FAT. Featuring Finnish Art Iraqi to rule them all. Edition #2013. (Finnish Art Today). Pekka Toivonen (Red.) u.a.
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FAT. Featuring Finnish Art Iraqi to rule them all. Edition #2013. (Finnish Art Today). Pekka Toivonen (Red.) u.a. (2013)
~EN PB USISBN: 9789525867046 bzw. 9525867048, vermutlich in Englisch, Taschenbuch, gebraucht.
Von Händler/Antiquariat, Fundus-Online GbR Borkert Schwarz Zerfaß [8335842], Berlin, Germany.
242 S.; sehr zahlr. Illustr.; 30 cm; kart. Sehr gutes Ex. - Englisch. - ISSN 2341-7455. - INHALT : Opening titles ---- Every epic starts with a tiny detail. ---- Or a logo that slams onto the screen. Kapow! FAT, it reads (page 1). Whoosh! It leaves. Think of the slowest symphonic trailer you'll ever see [close your eyes], and witness it [open your eyes now] transform into an introduction that states FAT's cause (page 7), Slide from the scene -- the page says ---- shushhh.----for an overview of the ---- content (page 9). You are here. You are going there. We are FAT (page 11). Enough. Move on now. ---- Topics ---- The world is full of things that ---- make yoti go "is that so". Horses are not one o£ them, until they start appearing in work after work ---- after work. Find out why (page 14). Robots evolve faster than humans even in art terms (page 16), which might tie in with the trend of no face (page 18), and the obsession to prove human irrationality by making a fucking mess (page 20). Nightmares are captured by textiles (page 22), alluded to in a dying aquarium (page 24), and hidden in darkness (page 26). ---- Characters ---- Enter the artists. The featured artist articles are bookended by showcases of the person and work of Adel Abidin (page 30) and Nelli Palomaki (page 216). In between there are seven character-focused pieces featuring eleven artists. From the triptych of a feature on Abidin, FAT rolls on to four painters (page 70) -- Jenni Hiltunen, Hannaleena Heiska, Rauha Miikilii and Anna Tuori----whose brushes ---- lay on paint with vigour. Minna Suoniemi (page 90) just talks about herself, whereas Pilvi Takala (page 100) is put on the spot in Berlin to do what she does best: waste time and money. Jarno Vesala gives us the creeps, so we put him through the Fear Factor (page 136) before stalking Tuomas Aleksander Laitinen as he roams Los Angeles (page 150). We tug a sauna to a roundabout featuring Pekka Kauhanen's art, and throw some water on the hot stones to make Kauhanen and Pekka Jylha (page 162) drip-drip-drip chat and sweat. We are sometimes backwardsy, and after burning all that wood, we get a lesson of wood chopping from Antti Laitinen, who just stripped 100 square metres of forest (page 200). ---- Facts ---- We analyzed their genre-hoppin' tendencies in pie charts (page 28), measured how they manage their online presence (page 68), took their work at idea value (page 132), did a rehearsal in relativity (page 160), and tracked down the kilometres some of their works have travelled (page 198). Oh, and found something ---- we don't even remember finding---- ---- fact (page 232). ---- Gallery3 ---- The artists featured in FAT were submitted to The Fact Check. ---- Welcome to the three rooms of ---- our gallery. FAT has curated works by the artists featured in these pages. The first room (page 51) focuses on painting that you'd love to touch - and to an extent can touch in our gallery. The second room (page 115) has more spatial works such as sculptures and installations, so you'll be seeing them from a little distance. Finally it's the third room (page 179) we ---- like to call the Dark Room. Get ready for underground visions, creepy shadows, and not-so-dark video art of a slow motion woman rope-jumping. ---- Ending titles ---- There's still time to say some things. ---- The end is traditionally the place to collect information that would clutter the earlier sections, and we make no exception as we present the FAT Appendix (page 240). But there are also goodies such as Good Commission! (page 228) about the pixellated bottle Sami Lukkarinen is painting, and the Finnish Art Today, Famous Art Tomorrow exhibition in Exhibiting FAT (page 234). We've also collected what making this magazine did to us in FAT Camp (page 236). Oh, and then that's it. Except there's one more piece to the puzzle on the page called Page 242. And then the end. ISBN 9789525867046 Sprache: Deutsch Gewicht in Gramm: 1200, Books.
