Starets Zosima in the " Brothers Karamazov " : A Study in the Mimesis of Virtue (Stockholm Studies in Russian Literature)
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239 S. Gutes Ex. - The program behind the novel Portrait of "a pure, ideal Christian" Bishop Tixon in The Possessed The saints of reality -- Zosima's literary relatives Life versus the meaning of life -- Immortality and resurrection Two languages on society // Dostoevskij's world abounds in people of excessive or even demoniacal passions. There are also a number of figures in this world who are distinguished by extreme goodness. In his very first book, Poor Folk, there appears such a figure, a man who desires nothing for himself, Makar Devuskin. Again, in the Siberian narrative The House of the Dead we meet a young Tartar by the name of Alej in the midst of the hardened or apathetic prisoners. The narrator teaches him to read from the New Testament. Alej is absolutely pure of heart. It is difficult to understand, we are told, how "during the whole time he had been in prison he had been able to preserve such a gentle nature, such a firm sense of honor, such sincere warmth, how he had managed to escape being brutalized, demoralized". (3:453) The explanation is that there are natures equipped by God in such a way that we simply cannot imagine that they "would ever be capable of changing for the worse". In the great novels from the sixties figures of self-effacing goodness have advanced into the foreground. I am thinking here of Sonja in Crime and Punishment and, naturally, of the incomparable Prince Myskin. It is while working on the novel about him that Dostoevskij reveals in a letter his prodigious intention of depicting "a positively beautiful man". (P 294) In the works from the last decade of his life, the 1870s, another variant of goodness dominates. (S. 7) ISBN 9122004807 Sprache: Deutsch Gewicht in Gramm: 550.

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Hylaea, Prints Stockholm, 239 S. Broschiert. Gutes Ex. - The program behind the novel Portrait of "a pure, ideal Christian" Bishop Tixon in The Possessed The saints of reality -- Zosima`s literary relatives Life versus the meaning of life -- Immortality and resurrection Two languages on society // Dostoevskij`s world abounds in people of excessive or even demoniacal passions. There are also a number of figures in this world who are distinguished by extreme goodness. In his very first book, Poor Folk, there appears such a figure, a man who desires nothing for himself, Makar Devuskin. Again, in the Siberian narrative The House of the Dead we meet a young Tartar by the name of Alej in the midst of the hardened or apathetic prisoners. The narrator teaches him to read from the New Testament. Alej is absolutely pure of heart. It is difficult to understand, we are told, how "during the whole time he had been in prison he had been able to preserve such a gentle nature, such a firm sense of honor, such sincere warmth, how he had managed to escape being brutalized, demoralized". (3:453) The explanation is that there are natures equipped by God in such a way that we simply cannot imagine that they "would ever be capable of changing for the worse". In the great novels from the sixties figures of self-effacing goodness have advanced into the foreground. I am thinking here of Sonja in Crime and Punishment and, naturally, of the incomparable Prince Myskin. It is while working on the novel about him that Dostoevskij reveals in a letter his prodigious intention of depicting "a positively beautiful man". (P 294) In the works from the last decade of his life, the 1870s, another variant of goodness dominates... (S. 7) ISBN 9122004807Literaturwissenschaft [Dostojewski, Brüder Karamasow] 1981.

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239 S. Broschiert.

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