reveals the ‘cinematic’ quality of the scene, the movement it embodies. It is as if the photographer dances along with the twirling public. 2010, wie neu, 1.Auflage/First edition, Internationaler Versand, Banküberweisung, PayPal, Selbstabholung und Barzahlung.

Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Privat, Suchfalke, [3149401].
Johan van der Keuken - Quatorze Julliet. Van Zoetendaal Publishers 2010. First Edition, First Printing edition, 19,5x 27 cm, Binding Sempuyu-Style, Pages 64 x 2. Text Noshka van der Lely. Concept Noshka van der Lely & Willem van Zoetendaal. Text Engl./Französisch. With Original Dustjacket (photo-pictorial wrappers). Number of copies: 1,500. Selected as one of the Best Books of 2010 by John Gossage, Morten Andersen, Jörg M Colberg, Martin Parr. Bastille Day, Paris, 1958; a wind-blown couple dances in the street on the Quai de Bourbon, isolated and oblivious to the derelict buildings beside them. This well-known image by documentary filmmaker and photographer Van der Keuken was first published in 1964; the discovery of 32 negatives from the same shoot informs this book and exhibition at Amsterdam's FOAM. Groups of girls socialise; other couples dance and drift off; children laugh; chance passers-by take centre stage. As the image's context is revealed in dynamic sequence, Van der Keuken's perception, processes and choices are uncovered, evincing the cinematic qualities and capturing of motion that concerned him throughout his later career. (Publisher's Description) Paris, 14 July 1958, a cloudy and windy day. In a narrow street on the Île St.-Louis a small band have assembled on a stage to celebrate the national day of celebration. Elderly couples wander past, children hang about, girls parade with pointy chests and little scarves wound tightly round their necks. From time to time people dance. A twenty-year-old film student from Holland takes a series of photographs. The last of these is destined to become famous, appearing in no fewer than six of Johan van der Keuken’s photobooks. In 2010 the time came to put the whole series on display. The vehicle was a book of twenty-five photos of that cloudy and windy day, the six books with the famous photo, the seven strips of film that started it all, and a postscript by van der Keuken’s widow Noshka van der Lely. Thanks to the Japanese style of binding, these relatively sparse contents acquire sufficient volume without becoming needlessly heavy. Not all panel members were taken with the way one of the three photos that van der Keuken took that same evening had been turned into a decorative wrapper for the book. On the other hand the execution of the interior with the photos printed in two shades of black and two of grey on pleasant paper stock is nothing short of exemplary. Might there really, on that day, have been the sound of a musette? It came to light that, besides the famous photo of the dancers taken on 14 July 1958, Johan van der Keuken’s archives contain a great many negatives from his Paris period that were never published. These rolls were shot on the same occasion as the widely known print and as an ensemble they depict an enthralling dance scene. If we view the photos chronologically we can observe people entering the field of view: young women wearing floral-print skirts and their hair bedecked with scarves, older couples, men from North Africa and young children with their parents. The people gather around the dance floor and the music strikes up. The people chat, peripheral extras become leading players, a man with a ladder walks across the frame, a car drives around the corner. Some start to dance, while others spectate from the sidelines. We see girlfriends dancing together, older couples and children, too. Chance passers-by become new dancing partners. Later on Johan van de Keuken selected the most beautiful of these negatives, the photo that for him encapsulated this event in a single image. For this book we have opted for a different approach, incorporating what surrounds that particular shot, what went before and what came after, bringing this session to a close. This reveals the ‘cinematic’ quality of the scene, the movement it embodies. It is as if the photographer dances along with the twirling public. 2010, wie neu, 1.Auflage/First edition, Internationaler Versand, Banküberweisung, PayPal, Selbstabholung und Barzahlung.

Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Privat, Suchfalke, [3149401].
Johan van der Keuken - Quatorze Julliet. Van Zoetendaal Publishers 2010. First Edition, First Printing edition, 19,5x 27 cm, Binding Sempuyu-Style, Pages 64 x 2. Text Noshka van der Lely. Concept Noshka van der Lely & Willem van Zoetendaal. Text Engl./Französisch. With Original Dustjacket (photo-pictorial wrappers). Number of copies: 1,500. Selected as one of the Best Books of 2010 by John Gossage, Morten Andersen, Jörg M Colberg, Martin Parr. Bastille Day, Paris, 1958; a wind-blown couple dances in the street on the Quai de Bourbon, isolated and oblivious to the derelict buildings beside them. This well-known image by documentary filmmaker and photographer Van der Keuken was first published in 1964; the discovery of 32 negatives from the same shoot informs this book and exhibition at Amsterdam's FOAM. Groups of girls socialise; other couples dance and drift off; children laugh; chance passers-by take centre stage. As the image's context is revealed in dynamic sequence, Van der Keuken's perception, processes and choices are uncovered, evincing the cinematic qualities and capturing of motion that concerned him throughout his later career. (Publisher's Description) Paris, 14 July 1958, a cloudy and windy day. In a narrow street on the Île St.-Louis a small band have assembled on a stage to celebrate the national day of celebration. Elderly couples wander past, children hang about, girls parade with pointy chests and little scarves wound tightly round their necks. From time to time people dance. A twenty-year-old film student from Holland takes a series of photographs. The last of these is destined to become famous, appearing in no fewer than six of Johan van der Keuken’s photobooks. In 2010 the time came to put the whole series on display. The vehicle was a book of twenty-five photos of that cloudy and windy day, the six books with the famous photo, the seven strips of film that started it all, and a postscript by van der Keuken’s widow Noshka van der Lely. Thanks to the Japanese style of binding, these relatively sparse contents acquire sufficient volume without becoming needlessly heavy. Not all panel members were taken with the way one of the three photos that van der Keuken took that same evening had been turned into a decorative wrapper for the book. On the other hand the execution of the interior with the photos printed in two shades of black and two of grey on pleasant paper stock is nothing short of exemplary. Might there really, on that day, have been the sound of a musette? It came to light that, besides the famous photo of the dancers taken on 14 July 1958, Johan van der Keuken’s archives contain a great many negatives from his Paris period that were never published. These rolls were shot on the same occasion as the widely known print and as an ensemble they depict an enthralling dance scene. If we view the photos chronologically we can observe people entering the field of view: young women wearing floral-print skirts and their hair bedecked with scarves, older couples, men from North Africa and young children with their parents. The people gather around the dance floor and the music strikes up. The people chat, peripheral extras become leading players, a man with a ladder walks across the frame, a car drives around the corner. Some start to dance, while others spectate from the sidelines. We see girlfriends dancing together, older couples and children, too. Chance passers-by become new dancing partners. Later on Johan van de Keuken selected the most beautiful of these negatives, the photo that for him encapsulated this event in a single image. For this book we have opted for a different approach, incorporating what surrounds that particular shot, what went before and what came after, bringing this session to a close. This reveals the ‘cinematic’ quality of the scene, the movement it embodies. It is as if the photographer dances along with the twirling public. 2010, wie neu, 1.Auflage/First edition, Internationaler Versand, Banküberweisung, PayPal, Selbstabholung und Barzahlung.

Von Händler/Antiquariat, Strand Book Store, ABAA [500041], New York, NY, U.S.A.
(Amsterdam). (Van Zoetendaal Publishers). (2010). 8vo. 1st edition. Text in French and English. Very slight edgewear to wrappers. VG in wrappers.

Lieferung aus: Frankreich, Versand zum Fixpreis, Lieferart: Standard Shipping, 75*** Paris, Lieferung: Europäische Union.
Von Privat, rolleiflexus.
JOHAN VAN DER KEUKEN. Quatorze Juillet. Amsterdam:Van Zoetendaal, 2010. 1,500 copies. JOHAN VAN DER KEUKEN Quatorze Juillet Amsterdam: Van Zoetendaal, 2010. ISBN: 9789072532091 Condition: Very Good Conditions Size 19,5x 27 cm Softcover 1,500 copies Returns: Only accepted if the item purchased is different from the description Shipping worldwide outside UE - 20 Euro , Sehr gut, Festpreisangebot, Bestes Angebot, Date de publication: 2010, Reliure: Couverture souple, Auteur: Johan Van Der Keuken, Lieu de publication: Amsterdam.