242 S.; sehr zahlr. Illustr.; 30 cm; kart. Sehr gutes Ex. - Englisch. - ISSN 2341-7455. - INHALT : Opening titles ---- Every epic starts with a tiny detail. ---- Or a logo that slams onto the screen. Kapow! FAT, it reads (page 1). Whoosh! It leaves. Think of the slowest symphonic trailer you'll ever see [close your eyes], and witness it [open your eyes now] transform into an introduction that states FAT's cause (page 7), Slide from the scene -- the page says ---- shushhh.----for an overview of the ---- content (page 9). You are here. You are going there. We are FAT (page 11). Enough. Move on now. ---- Topics ---- The world is full of things that ---- make yoti go "is that so". Horses are not one o£ them, until they start appearing in work after work ---- after work. Find out why (page 14). Robots evolve faster than humans even in art terms (page 16), which might tie in with the trend of no face (page 18), and the obsession to prove human irrationality by making a fucking mess (page 20). Nightmares are captured by textiles (page 22), alluded to in a dying aquarium (page 24), and hidden in darkness (page 26). ---- Characters ---- Enter the artists. The featured artist articles are bookended by showcases of the person and work of Adel Abidin (page 30) and Nelli Palomaki (page 216). In between there are seven character-focused pieces featuring eleven artists. From the triptych of a feature on Abidin, FAT rolls on to four painters (page 70) -- Jenni Hiltunen, Hannaleena Heiska, Rauha Miikilii and Anna Tuori----whose brushes ---- lay on paint with vigour. Minna Suoniemi (page 90) just talks about herself, whereas Pilvi Takala (page 100) is put on the spot in Berlin to do what she does best: waste time and money. Jarno Vesala gives us the creeps, so we put him through the Fear Factor (page 136) before stalking Tuomas Aleksander Laitinen as he roams Los Angeles (page 150). We tug a sauna to a roundabout featuring Pekka Kauhanen's art, and throw some water on the hot stones to make Kauhanen and Pekka Jylha (page 162) drip-drip-drip chat and sweat. We are sometimes backwardsy, and after burning all that wood, we get a lesson of wood chopping from Antti Laitinen, who just stripped 100 square metres of forest (page 200). ---- Facts ---- We analyzed their genre-hoppin' tendencies in pie charts (page 28), measured how they manage their online presence (page 68), took their work at idea value (page 132), did a rehearsal in relativity (page 160), and tracked down the kilometres some of their works have travelled (page 198). Oh, and found something ---- we don't even remember finding---- ---- fact (page 232). ---- Gallery3 ---- The artists featured in FAT were submitted to The Fact Check. ---- Welcome to the three rooms of ---- our gallery. FAT has curated works by the artists featured in these pages. The first room (page 51) focuses on painting that you'd love to touch - and to an extent can touch in our gallery. The second room (page 115) has more spatial works such as sculptures and installations, so you'll be seeing them from a little distance. Finally it's the third room (page 179) we ---- like to call the Dark Room. Get ready for underground visions, creepy shadows, and not-so-dark video art of a slow motion woman rope-jumping. ---- Ending titles ---- There's still time to say some things. ---- The end is traditionally the place to collect information that would clutter the earlier sections, and we make no exception as we present the FAT Appendix (page 240). But there are also goodies such as Good Commission! (page 228) about the pixellated bottle Sami Lukkarinen is painting, and the Finnish Art Today, Famous Art Tomorrow exhibition in Exhibiting FAT (page 234). We've also collected what making this magazine did to us in FAT Camp (page 236). Oh, and then that's it. Except there's one more piece to the puzzle on the page called Page 242. And then the end. ISBN 9789525867046 Sprache: Deutsch Gewicht in Gramm: 1200, Books.
2
FAT. Featuring Finnish Art Iraqi to rule them all. Edition #2013. (Finnish Art Today). Pekka Toivonen (Red.) u.a. (2013)
ENISBN: 9789525867046 bzw. 9525867048, in Englisch.
Lieferung aus: Deutschland, Versandkostenfrei in die BRD.
Von Händler/Antiquariat, Fundus-Online GbR.
, 242 S.; sehr zahlr. Illustr.; 30 cm; kart. Sehr gutes Ex. - Englisch. - ISSN 2341-7455. - INHALT : Opening titles ---- Every epic starts with a tiny detail. ---- Or a logo that slams onto the screen... Kapow! FAT, it reads (page 1). Whoosh! It leaves. Think of the slowest symphonic trailer you'll ever see [close your eyes], and witness it [open your eyes now] transform into an introduction that states FAT's cause (page 7), Slide from the scene -- the page says ---- shushhh...----for an overview of the ---- content (page 9). You are here. You are going there. We are FAT (page 11). Enough. Move on now. ---- Topics ---- The world is full of things that ---- make yoti go "is that so". Horses are not one o£ them, until they start appearing in work after work ---- after work. Find out why (page 14). Robots evolve faster than humans even in art terms (page 16), which might tie in with the trend of no face (page 18), and the obsession to prove human irrationality by making a fucking mess (page 20). Nightmares are captured by textiles (page 22), alluded to in a dying aquarium (page 24), and hidden in darkness (page 26). ---- Characters ---- Enter the artists. The featured artist articles are bookended by showcases of the person and work of Adel Abidin (page 30) and Nelli Palomaki (page 216). In between there are seven character-focused pieces featuring eleven artists. From the triptych of a feature on Abidin, FAT rolls on to four painters (page 70) -- Jenni Hiltunen, Hannaleena Heiska, Rauha Miikilii and Anna Tuori----whose brushes ---- lay on paint with vigour. Minna Suoniemi (page 90) just talks about herself, whereas Pilvi Takala (page 100) is put on the spot in Berlin to do what she does best: waste time and money. Jarno Vesala gives us the creeps, so we put him through the Fear Factor (page 136) before stalking Tuomas Aleksander Laitinen as he roams Los Angeles (page 150). We tug a sauna to a roundabout featuring Pekka Kauhanen's art, and throw some water on the hot stones to make Kauhanen and Pekka Jylha (page 162) drip-drip-drip chat and sweat. We are sometimes backwardsy, and after burning all that wood, we get a lesson of wood chopping from Antti Laitinen, who just stripped 100 square metres of forest (page 200). ---- Facts ---- We analyzed their genre-hoppin' tendencies in pie charts (page 28), measured how they manage their online presence (page 68), took their work at idea value (page 132), did a rehearsal in relativity (page 160), and tracked down the kilometres some of their works have travelled (page 198). Oh, and found something ---- we don't even remember finding---- ---- fact (page 232). ---- Gallery3 ---- The artists featured in FAT were submitted to The Fact Check. ---- Welcome to the three rooms of ---- our gallery. FAT has curated works by the artists featured in these pages. The first room (page 51) focuses on painting that you'd love to touch - and to an extent can touch in our gallery. The second room (page 115) has more spatial works such as sculptures and installations, so you'll be seeing them from a little distance. Finally it's the third room (page 179) we ---- like to call the Dark Room. Get ready for underground visions, creepy shadows, and not-so-dark video art of a slow motion woman rope-jumping. ---- Ending titles ---- There's still time to say some things. ---- The end is traditionally the place to collect information that would clutter the earlier sections, and we make no exception as we present the FAT Appendix (page 240). But there are also goodies such as Good Commission! (page 228) about the pixellated bottle Sami Lukkarinen is painting, and the Finnish Art Today, Famous Art Tomorrow exhibition in Exhibiting FAT (page 234). We've also collected what making this magazine did to us in FAT Camp (page 236). Oh, and then that's it. Except there's one more piece to the puzzle on the page called Page 242. And then the end. ISBN 9789525867046Finnland [Kunst; Finnland; Finnische Kunst; Zeitschrift; Kunstzeitschrift; Bildende Kunst; Publizistik; Finnische Kultur] _.
Von Händler/Antiquariat, Fundus-Online GbR.
, 242 S.; sehr zahlr. Illustr.; 30 cm; kart. Sehr gutes Ex. - Englisch. - ISSN 2341-7455. - INHALT : Opening titles ---- Every epic starts with a tiny detail. ---- Or a logo that slams onto the screen... Kapow! FAT, it reads (page 1). Whoosh! It leaves. Think of the slowest symphonic trailer you'll ever see [close your eyes], and witness it [open your eyes now] transform into an introduction that states FAT's cause (page 7), Slide from the scene -- the page says ---- shushhh...----for an overview of the ---- content (page 9). You are here. You are going there. We are FAT (page 11). Enough. Move on now. ---- Topics ---- The world is full of things that ---- make yoti go "is that so". Horses are not one o£ them, until they start appearing in work after work ---- after work. Find out why (page 14). Robots evolve faster than humans even in art terms (page 16), which might tie in with the trend of no face (page 18), and the obsession to prove human irrationality by making a fucking mess (page 20). Nightmares are captured by textiles (page 22), alluded to in a dying aquarium (page 24), and hidden in darkness (page 26). ---- Characters ---- Enter the artists. The featured artist articles are bookended by showcases of the person and work of Adel Abidin (page 30) and Nelli Palomaki (page 216). In between there are seven character-focused pieces featuring eleven artists. From the triptych of a feature on Abidin, FAT rolls on to four painters (page 70) -- Jenni Hiltunen, Hannaleena Heiska, Rauha Miikilii and Anna Tuori----whose brushes ---- lay on paint with vigour. Minna Suoniemi (page 90) just talks about herself, whereas Pilvi Takala (page 100) is put on the spot in Berlin to do what she does best: waste time and money. Jarno Vesala gives us the creeps, so we put him through the Fear Factor (page 136) before stalking Tuomas Aleksander Laitinen as he roams Los Angeles (page 150). We tug a sauna to a roundabout featuring Pekka Kauhanen's art, and throw some water on the hot stones to make Kauhanen and Pekka Jylha (page 162) drip-drip-drip chat and sweat. We are sometimes backwardsy, and after burning all that wood, we get a lesson of wood chopping from Antti Laitinen, who just stripped 100 square metres of forest (page 200). ---- Facts ---- We analyzed their genre-hoppin' tendencies in pie charts (page 28), measured how they manage their online presence (page 68), took their work at idea value (page 132), did a rehearsal in relativity (page 160), and tracked down the kilometres some of their works have travelled (page 198). Oh, and found something ---- we don't even remember finding---- ---- fact (page 232). ---- Gallery3 ---- The artists featured in FAT were submitted to The Fact Check. ---- Welcome to the three rooms of ---- our gallery. FAT has curated works by the artists featured in these pages. The first room (page 51) focuses on painting that you'd love to touch - and to an extent can touch in our gallery. The second room (page 115) has more spatial works such as sculptures and installations, so you'll be seeing them from a little distance. Finally it's the third room (page 179) we ---- like to call the Dark Room. Get ready for underground visions, creepy shadows, and not-so-dark video art of a slow motion woman rope-jumping. ---- Ending titles ---- There's still time to say some things. ---- The end is traditionally the place to collect information that would clutter the earlier sections, and we make no exception as we present the FAT Appendix (page 240). But there are also goodies such as Good Commission! (page 228) about the pixellated bottle Sami Lukkarinen is painting, and the Finnish Art Today, Famous Art Tomorrow exhibition in Exhibiting FAT (page 234). We've also collected what making this magazine did to us in FAT Camp (page 236). Oh, and then that's it. Except there's one more piece to the puzzle on the page called Page 242. And then the end. ISBN 9789525867046Finnland [Kunst; Finnland; Finnische Kunst; Zeitschrift; Kunstzeitschrift; Bildende Kunst; Publizistik; Finnische Kultur] _.
3
FAT. Featuring Finnish Art Iraqi to rule them all. Edition #2013. (Finnish Art Today). Pekka Toivonen (Red.) u.a. (2013)
~EN USISBN: 9789525867046 bzw. 9525867048, vermutlich in Englisch, gebraucht.
Lieferung aus: Deutschland, Versandkostenfrei in die BRD.
Von Händler/Antiquariat, Fundus-Online GbR.
, 242 S.; sehr zahlr. Illustr.; 30 cm; kart. Sehr gutes Ex. - Englisch. - ISSN 2341-7455. - INHALT : Opening titles ---- Every epic starts with a tiny detail. ---- Or a logo that slams onto the screen... Kapow! FAT, it reads (page 1). Whoosh! It leaves. Think of the slowest symphonic trailer you'll ever see [close your eyes], and witness it [open your eyes now] transform into an introduction that states FAT's cause (page 7), Slide from the scene -- the page says ---- shushhh...----for an overview of the ---- content (page 9). You are here. You are going there. We are FAT (page 11). Enough. Move on now. ---- Topics ---- The world is full of things that ---- make yoti go "is that so". Horses are not one o£ them, until they start appearing in work after work ---- after work. Find out why (page 14). Robots evolve faster than humans even in art terms (page 16), which might tie in with the trend of no face (page 18), and the obsession to prove human irrationality by making a fucking mess (page 20). Nightmares are captured by textiles (page 22), alluded to in a dying aquarium (page 24), and hidden in darkness (page 26). ---- Characters ---- Enter the artists. The featured artist articles are bookended by showcases of the person and work of Adel Abidin (page 30) and Nelli Palomaki (page 216). In between there are seven character-focused pieces featuring eleven artists. From the triptych of a feature on Abidin, FAT rolls on to four painters (page 70) -- Jenni Hiltunen, Hannaleena Heiska, Rauha Miikilii and Anna Tuori----whose brushes ---- lay on paint with vigour. Minna Suoniemi (page 90) just talks about herself, whereas Pilvi Takala (page 100) is put on the spot in Berlin to do what she does best: waste time and money. Jarno Vesala gives us the creeps, so we put him through the Fear Factor (page 136) before stalking Tuomas Aleksander Laitinen as he roams Los Angeles (page 150). We tug a sauna to a roundabout featuring Pekka Kauhanen's art, and throw some water on the hot stones to make Kauhanen and Pekka Jylha (page 162) drip-drip-drip chat and sweat. We are sometimes backwardsy, and after burning all that wood, we get a lesson of wood chopping from Antti Laitinen, who just stripped 100 square metres of forest (page 200). ---- Facts ---- We analyzed their genre-hoppin' tendencies in pie charts (page 28), measured how they manage their online presence (page 68), took their work at idea value (page 132), did a rehearsal in relativity (page 160), and tracked down the kilometres some of their works have travelled (page 198). Oh, and found something ---- we don't even remember finding---- ---- fact (page 232). ---- Gallery3 ---- The artists featured in FAT were submitted to The Fact Check. ---- Welcome to the three rooms of ---- our gallery. FAT has curated works by the artists featured in these pages. The first room (page 51) focuses on painting that you'd love to touch - and to an extent can touch in our gallery. The second room (page 115) has more spatial works such as sculptures and installations, so you'll be seeing them from a little distance. Finally it's the third room (page 179) we ---- like to call the Dark Room. Get ready for underground visions, creepy shadows, and not-so-dark video art of a slow motion woman rope-jumping. ---- Ending titles ---- There's still time to say some things. ---- The end is traditionally the place to collect information that would clutter the earlier sections, and we make no exception as we present the FAT Appendix (page 240). But there are also goodies such as Good Commission! (page 228) about the pixellated bottle Sami Lukkarinen is painting, and the Finnish Art Today, Famous Art Tomorrow exhibition in Exhibiting FAT (page 234). We've also collected what making this magazine did to us in FAT Camp (page 236). Oh, and then that's it. Except there's one more piece to the puzzle on the page called Page 242. And then the end. ISBN 9789525867046Finnland [Kunst; Finnland; Finnische Kunst; Zeitschrift; Kunstzeitschrift; Bildende Kunst; Publizistik; Finnische Kultur] _.
Von Händler/Antiquariat, Fundus-Online GbR.
, 242 S.; sehr zahlr. Illustr.; 30 cm; kart. Sehr gutes Ex. - Englisch. - ISSN 2341-7455. - INHALT : Opening titles ---- Every epic starts with a tiny detail. ---- Or a logo that slams onto the screen... Kapow! FAT, it reads (page 1). Whoosh! It leaves. Think of the slowest symphonic trailer you'll ever see [close your eyes], and witness it [open your eyes now] transform into an introduction that states FAT's cause (page 7), Slide from the scene -- the page says ---- shushhh...----for an overview of the ---- content (page 9). You are here. You are going there. We are FAT (page 11). Enough. Move on now. ---- Topics ---- The world is full of things that ---- make yoti go "is that so". Horses are not one o£ them, until they start appearing in work after work ---- after work. Find out why (page 14). Robots evolve faster than humans even in art terms (page 16), which might tie in with the trend of no face (page 18), and the obsession to prove human irrationality by making a fucking mess (page 20). Nightmares are captured by textiles (page 22), alluded to in a dying aquarium (page 24), and hidden in darkness (page 26). ---- Characters ---- Enter the artists. The featured artist articles are bookended by showcases of the person and work of Adel Abidin (page 30) and Nelli Palomaki (page 216). In between there are seven character-focused pieces featuring eleven artists. From the triptych of a feature on Abidin, FAT rolls on to four painters (page 70) -- Jenni Hiltunen, Hannaleena Heiska, Rauha Miikilii and Anna Tuori----whose brushes ---- lay on paint with vigour. Minna Suoniemi (page 90) just talks about herself, whereas Pilvi Takala (page 100) is put on the spot in Berlin to do what she does best: waste time and money. Jarno Vesala gives us the creeps, so we put him through the Fear Factor (page 136) before stalking Tuomas Aleksander Laitinen as he roams Los Angeles (page 150). We tug a sauna to a roundabout featuring Pekka Kauhanen's art, and throw some water on the hot stones to make Kauhanen and Pekka Jylha (page 162) drip-drip-drip chat and sweat. We are sometimes backwardsy, and after burning all that wood, we get a lesson of wood chopping from Antti Laitinen, who just stripped 100 square metres of forest (page 200). ---- Facts ---- We analyzed their genre-hoppin' tendencies in pie charts (page 28), measured how they manage their online presence (page 68), took their work at idea value (page 132), did a rehearsal in relativity (page 160), and tracked down the kilometres some of their works have travelled (page 198). Oh, and found something ---- we don't even remember finding---- ---- fact (page 232). ---- Gallery3 ---- The artists featured in FAT were submitted to The Fact Check. ---- Welcome to the three rooms of ---- our gallery. FAT has curated works by the artists featured in these pages. The first room (page 51) focuses on painting that you'd love to touch - and to an extent can touch in our gallery. The second room (page 115) has more spatial works such as sculptures and installations, so you'll be seeing them from a little distance. Finally it's the third room (page 179) we ---- like to call the Dark Room. Get ready for underground visions, creepy shadows, and not-so-dark video art of a slow motion woman rope-jumping. ---- Ending titles ---- There's still time to say some things. ---- The end is traditionally the place to collect information that would clutter the earlier sections, and we make no exception as we present the FAT Appendix (page 240). But there are also goodies such as Good Commission! (page 228) about the pixellated bottle Sami Lukkarinen is painting, and the Finnish Art Today, Famous Art Tomorrow exhibition in Exhibiting FAT (page 234). We've also collected what making this magazine did to us in FAT Camp (page 236). Oh, and then that's it. Except there's one more piece to the puzzle on the page called Page 242. And then the end. ISBN 9789525867046Finnland [Kunst; Finnland; Finnische Kunst; Zeitschrift; Kunstzeitschrift; Bildende Kunst; Publizistik; Finnische Kultur] _.
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